Condition: New.
Published by SST Publications Lawndale, CA, 1985
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[28] pp.; 21.6 x 14 cm.; staple bound; black-and-white; edition size 500 [of which some 400 were destroyed]; unsigned and unnumbered; offset-printed Artists' book composed of drawings by Raymand Pettibon and text by Michael Gira. Nine full pages of drawings by Pettibon. Reference : No. 32 in "Raymond Pettibon : The Books 1978 - 98" by Roberto Ohrt, Uwe Koch, Silke Fahnert. New York, NY : Distributed Art Publishers, 2000, pp. 879-880. Very Good. Very light cover wear. Contents clean and unmarked.
Condition: Near Fine. First Edition. First Edition. Octavo. 28 pp. An edition of 500 copies (unstated). Swans singer Michael Gira's demented character studies interspersed with illustrations by Pettibon. Minor toning to margins of side-stapled illustrated wrappers and minor scuffing, else near fine.
Published by M. Gira/Young God Records, n.p., 2012
Seller: Triolet Rare Books, ABAA/ILAB, Los Angeles, CA, U.S.A.
First Edition Signed
First edition. Velo-bound cardstock covers. One of 1000 copies, numbered and signed on the cover. Of the eight stories, three were previously published in Gira's collection The Consumer. With the Somniloquist CD mounted on the inside rear cover, as issued. Fine copy. "I wrote these stories in the 1990s, and I've written very little fiction since. The stories in this book are complete, absolute fiction and have nothing to do with reality. They certainly did not then, nor do they now, reflect my view of the world, nor do they depict anyone living or dead." - Michael Gira 2012.
Published by No Magazine, Los Angeles, CA, 1978
Seller: Burnside Rare Books, ABAA, Portland, OR, U.S.A.
First Edition
Condition: Near Fine. The rare debut issue of the LA punk magazine better known as No Mag. [1], 33, [1] pp. including wraps. Bound in publisher's printed newsprint wraps. Near Fine with typical toning, light edge wear and small closed tear to rear cover. A gritter, NSFW pseudo-successor of Slash with contributions by Swans founder Michael Gira, Gina Pane, an interview with Mad Dog (Karla Duplantier) and Kidd Spike of LA punk band The Controllers, The Plugz, and photograph by Scott Grieger at the rear cover.
Published by No Magazine, Los Angeles, 1985
Seller: Burnside Rare Books, ABAA, Portland, OR, U.S.A.
First Edition
A complete run of the L.A. tabloid covering the city's punk/post-punk scene in 14 issues. Tabloid formats of various sizes. Very Good condition overall, some issues folded horizontally, age-toning, a few tiny chips and light reading wear; issue #2 worn along fold at spine. Does not include flexi-disc with issue #6 but does include the one with the prior issue. Rare. A brash, often very-NSFW magazine that covered music, culture, and fashion in L.A. from the rise of the city's punk scene to the mid-'80s post-punk/proto-alternative/ early noise days. Features X, Flipper, Black Flag, Circle Jerks, Phranc, Fear, The Go-Gos, D.O.A., Brian Gregory of The Cramps, the Plugz, director Paul Morrissey, Kim Fowley, Gun Club, Germs, Social Distortion, TSOL, Mark Pauline of Survival Research Laboratories, Meat Puppets, Descendents, and No Waver James Chance. Contributors include Michael Gira of Swans, Chuck Dukowski of Black Flag, LAFMS member Tom Recchion, art by Raymond Pettibon (including an issue cover) and Gary Panter, and a comic entitled "Why I Think People Are Stupid" by Flipper's frontman Will Shatter. From an LA Weekly piece about the magazine that summarizes it well: "Bruce Kalberg started NO MAG in 1978 with Michael Gira, a friend from Otis College of Art and Design, who left for New York after several issues to form the early noise band the Swans. Aside from the requisite profiles of X, Fear, the Germs, Johanna Went, Phranc, Suicidal Tendencies, ad gloriam, this sub-Slash tabloid fanzine amply captured the corrosive admixture of medical atrocities, sexual pathology, gallows humor and political anarchy endemic to the times: autopsy photos; profiles of working dominatrixes; textbook entries on female circumcision and how to synthesize heroin from morphine; cartoons of "Nancy Reagan's favorite color" (bloody Tampaxes); and house ads featuring photos of progressive gum disease, with the caption, "You liked our smile, now catch our disease" what Kalberg once called "the old cliché of shit-and-guts imagery" by which to wage war on polite society. "It also frequently bordered on the pornographic Susanna Hoffs topless, Belinda Carlisle naked under tights, Germs producer Geza X with his cock in his hand, the Cramps' Brian Gregory with a semi-erection and a python, and the irrepressible El Duce shitting on a plate are a fair representationforcing him to manufacture it in San Francisco, where printers are apparently more tolerant." .