Mcloskey Kathy (29 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Condition: Good. Good: A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, highlighting of text, writing in margins. No missing pages.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2002. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: New.

Condition: New.

Paperback or Softback. Condition: New. Swept Under the Rug: A Hidden History of Navajo Weaving. Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Collected and highly valued all over the world, Navajo weaving has been the subject of many aesthetic and historic studies. Grounded in archival research and cultural and economic approaches, this new book situates Navajo weavers within the economic history of the Southwest and debunks the romantic stereotypes of weavers and traders that have dominated the literature.Beginning with an analysis of trader archives revealing that nearly all Navajo textiles were wholesaled by weight until the 1960s, M'Closkey scrutinizes the complex interactions among artists, dealers, collectors, and museum curators that have facilitated the explosion in value of those old weavings. She also examines the production of Mexican copies of Navajo-style rugs, which in recent years has combined with the market for pre-1950 textiles to diminish the demand for contemporary Navajo weavings. Navajo patterns, she points out, remain unprotected by copyright because traditional designs have been in the public domain for decades.Much of the exploitation M'Closkey delineates has been justified by the ethnographic classification of functional textiles as nonsacred crafts. But the author's conversations with Navajo weavers suggest that their motivations for weaving go far beyond economics. Weavers' feelings for hozho, the Navajo concept of harmonious beauty, encompass far more than any western concept of aesthetics. M'Closkey shows that the weavers' views of their work are marginalized when the work is treated as a collectible craft and culture is split from commodity. No one who studies, collects, sells, or enjoys Navajo textiles (either genuine or knock-offs) can ignore this book. Sure to be controversial, it will be important reading for anyone concerned with the merchandising of Indian art.

Paperback. Condition: New. Collected and highly valued all over the world, Navajo weaving has been the subject of many aesthetic and historic studies. Grounded in archival research and cultural and economic approaches, this new book situates Navajo weavers within the economic history of the Southwest and debunks the romantic stereotypes of weavers and traders that have dominated the literature.Beginning with an analysis of trader archives revealing that nearly all Navajo textiles were wholesaled by weight until the 1960s, M'Closkey scrutinizes the complex interactions among artists, dealers, collectors, and museum curators that have facilitated the explosion in value of those old weavings. She also examines the production of Mexican copies of Navajo-style rugs, which in recent years has combined with the market for pre-1950 textiles to diminish the demand for contemporary Navajo weavings. Navajo patterns, she points out, remain unprotected by copyright because traditional designs have been in the public domain for decades.Much of the exploitation M'Closkey delineates has been justified by the ethnographic classification of functional textiles as nonsacred crafts. But the author's conversations with Navajo weavers suggest that their motivations for weaving go far beyond economics. Weavers' feelings for hozho, the Navajo concept of harmonious beauty, encompass far more than any western concept of aesthetics. M'Closkey shows that the weavers' views of their work are marginalized when the work is treated as a collectible craft and culture is split from commodity. No one who studies, collects, sells, or enjoys Navajo textiles (either genuine or knock-offs) can ignore this book. Sure to be controversial, it will be important reading for anyone concerned with the merchandising of Indian art.

Booklet. Condition: Fine. 20 p. 22 cm. 4 b&w photos. Stapled.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 336 pages. 8.75x6.00x0.75 inches. In Stock.

Condition: New. In.

PF. Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Ink gift inscription from the author on title page, very good clean copy, a little light wear to wrapper edges. Inscribed by Author(s).

Paperback. Condition: New. Collected and highly valued all over the world, Navajo weaving has been the subject of many aesthetic and historic studies. Grounded in archival research and cultural and economic approaches, this new book situates Navajo weavers within the economic history of the Southwest and debunks the romantic stereotypes of weavers and traders that have dominated the literature.Beginning with an analysis of trader archives revealing that nearly all Navajo textiles were wholesaled by weight until the 1960s, M'Closkey scrutinizes the complex interactions among artists, dealers, collectors, and museum curators that have facilitated the explosion in value of those old weavings. She also examines the production of Mexican copies of Navajo-style rugs, which in recent years has combined with the market for pre-1950 textiles to diminish the demand for contemporary Navajo weavings. Navajo patterns, she points out, remain unprotected by copyright because traditional designs have been in the public domain for decades.Much of the exploitation M'Closkey delineates has been justified by the ethnographic classification of functional textiles as nonsacred crafts. But the author's conversations with Navajo weavers suggest that their motivations for weaving go far beyond economics. Weavers' feelings for hozho, the Navajo concept of harmonious beauty, encompass far more than any western concept of aesthetics. M'Closkey shows that the weavers' views of their work are marginalized when the work is treated as a collectible craft and culture is split from commodity. No one who studies, collects, sells, or enjoys Navajo textiles (either genuine or knock-offs) can ignore this book. Sure to be controversial, it will be important reading for anyone concerned with the merchandising of Indian art.

hardcover. Condition: As New.

Paperback. Condition: New. Collected and highly valued all over the world, Navajo weaving has been the subject of many aesthetic and historic studies. Grounded in archival research and cultural and economic approaches, this new book situates Navajo weavers within the economic history of the Southwest and debunks the romantic stereotypes of weavers and traders that have dominated the literature.Beginning with an analysis of trader archives revealing that nearly all Navajo textiles were wholesaled by weight until the 1960s, M'Closkey scrutinizes the complex interactions among artists, dealers, collectors, and museum curators that have facilitated the explosion in value of those old weavings. She also examines the production of Mexican copies of Navajo-style rugs, which in recent years has combined with the market for pre-1950 textiles to diminish the demand for contemporary Navajo weavings. Navajo patterns, she points out, remain unprotected by copyright because traditional designs have been in the public domain for decades.Much of the exploitation M'Closkey delineates has been justified by the ethnographic classification of functional textiles as nonsacred crafts. But the author's conversations with Navajo weavers suggest that their motivations for weaving go far beyond economics. Weavers' feelings for hozho, the Navajo concept of harmonious beauty, encompass far more than any western concept of aesthetics. M'Closkey shows that the weavers' views of their work are marginalized when the work is treated as a collectible craft and culture is split from commodity. No one who studies, collects, sells, or enjoys Navajo textiles (either genuine or knock-offs) can ignore this book. Sure to be controversial, it will be important reading for anyone concerned with the merchandising of Indian art.

Condition: new.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Print on Demand pp. 336 2 Maps.

Condition: New. Print on Demand pp. 336, 2 Maps.

Condition: New. PRINT ON DEMAND pp. 336.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Collected and highly valued all over the world, Navajo weaving has been the subject of many aesthetic and historic studies. Grounded in archival research and cultural and economic approaches, this new book situates Navajo weavers within the economic history of the Southwest and debunks the romantic stereotypes of weavers and traders that have dominated the literature.Beginning with an analysis of trader archives revealing that nearly all Navajo textiles were wholesaled by weight until the 1960s, M'Closkey scrutinizes the complex interactions among artists, dealers, collectors, and museum curators that have facilitated the explosion in value of those old weavings. She also examines the production of Mexican copies of Navajo-style rugs, which in recent years has combined with the market for pre-1950 textiles to diminish the demand for contemporary Navajo weavings. Navajo patterns, she points out, remain unprotected by copyright because traditional designs have been in the public domain for decades.Much of the exploitation M'Closkey delineates has been justified by the ethnographic classification of functional textiles as nonsacred crafts. But the author's conversations with Navajo weavers suggest that their motivations for weaving go far beyond economics. Weavers' feelings for hozho, the Navajo concept of harmonious beauty, encompass far more than any western concept of aesthetics. M'Closkey shows that the weavers' views of their work are marginalized when the work is treated as a collectible craft and culture is split from commodity.No one who studies, collects, sells, or enjoys Navajo textiles (either genuine or knock-offs) can ignore this book. Sure to be controversial, it will be important reading for anyone concerned with the merchandising of Indian art.

Taschenbuch. Condition: Neu. Swept Under the Rug | A Hidden History of Navajo Weaving | Kathy M'Closkey | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2008 | University of New Mexico Press | EAN 9780826328328 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.