Michael Hill Adrian (13 results)

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Condition: New. A marine and landscape artist, teacher and member of the Wapping Group, Peter Gilman had been painting in East Anglia, Hertfordshire, Bedfordshire and along the Thames for 30 years before his death, by suicide, in 1984. This book brings together full-page reproductions of 120 works in watercolour, oil or acrylic, with a biographical introduction to the artist and his work, including tributes by fellow Wapping Group artists.

Paperback. Condition: Very Good +. Arisman, Marshall (illustrator). 1st Edition. An uncreased spine with very light egde rubbings. No store stamp. Stories by : Brian Stableford, Tony J. Forder, Thomas F. Monteleone, Ramsey Cambell, Norman P. Kaufman, Roy Clifford, John Brunner, Guy N. Smith, Michael Marshall Smith, Adrian Cole, Conred Hill, Marcus Gold, William F. Nolan, Cherry Wilder, Brian Lumley.

Paperback. Condition: Very Good +. Arisman, Marshall (illustrator). 1st Edition. An uncreased spine with very light egde rubbings. No store stamp. Stories by : Brian Stableford, Tony J. Forder, Thomas F. Monteleone, Ramsey Cambell, Norman P. Kaufman, Roy Clifford, John Brunner, Guy N. Smith, Michael Marshall Smith, Adrian Cole, Conred Hill, Marcus Gold, William F. Nolan, Cherry Wilder, Brian Lumley.

Green Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. 128 pages, colour & b/w illustrations. Minor wear, unmarked, some rubbing, edgewear to dustjacket. [814] Size: 245mm. x 270mm.

Hardback. Condition: Very Good. Dust Jacket Condition: Very Good. Unobtrusive 5 mm puncture-tear in front hinge. 240 x 250 mm. 128 pp. Beautifully illustrated. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Peter Gilman ( 1928 - 1984 ) had a long association with the Picturecraft Gallery in Holt, Norfolk where he held his first one - man exhibition, has led to the publication of this book on his life and work, bringing together a wide selection of his paintings for the first time. the boards, binding , text block and dust jacket are all square, tight and clean. Book price includes 2nd class post in UK only.

Fine. First edition. Hardcover book . Cloth and dustjacket. 128pp, large oblong quarto. Signed and dedicated by Michael and Adrian Hil . With colour reproductions throughout of paintings by Peter Gilman, mostly whole page landscapes in watercolour or oil, plus some b&w photos in the biographical introduction.Also with colour reproductions in chapter at end on the Wapping Group of Artists. With foreword by Trevor Chamberlain, introduction by Adrian Hill and a personal tribute by Michael Hill. A Fine copy in a Fine dustjacket. Pictures available.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Tight Firm Clean Copy - First Edition - No Signatures, Inscriptions Or Notations Discovered. Colour Illustrations Throughout. Green Cloth Hard Cover With Gold Gilt Titled Spine - Faint Edge Wear. Unclipped Jacket In Similar Condition. Heavy Book Additional Postage May Be Requested.

62 pp.; 27 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; March / April 1980 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "Barnett Newman," by Barbara Cavaliere; "Salvador Dali," by Laura Cherubini; "Demythization. The End of Nature and the Death of Art," by Rosario Assunto; "Interview with Clement Greenberg," by Ann Stubbs; "Flash Art New York," reviews by Barbara Cavaliere, Thomas Lawson, Douglas Blau, Valentine Tatransky, and Kim Levin; "Modern Painting and Modern Criticism in England," by Ian Bennett; "Style and Sensibility in British Painting," by Andrea Hill; "Recent British Painting. Future Space," by Adrian Searle; "Flash Art California," review by Richard Armstrong; "The Bewildered Image," by Achille Bonito Oliva; "Italy;" "American Avant-Garde Theater: The Eighties," by Mel Gordon; "Post Avant-Garde Theater in Italy. From Analysis deviance, from subjectivity to the 'show' (1975-1979)," by Giuseppe Bartolucci; "New York 1980," by John Howell; "Reviews," by Tim Maul, Douglas Blau, Andrea Hill, and Helena Kontova; "Switzerland," review by Christoph Schenker and "Flash Art Germany: Notizen," reviews by Annelie Pohlen, Ernst Busche, Heftige Malerei," by Ernst Busch. English translations, corrections, and editings by Michael Moore, Gwen Jones, and Nella Verducci. Cover: Barnett Newman. Very Good / Fine. Light dusting of covers with light edge wear and light sunning of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condition: Fine. 1st Edition. Signed by Jack Walsdorf on title page. Limited edition of 225, this being copy 225. Fine. Quarter black cloth with marbled paper sides. Frontispiece portrait of Symons by Rosemary Vamosi. xi, 55, [3] p. Tributes by P. D. James, H. R. F. Keating, Lionel Davidson, Reginald Hill, Jack Walsdorf, Peter Lovesey, George Sims, Robert Conquest, Robin Winks, and others. Signed by Author(s).

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. BILL WOODROW: MATERIAL TRUTHS Mark Francis IN THE HEART OF THE TINMAN: AN ESSAY ON JOHN CHAMBERLAIN Duncan Smith A PROJECT FOR ARTFORUM by Pontus Hultén and Jean Tinguely FREEING DANCE FROM THE WEB: ON COLLABORATION, TRISHA BROWN'S SET AND RESET AND LUCINDA CHILDS' AVAILABLE LIGHT Thomas McEvilley TWO SIDES OF THE BRAIN: MOLISSA FENLEY S HEMISPHERES RoseLee Goldberg UP ROCKING, LOCKING, OLD STYLE, 1990 MOVES Michael Holman SELECTED FUNK LESSONS: A PROJECT FOR ARTFORUM by Adrian Piper A USE FOR BEAUTY Kenneth Baker EXECUTIONER S SONG Greil Marcus FORUM Kate Linker COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Dorothea Tanning Donald Kuspit on Follies Donald Kuspit on Chris Burden Lisa Liebmann on Troels Wörsel Jeanne Silverthorne on Michael David Jeanne Silverthorne on Rosemarie Castro Jeanne Silverthorne on Mary Beth Edelson Jeanne Silverthorne on Kazuko Jean Fisher on Richard Prince Jean Fisher on Francis Picabia Jean Fisher on Joseph Nechvatal Thomas Lawson on New Expressions Thomas Lawson on Kiely Jenkins Ronny Cohen on Ron Nagle Ronny Cohen on Donald Lipski Charles Hagen on Lee Friedlander Charles Hagen on Hamish Fulton Richard Armstrong on Ira Richer Richard Armstrong on George Schneeman Thomas McEvilley on Underdog Barbara Kruger on Sharon Greytak John Howell on The Way Of How BOSTON Nancy Stapen on Magdalena Abakanowicz HOUSTON Ed Hill and Suzanne Bloom on American Still Life 1945 1983 CHICAGO Michael Bonesteel on Ed Paschke LOS ANGELES Robert L. Pincus on Jeffrey Vallance SAN FRANCISCO Suzaan Boettger on Clay Jensen STOCKHOLM Lars Nittve on Ibid AMSTERDAM Gerald Van Der Kaap on Winfred Evers BONN AND STUTTGART Annelie Pohlen on Klaus Mettig COLOGNE Annelie Pohlen on Ina Barfuss Annelie Pohlen on Werner Buttner Annelie Pohlen on Thomas Virnich PARIS Gerard-Georges Lemaire on Sandro Chia SAN SEBASTIAN Michael Tarantino on The San Sebastian International Video Festival MADRID Aurora Garcia on Sigfrido Martín Begué ROME Pier Luigi Tazzi on Michelangelo Antonioni.

Hardcover. Condition: Fine. Book. 421 x 303mm. A complete set of six volumes (1988-1991) of this richly illustrated, portfolio periodical with each issue's title letterpress printed on the front cover, together with different coloured end papers. The colophon is printed in a grey, red and black constructivist design on white stock across all volumes. Each volume was published in a limited edition of one hundred and fifty copies, except for Number 2, which was produced in an edition of 120 numbered copies, and Number 3 is not numbered. Blank Page was a biannual portfolio publication, designed and edited by Philip Dobree, with Adrian Self acting as literary editor. It is notable for its display of original works of pure abstraction (many signed and numbered), with critical texts interspersed throughout by significant theorists, writers and designers - these essays have been designed with a strict red and black constructivist aesthetic in mind, continuing the graphic style that unites all volumes. For example, in Volume 4, a cut-out black and white image by Douglas Allsop has been embedded with Geoff Bennington's text, "Not One". Presented as original multiples, the works featured include: lithographs; screen prints; relief prints; woodcuts; collages, etc. Volume 6, the final publication, is particularly rich in its gathering of many leading practitioners of pure abstraction, such as Charles Biederman, Cesar Domela, Anthony Hill, Michael Kidner, Francois Morellet and George Rickey. Taken individually, and as a collective series, Blank Page provides an impressive and extensive survey of the plastic arts and European constructivist design made during the period of its publication. Each portfolio performs like a mini, self-contained exhibition, with contributions by: Number One (unnumbered on cover, gold on green): Selima Hill, Michael Symmons Roberts, David Powell, Alan Bold, Patricia Conolly, Nicholas Rawson, A. R. Lamb, Norman MacAffee, Douglas Allsop, Matthew Tyson, Teal Trigs, Francesca Lowery, Childe Roland, Volker Strater, Matteo Adinolfi, Marco Bettoni, and Josephine Pryde. Number Two (red gilt on black): Jean Jacques Bauweraerts, Andrej Dluzniewski, Dre Devens, Ernest Edmonds, Heinz Gappmayr, Heinz Gruchot, Jean Pierre Husquinet, Michel Jouet, Fre Ligen, Jean Pierre Maury, Peter Meyer, Martine Meunier, Manfred Mohr, Tadeusz Myslowski, Nausica Pastra, Sigurd Rompza, Stefan Themerson, Dirk Verhaegen, and Steven Wheeler. Number Three (blue on light grey) : Juan Agudelo, Nubia Arcia, Bosco Centeno, Jonny Chavarria, Elvis Chavarria, Ivan Guevara, Donald Guevara, Pedro Pablo Meneses, Felipe Pena, Olivia Silva, Charles Bezie, John Carter, Gottfried Honneger, James Juszczyk, Claude Pasquer, Yves Popet, Nico W. Pot, Perry Roberts, David Saunders, Francisco Soto Mesa, Jaak Vuylsteke, and Elizabeth Willmoth. Number Four (black on brown): Andrew Benjamin, Geoff Bennington, Jean-Francois Lyotard, Stephen Melville, Timothy Murray, Peter Osborne, Douglas Allsop, Richard Bell, Marian Bruce, Tam Giles, John Goodyear, Rity Jansen Heijtmeijer, James Hugonin, Ray Masters, Dora Maurer, David Rubello, Albert Rubens, Clifford Singer, G. R. Thomson, Ian Tyson, and Opy Zouni. Number Five (red on orange): Dietrich Mahlow, Mirella Bentivolgio, Peter Downsborough, Heinz Gappmayer, Pierre Garnier, Ilse Garnier, Bohumila Grogerova, Josef Hirsal, Wilfred Huet, Angelika Janz, Arrigo Lora- Totino, Ann Noel, Mari Orensanz, Andrzej Partum, Jadwiga Przbylak & Janusz Bakowsky, Eino Ruutsalo, Takahashi Shohachiro, Yves de Smet, Grzegorz Sztabinski, Bernar Villiers, and Emmett Williams. Number Six (yellow on red): Stephen Bann, Andrew Benjamin, Andrew Wilson, Marcel Baugniet, Charles Biederman, Cesar Domela, Marcel Floris, Anthony Hill, Gottfried Honegger, Michael Kidner, Max Mahlmann, Francois Morellet, Aurelie NemNemours, Gudrun Piper, George Rickey, Michel Seuphor, and Anton Stankowski.