Miles Sylvia (23 results)

Card Wrappers. Condition: Very Good. Sylvia Miles (cover) (illustrator). First Edition. 136pp. First name inscription from Bewick for another poet. Signed by Author(s).

Soft cover. Condition: Very Good. Volume 18, number 2 (1986) issue softcover in excellent condition: unmarked, slight handling. Pages 99-211. [9oz]. Book.

No Binding. Condition: Very Good. A VG or better 4-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Book.

No Binding. Condition: VGF. MC-33. A VGF or better original release 8 x 10 still. Size: 8" x 10". Book.

No Binding. Condition: VGF. MC-29. A VGF or better original release 8 x 10 still. Size: 8" x 10". Book.

Paperback. 215p., first edition stated, lightly-worn paperback anthology in pictorial wraps. Keystone Books KB-42. Fiction, poetry, criticism from Europe & the USA. Very early appearance by Barthelme whose first story was published in The New Yorker in 1961. A Symposium on Kuntiz's "Father & Son.".

Magazine. First Edition. 84p. including covers 8.5x11 inches, articles, features, reviews, listings, illustrated with b&w photos and ads, very good semi-glossy entertainment magazine in lightly-worn stapled pictorial wraps. Great nude dancer photos by Duncan. Mime Robert Shields on Union Square. The numbering of the volumes is illogical in the beginning years up to about 1971. The numbering of the volumes is illogical in the beginning years up to about 1971. "After Dark" was originally "Ballroom Dance Magazine" which ended with its volume 9, #4. The new magazine's first issue continued the numbering of the previous magazine and so issue #1 is stated as volume 10, #1. By the third year of the magazine they changed the numbering from volume 13 to volume 3, #9. A fine magazine of arts, stage, dance and music that bridged the gap between gay and straight readers in the 1970s-80s.

Softcover. Sound binding. Pages clean, off-white. Wrappers have light shelf wear. Contents: Eastman, Myth and fate in the characters of Women in Love. Miles, Birkin's electro-mystical body of reality: D. H. Lawrence's its use of Kundalini. Barr, Aaron's Rod as D. H. Lawrence's picaresque novel. Mellown, The Captain's Doll: its origins and literary allusions. Wheeler, Intimacy and irony in "The Blind Man." Sklar, The Daughter-in-Law and My Son's My Son. Sullivan, D. H. Lawrence and Poetry: the unpublished manuscripts. Brooks, D. H. Lawrence: a day in the country and a poem in autograph. Fraser, Norman Douglas and D. H. Lawrence: a sideshow in modern memoirs. Laurentiana. Research in progress. 9.0" tall; 127 pages. Very Good in No Dust Jacket dust jacket.

No Binding. Condition: VGF. MC-10. A VGF or better original release 8 x 10 still. Size: 8" x 10". Book.

No Binding. Condition: VGF. MC-5. A VGF or better original release 8 x 10 still. Size: 8" x 10". Book.

No Binding. Condition: VGF. MC-11. A VGF or better original release 8 x 10 still. Size: 8" x 10". Book.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good Plus. 1st Edition. First Printing as confirmed by McBride. The book would be fine save for shelf wear along bottom of boards and text block, slight translucent spotting of front lower text block. Else book is free of internal marking, spine is tight, boards rigid and tips are pointed. While the jacket has its price on the back flap, it has general wear all over, loss and small chipping at most edges, especially along spine and at top and bottom of spine. Actually looks quite smart in its shiny new plastic cover. Shipping box is suitable for wrapping with a non-price listed purchase order inside along with biodegradable packing.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.

Original Wraps. Condition: Near Fine. First Edition. Booklet. Slightly toned covers, slight handling wear. Circa 1956 based on internal contents. Signed by actress Sylvia Miles adjacent to her photo on p. 3. Size: 8vo - over 7¾" - 9¾" tall. Signed Associational. Book.

No Binding. Condition: Fine. 6 " x 4" glossy card with small color photo - SIGNED by actress Sylvia Miles below photo "Much Love -Sylvia Miles". SIGNED PHOTO-CARD.

Vintage studio still photograph from the 1972 film. A parody of "Sunset Boulevard" (1950), about an unemployed former child star who supports himself as a hustler in Los Angeles. The third film in producer Andy Warhol's trilogy of films directed by Paul Morrissey, preceded by "Flesh" (1968) and "Trash" (1970). 8 x 10 inches. Near Fine.

Rare original shooting script of Tennessee Williams' great stage play. Quarto, original blue Studio duplicating service leatherette wrappers bound and bradded. Advertisements laid in. Sylvia Miles' copy with her annotations throughout. Miles played Maxine Faulk in the play's 1976 Broadway revival at the Circle in the Square Theatre. In very good condition. First staged as a one-act play in 1959, Williams developed The Night of the Iguana into the a full-length play over the course of two years, staging two different versions in 1959 and 1960, and then arriving at the three-act version of the text which premiered on Broadway in 1961. The 1976 Broadway revival at the Circle in the Square Theatre was directed by Joseph Hardy, featuring Richard Chamberlain, Allison Argo, Wiliam Roerick, Dorothy McGuire, and Sylvia Miles.

Videokassette. Condition: Gut. auþen mit Gebrauchsspuren, Artikel stammt aus Nichtraucherhaushalt! NB-VHS3959 Sprache: Deutsch Gewicht in Gramm: 500.

Four vintage studio still photographs from the 1972 film. A parody of "Sunset Boulevard" (1950), about an unemployed former child star who supports himself as a hustler in Los Angeles. The third film in producer Andy Warhol's trilogy of films directed by Paul Morrissey, preceded by "Flesh" (1968) and "Trash" (1970). 8 x 10 inches. Near Fine.

Vintage borderless reference photograph of director and actor Dennis Hopper with cameraman László Kovács during filming on location for the 1971 film. Annotations in manuscript ink on the verso. From the archive of film historian and author Joel Finler. A stunt coordinator filming on location in a small Peruvian village believes he has found paradise, but soon discovers a strange and violent cargo cult which has formed among the locals. In spite of his ongoing battle with substance abuse, director Dennis Hopper was granted full creative control over the film after his unexpected success with "Easy Rider" in 1969. The film's massive failure, which became the stuff of legend, essentially ended Hopper's directorial career in Hollywood for the better part of the ensuing decade, until "Out of the Blue" in 1980. Set and shot on location in Peru. 7 x 9.5 inches. Near Fine. Pitts 2199.

Rare original shooting script from the classic 1987 film Wall Street with an autograph note signed by Oliver Stone and boldly signed by Stone on the title page. Quarto, bound in a spiral-bound folder. Third draft, second revision dated 4/15/87. Bound with an additional fifth revision. From the collection of Sylvia Miles with an autograph note addressed to her and signed by the film's director Oliver Stone laid in which reads, "Please look at role of 'Sylvia' for Wall Street for Saturday. Oliver Stone." American actress Sylvia Miles was a fixture in New York City society, having lived there her entire life. She performed in many Off-Broadway shows and was twice nominated for the Academy Award for Best Supporting Actress for her performances in Midnight Cowboy (1969) and Farewell, My Lovely (1975). Miles played the role of Dolores the Realtor in Stone's 1987 film Wall Street. In near fine condition. A unique piece of cinematic film history. Directed by Oliver Stone and starring Michael Douglas, Charlie Sheen, and Daryl Hannah, the 1987 film Wall Street has become an emblematic depiction of the excesses, successes and greed involved in the financial market of the 1980s. Douglas won the Academy Award for Best Actor and thanked Oliver Stone for "casting me in a part that almost nobody thought I could play" Douglas is often cited for his character Gordon Gekko's memorable line, "Greed, for lack of a better word, is good.".

Condition: Good. Large and fabulous 1970s collage of photos and clippings (labeled "Trick or Trash" at the top) from the home of Sylvia Miles, Academy Award Nominated Actress (Midnight Cowboy) and member of Andy Warhol's inner circle. Includes a rare photo of a smiling Warhol, and a card from Warhol reading, "Sylvia/I love you/Andy". Among the others included in the collages are actors and writers, notably Jack Nicholson and Harold Robbins among them. A few photos are signed. Many of the photos are quite faded and curled, but this is, nevertheless, a one-of-a-kind, fun and once-glitzy piece. Not examined out of frame. Image available upon request.

Sylvia Miles' personal collection of over 50 working shooting and play scripts used by her, with her ownership signatures, and with her annotations throughout. Approximately 50 volumes, scripts include: Into It: A Screenplay by Edward Pomerantz, The Deathwatcher: A Screenplay by Robin Miller, Play That On Your Old Piano: A Comedy in Three Acts by Dan Blue, Going Home by Lawrence B. Marcus, Next Year In Jerusalem and The Night Before Paris by Martin Sherman, The Riot Act by Will Greene, Infancy by Thorton Wilder, The Sentinel: A Screenplay by Michael Winner, Rosebloom by Harvey Perr, The Ghost Dancers: A Short Play by Philip Hayes Dean, The Wirecutters by Marshall Yeager, Delta Lady: A Play by Drey Shepperd and Martin Sherman, I'll Always Remember Miss Whatsername: A Romantic Comedy by Patrick Lawrence, and Matty and the Moron and Madonna: A New Play by Herbert H. Lieberman among others. With numerous transmittal letters signed by playwrights to miles, photographs in including one of and signed by Pearl Bailey, and call lists. An exceptional collection documenting Miles' acting career and offering the most intimate insight into her work. American actress Sylvia Miles was a fixture in New York City society, having lived there her entire life. She performed in many Off-Broadway shows and was twice nominated for the Academy Award for Best Supporting Actress for her performances in Midnight Cowboy (1969) and Farewell, My Lovely (1975).