Milton Glaser Jacket Design (23 results)

Hardbound Clothbinding. Condition: Very Good. Dust Jacket Condition: Good. 1st American Printing, 1968. 375 pp. First American printing, 1968Solidly bound book with minimal external wear. Small tear on top of page 347 not affecting text. Essentially clean and bright pages. Dj shows moderate wear and tear around top and bottom of spine and near edges. Kay Eaglin (Design); Milton Glaser (Jacket Design) (illustrator).…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 400 pp. Solidly bound copy and dj with moderate external wear, crisp pages and clean text. Milton Glaser (Jacket Design) (illustrator).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Copyright 1981. 494 pp. Solidly bound copy and dj with moderate external wear, crisp pages and clean text. Milton Glaser (Jacket Design); Thomas Victor (Author Photo) (illustrator).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 212 pp. Stated first edition! A true collectible gem! Solidly bound copy and dj with minimal external wear, crisp pages and clean text. Small stain on fore edge. Milton Glaser (Jacket Design); Jill Krementz (Author Photo) (illustrator).…

Red boards, white cloth spine. Condition: Good. Dust Jacket condition good. First Edition. SIGNED & INSCRIBED by the author on the title page in green felt tip: "For [illegible] with admiration Judy." Also a written note on the contents page commenting on a particular story. 242 pages. First Edition, so stated. Top of cover stained, some evidence of water. Dust jacket rubbed/scuffed/soiled. Text clean and bright. Collection of 11 short stories which 'deliver a confidently styled statement of lost humanity.'. Jacket design by Milton Glaser. (illustrator). SIGNED and inscribed by author.…

Quarter Cloth. Condition: Very Good. Good+ (in mylar). First Edition. Retired library copy with the usual stamps, stickers, and labels; Page 3-4 chipped along the fore edge; Textblock clean and tight; Boards and dust jacket fold-ins are cellophane-tape stained; Board corners bumped; Dust jacket edge-scuffed, worn and creased; 355p. A new translation of the classic Russian novel. Size: 8vo - Over 7 3/4" - 9 3/4 " Tall. Milton Glaser Jacket Design (illustrator). Ex-Library Hardcover.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First American edition. An apparently unread, unused copy. Glaser, Milton (jacket design) (illustrator).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good Minus. 1st Edition. Stated 'First Edition.' It is the first English edition, as it was translated from the Hebrew. You can see the covers in the photos. They are quite clean. There's a little toning off the top and bottom edges. The gilt lettering on the spine is nicely bright. There's a little crinkling at the spine ends. The cover edges are in very good shape, no rubbing. The top ones are a little lighter blue than the middle and bottom edges. The corners look very good, no rubbing. The page edges are very clean. The top one has a yellow topstain. It looks very good. The book is quite solidly bound. The pages are nicely tight throughout. The covers are nicely tight as well. The inside covers and end papers are very clean. Scrolling through the pages, I found only a half-dozen or so with one tiny, to small, spot. The pages are nicely bright. I haven't found any creasing. There are no markings. No attachments of any kind. And no one has written their name or anything else anywhere in the book. You can see the dust jacket in the first few photos. I have always had it in a fitted active cover. There is a tiny loss off the top edge of the front cover, a few little scuffs of the bottom edge of the spine, and one just adjacent off the bottom edge of the front. There is a light crease off the top corner of the rear cover. The rear cover is toned. The flaps are in decent condition. There is a thin vertical crease on the rear flap, another small one below the rear flap's top corner. The jacket is NOT price-clipped, not clipped at all. However, the previous owner penned a thin red line through the price and underneath it penned what looks like either '94' or '9y'. There is also a little pink semicircle to the left of the price. From the dust jacket: 'Thoughtful readers will find themselves profoundly stirred by this near-allegorical tale.'. Jacket Design by Milton Glaser (illustrator).…

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. 205 pp. Tightly bound copy with minimal external wear and clean pages. Dj has minor cuts and tears around places. Milton Glaser (Jacket Design) (illustrator).

Hardcover. Condition: Very Good condition. Very Near Fine dust jacket. First Edition. New York: The Macmillan Company, 1967. Very Good condition in an unusually nice Very Near Fine dust jacket. NO chips. NO tears. NO fading. NOT price clipped ($4.50). Protected by a removable Brodart clear-plastic sleeve. Hinges are perfect. NOT a library discard. NO owner's name or bookplate. NOT a remainder. 1967. First Edition with "First Printing" so stated on the copyright page. Biblio-mystery featuring English professor/amateur sleuth Kate Fansler. Carolyn G. Heilbrun's second Kate Fansler mystery, written in secret under the pseudonym Amanda Cross to protect her academic career at Columbia University. Bound in the original black boards, stamped in pink. Complete with dust jacket. First Edition. Hardcover. Very Good condition/Very Near Fine dust jacket. Illus. by Glaser, Milton (jacket design). 8vo. (xii), 176pp. Great Packaging, Fast Shipping. Glaser, Milton (jacket design) (illustrator).…

Hardcover. Condition: As New. Dust Jacket Condition: Fine. 1st Edition. As new condition white boards, black spine, and gold spine lettering contained in a fine condition non price-clipped color illustrated dust jacket. Includes Introduction by Jonathan Cott; Contributors; Permissions; Lyric Credits and Acknowledgments. A small pencil erasor sized indent at lower front left jacket spine edge. "Irresistible.The mosaic of discussions found here is many things: biography, oral history, cultural time capsule, music lesson, and psychodrama.Arranged chronologically, these interviews vary wildly. That accounts for much of their cumulative appeal.Mr. Dylan's assessments of his life and work are steadily illuminating.Invaluable." - The New York Times. "A historical compilation to savor." - Los Angeles Times. "As an interview subject, Bob Dylan is notorious for his unpredictable moods and evasive, impish answers. Yet this priceless collection teems with honest, open, and thoughtful musings.Those who have been touched by Dylan's songs will find this collection a fascinating window into his one-of-a-kind mind." - Publishers Weekly. "The ultimate collection of interviews and encounters with Nobel Laureate Bob Dylan, spanning his entire career from 1962 to today. Bob Dylan: The Essential Interviews features over two dozen of the most significant and revealing conversations with the singer-songwriter, gathered in one definitive collection that spans his career from street poet to Nobel Laureate. First published in 2006, this acclaimed collection brings together the best interviews and encounters with Bob Dylan to create a multifaceted cultural and journalistic portrait of the artist and his legacy. This edition includes several new pieces that update the volume to the present day. Among the highlights are the seminal Rolling Stone interviews - by Jann S. Wenner, Jonathan Cott, Kurt Loder, Mikal Gilmore, Douglas Brinkley, and Jonathan Lethem - as well as Nat Hentoff's legendary 1966 Playboy interview. Surprises include Studs Terkel's radio interview in 1963 on WFMT in Chicago, the interview Dylan gave to screenwriter Jay Cocks when he was a student at Kenyon College in 1964, a 1965 interview with director Nora Ephron, and an interview Sam Shepard turned into a one-act play for Esquire in 1987. Introduced by Rolling Stone editor Jonathan Cott, these intimate conversations comprise a "priceless collection, with honest, open, and thoughtful musings.a fascinationg window into his one-of-a-kind mind" (Publishers Weekly). - " - from the inner front jacket flap. Glaser, Milton (title page design); Polanco, Lewelin (interior design); Schatzbert, Jerr y (rear jacket photo) (illustrator).…

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition; First Printing. 8vo 8" - 9" tall; 215 pages; 1973 Farrar, Straus & Giroux. HC/DJ. 1st edition, 1st printing. Snugly bound in quarter burgundy cloth over patterned yellow-and-black paper-covered boards; publisher's burgundy top stain bright, with a few superficial drip outlines. Color pictorial dust jacket designed by Milton Glaser of Push Pin Studios, uniformly bright with the publisher's $6.95 issue price intact to unclipped front flap. Jacket shows mild crimping and superficial rubbing at spine ends, with some light shelf soiling to surfaces. Publisher's printed review slip laid in at front. A sharp copy of Wright's third novel, housed in a distinctive Glaser jacket. VG++/VG++.…

Hardcover. Condition: Very Good condition. Very Good jacket. First American edition (so stated). New York: Atheneum, 1966. Very Good condition in a Very Good dust jacket. NOT price clipped ($4.50). The jacket has one tiny chip. Protected by a removable Brodart clear-plastic sleeve. Sharp corners. NOT a library discard. NO owner's name or bookplate. NO remainder mark. Paperclip impression on a few leaves. NO underlining. NO highlighting. NO margin notes. 1966. First American Edition (so stated). A reference work often cited by booksellers in their catalogue descriptions. Don't confuse this with the University of Texas exhibition catalogue. Bound in the original silver-stamped black cloth. Complete with dust jacket. From the publisher: "Cyril Connolly has chosen as his 'Key' books those which best illustrate the spirit of the modern movement which dawned with Flaubert and Baudelaire, reached its zenith early in the century, and only became past history in the fifties - if it has become past history. In selecting the one hundred titles Mr. Connolly has taken as his criterion not personal preference, but the importance of each work in the setting of the movement itself. Of course, not everyone will agree, and disagreeing with Mr. Connolly's choice may well become a parlour game amongst fellow literary critics and others. But the greatest value of the book is to those not yet in a position to argue with the compiler, to whom his taste, erudition and critical genius will open new paths. Mr. Connolly has plotted a course through seventy years of literature which can be followed with benefit and much enjoyment by all students of literature. The one hundred titles are divided into four periods, each of which is briefly introduced; the whole is prefaced with a stimulating analysis of the modern movement as a whole in which Mr. Connolly explains his choice of books. Each book is dated and briefly described in a short paragraph or two which includes information on the author's other works and sets the book in its place in the movement. The book is completed by a full bibliography which includes details of available British and American and French editions as well as information on translations.". First American edition (so stated). Hardcover. Very Good condition/Very Good jacket. Illus. by Glaser, Milton (jacket design). (ix), 149pp. Great Packaging, Fast Shipping. Glaser, Milton (jacket design) (illustrator). …

Hardcover. Condition: Fine condition. Very Near Fine DJ (price clip). First American edition (so stated). New York: Atheneum, 1966. Fine condition in a Very Near Fine dust jacket (price clipped). Only one short (3/8th inch) closed tear to the edge of the jacket's rear panel. NO chips. NO creases. NO fading. Protected by a removable Brodart clear-plastic sleeve. Sharp corners. NOT a library discard. NO owner's name or bookplate. NO remainder mark. Pages are fresh and crisp. NO underlining. NO highlighting. NO margin notes. 1966. First American Edition (so stated). A reference work often cited by booksellers in their catalogue descriptions. Don't confuse this with the University of Texas exhibition catalogue. Bound in the original silver-stamped black cloth. Complete with dust jacket. From the publisher: "Cyril Connolly has chosen as his 'Key' books those which best illustrate the spirit of the modern movement which dawned with Flaubert and Baudelaire, reached its zenith early in the century, and only became past history in the fifties - if it has become past history. In selecting the one hundred titles Mr. Connolly has taken as his criterion not personal preference, but the importance of each work in the setting of the movement itself. Of course, not everyone will agree, and disagreeing with Mr. Connolly's choice may well become a parlour game amongst fellow literary critics and others. But the greatest value of the book is to those not yet in a position to argue with the compiler, to whom his taste, erudition and critical genius will open new paths. Mr. Connolly has plotted a course through seventy years of literature which can be followed with benefit and much enjoyment by all students of literature. The one hundred titles are divided into four periods, each of which is briefly introduced; the whole is prefaced with a stimulating analysis of the modern movement as a whole in which Mr. Connolly explains his choice of books. Each book is dated and briefly described in a short paragraph or two which includes information on the author's other works and sets the book in its place in the movement. The book is completed by a full bibliography which includes details of available British and American and French editions as well as information on translations.". First American edition (so stated). Hardcover. Fine condition/Very Near Fine DJ (price clip). Illus. by Glaser, Milton (jacket design). (ix), 149pp. Great Packaging, Fast Shipping. Glaser, Milton (jacket design) (illustrator).…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Book Club Edition. Published in 1979 by Harcourt Brace Jovanovich, this Book Club Edition of Little Birds: Erotica presents one of Anaïs Nin?s most candid and influential collections, written during the period when she was commissioned to produce erotic fiction in the 1940s. Issued simultaneously in New York and London, the volume reflects the resurgence of interest in Nin's previously suppressed erotic writings during the late 1970s. The book is Near Fine, with bright, clean, and unmarked pages throughout. The binding is tight and square, the red cloth boards remain fresh, and the spine is strong with no lean. Of particular bibliographic interest is a hand-stamped regional printer's mark on the rear flyleaf reading 'Orange Books,' a distinctive production detail associated with Orange Graphics of Orange, Virginia, the firm credited with printing and binding this edition. Such regional printer stamps are uncommon survivals and add documentary interest for collectors of modern American publishing history. The dust jacket is present and in Very Good condition, showing light edge wear and small chips at the extremities, consistent with age, but retaining strong color and a clean, striking Milton Glaser jacket design. The jacket is unclipped and complete, with no tape repairs or restoration. No inscriptions, bookplates, or laid-in ephemera are present. Milton Glaser (1929-2020) was one of the most influential graphic designers of the 20th century, best known for creating the iconic 'I Love NY' logo and for shaping the visual language of American publishing, advertising, and cultural institutions. A co-founder of New York magazine, Glaser's work is celebrated for its bold typography, conceptual clarity, and humanistic warmth. His book jacket designs, such as the striking cover for Little Birds, are highly regarded for marrying visual sophistication with literary resonance, making them especially appealing to collectors. Jacket design by Milton Glaser (illustrator).…

Hardcover. Condition: Very Fine condition. Very Fine dust jacket. First Edition (so stated). Boston & Toronto: Little, Brown and Company, 1966. A gorgeous copy of the first printing. HARDCOVER. Very Fine condition in a Very Fine dust jacket. Protected by a removable Gaylord clear-plastic sleeve. NOT price clipped ($3.95). NO chips. NO tears. NO rubbing. NO fading. NO owner's name or bookplate. Bright, shiny, clean, square and tight. 1966. First printing with "First Edition" so stated on the copyright page. Bound in the original black boards stamped in bright white on the spine. Complete with pristine dust jacket. First Edition (so stated). Hardcover. Very Fine condition/Very Fine dust jacket. Illus. by Glaser, Milton (jacket design). 8vo. ix, 67pp. Great Packaging, Fast Shipping. Glaser, Milton (jacket design) (illustrator).…

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition, First Printing. Farrar, Straus & Giroux, 1968. First Edition, First Printing. Condition: Fine in a Very Good dustjacket. Quarter red cloth with silver lettering on spine, grey marble boards, dark grey publisher's topstain, yellow end papers. Spine is straight, corners sharp, binding is sound. The interior is clean and unmarked. The unclipped dustjacket shows original $5.95 price, wear at head and foot of spine, slight crease on inside front flap. Protected in a clear archival mylar cover. Wolfe's third book is a collection of essays and articles exploring various aspects of the 1960's counterculture. Carefully packaged and shipped in a sturdy cardboard box. Milton Glaser, jacket design (illustrator). …

Hardcover. Condition: Near Fine. Near Fine. First Edition, First Printing. Farrar, Straus and Giroux, 1970. First Edition, First Printing. Condition: Near Fine in a Near Fine dustjacket. White linen boards with purple lettering on spine, dark green end papers. Spine is straight, corners are sharp, binding is tight. The interior is clean and unmarked. The unclipped illustrated dustjacket shows original $5.95 price, crisp and bright with one short closed tear. Protected in a clear archival mylar cover. Wolfe's fourth book includes two essays: "These Radical Chic Evenings", first published in June 1970 in New York magazine, about a gathering Leonard Bernstein held for the Black Panther Party, and "Mau-Mauing the Flak Catchers" , about the response of many minorities to San Francisco's poverty programs. Carefully packaged and shipped in a sturdy cardboard box. Milton Glaser, jacket design (illustrator). …

Decorative Cloth. Condition: Like New. Dust Jacket Condition: Good. 244 pp. Flawless book with crisp pages and spotlessly clean text. Half green covered with half black cloth spine with gilt lettering. Red "H" stamped on first free front page, otherwise unmarked. Dustj acket shows some moderate wear with some rips and tears to edges. Milton Glaser (Jacket Design) (illustrator).…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Printing 1970. 260 pp. Solidly bound copy and dj with moderate external wear, crisp pages and clean text. Previous owner's name inscribed on first front-end page. Price cut from inside front flap. Dj flaps are creased. Milton Glaser (Jacket Design) (illustrator).…

Hardcover. Condition: Near Fine. Near Fine. First Edition; First Printing. 8vo 8" - 9" tall; 179 pages; 1966 Farrar, Straus & Giroux. HC/DJ 1st edition, 1st printing. Snugly bound in turquoise blue quarter cloth over black paper-covered boards, spine lettered in gilt. Boards embossed with a stylized head-and-neck design, each side bearing a different hair pattern for the titular "wig. " A bright, clean copy with just a trace of handling. In the original pictorial dust jacket designed by Milton Glaser (then of Push Pin Studios) , unclipped with the publisher's $3.95 issue price present on the front flap. Jacket crisp and unfaded, showing only minimal surface evidence. Wright's second novel (following The Messenger, 1963) and his best-known work, The Wig is a surreal, satirical, and darkly comic exploration of race and class in America. Its jagged narrative and biting humor drew comparisons to Ralph Ellison and Ishmael Reed, and it remains a landmark of Black experimental fiction of the 1960s. NF/NF.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Beautiful blck full cloth boards, blind-stamp border, silver cover and spine titles, slight corner wear. Coated silver endpages; slight flaw inside back cover. Pages very good w/ color photoplate section, de Hory line drawings throughout. Verso title page clipped. Dj moderate wear, rub; clipped. Very attractive, in protective sleeve. Astonishing and incredible-but-true story of the world's greatest art forger, who painted over a thousand brilliant fake canvasses worth at the time more than sixty million dollars in the 'inauthentic' market of fine art. Of notable influence, de Hory, would quite possibly be the inspiration for Clifford Irving's possibly even greater single hoax a few years later of the inauthentic autobiography of Howard Hughes. 243 pages. Size: 8vo - over 7¾" - 9¾" tall. Glaser, Milton (Jacket Design) (illustrator). Book.…

Condition: Good. Dust Jacket Only. 8vo. DJ Good with marginal tears, some staining. Protective sleeve.