Mckinnon Luanne (35 results)

- Softcover
Seller: HPB-Diamond, Dallas, TX, U.S.A.HPB-Diamond
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Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

- Hardcover
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
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£ 14.20
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Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

- Hardcover
Seller: Wonder Book, Frederick, MD, U.S.A.Wonder Book
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Condition: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

- Hardcover
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta
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Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

- Hardcover
- First Edition
Seller: Webster's Bookstore Cafe, Inc., State College, PA, U.S.A.Webster's Bookstore Cafe, Inc.
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£ 16.19
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hardcover. Condition: Very Good. Dust Jacket Condition: very good. First Edition. Binding sound. Corners square and sharp. Pages clean and crisp. Corners sharp. Dust jacket clean, bright and intact.

- Softcover
Seller: Snowden's Books, Santa Fe, NM, U.S.A.Snowden's Books
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£ 18.12
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Soft cover. Condition: Very Good. Large paperback, 111 pages, much of the book is color plates; introduction and biographical background of artist at beginning. Very solid and bright with light wear along edges and corners; some rubbing to the covers. Very nice.

- Hardcover
Seller: Sequitur Books, Boonsboro, MD, U.S.A.Sequitur Books
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Condition: Used - As new
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Hardcover. Condition: As New. Hardcover and dust jacket. Good binding and cover. Light edge wear. Clean, unmarked pages. In 1960, Eva Hesse created an unusual group of oil paintings that foretell her desire to embody emotional states in abstract form. This book seeks to consider these 'spectre' paintings as manifestations of a p…rivate, haunted interiority in the context of the artist's burgeoning maturity.

- Hardcover
Seller: Broad Street Books, Branchville, NJ, U.S.A.Broad Street Books
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hardcover. Condition: As New. Hardcover with dust jacket. Book is in excellent condition, text is unmarked and pages are tight.

- Hardcover
Seller: The Old Print Shop, Inc., New York, NY, U.S.A.The Old Print Shop, Inc.
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Hardcover. Condition: As New. Dust Jacket Condition: As New. Edited by E. Luanne McKinnon, with contributions by Elisabeth Bronfen, Louise S. Milne, Helen A. Molesworth, and E. Luanne McKinnon. 88 pages, 35 illustrations (32 color), biog., octavo (8vo) (10 x 7 1/2"). Hardcover tan cloth with embossed cover with grey text on cove…r and spine, dust jacket. Very good condition, unsold old bookseller inventory. Bookseller inventory #71313-1.

Language: English
Published by University of New Mexico Art Museum and Yale University Press, 2010
- Hardcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
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Hardcover with dustjacket, 92 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Published by Yale University Press, 2010
- Hardcover
Seller: Snowden's Books, Santa Fe, NM, U.S.A.Snowden's Books
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Add to basketHardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Original hardcover in jacket, 90 pages, over 30 color plates with b + w photograph. Just light wear along edges. Minimal reference wear. Solid and bright.

Language: English
Published by Fresco Fine Art Publications, Albuquerque, NM, 2006
- Softcover
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
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£ 22.63
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Softbound. Condition: As New. Black wraps. 112 pp., profusely illustrated with 60 color plates. Celebrates in the form of an artistic retrospective the past twenty-plus years of paintings of Michael Von Helms. A non-figurative abstractionist, Von Helms describes his paintings as dialogs between his inner self and a higher power.… Upon entering his studio, Von Helms forgets everything but that which is before him and draws no references from anything but the canvases on which he paints. He surrenders himself to the journey for he says, "In the end it is not about attaining, but more about attempting. In my attempt I come face to face with the old realities of myself, and then, through 'hard payment,' rearrange and reconfigure simultaneously my inner self and the two dimensional surface of the work in progress." The evolution of Von Helms's work has moved from the straight, simple yet dramatic petroglyph-like images of the '80s into the sophisticated, energetic bold-colour canvasses of the '90s. Today he may repaint a single canvas as many as five times, giving his paintings a surface of thick and thin overlays with a palpable sense of edge and energy. Von Helms says, "When my process is pushed hard enough, long enough, the work and I seem to turn around a point and slip into a state of resolution. The curtain comes down, the play is finished. For the moment, all confusion, unknowing, and tension has been exhausted. Darkness is made visible. The emotions within me, the world outside, and the painting are all, at last, united. There is communication. It becomes a kind of salvation.".

- Softcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
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£ 30.20
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Softcover with metal spiral binding, unpaginated; as new condition; clean and crisp, no internal marks. Foreign shipping may be extra.

- Hardcover
- First Edition
Seller: Henry Pordes Books Ltd, London, United KingdomHenry Pordes Books Ltd
Contact seller5-star sellerAssociation member: PBFA
Condition: Used - As new
£ 20.00
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Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. 4to, Hardback with original Dust Jacket, pp. 88. Sold As New. In original shrink wrap.

Language: English
Published by Fresco Fine Art Publishing August 2006, 2006
- Softcover
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.Hennessey + Ingalls
Contact seller4-star sellerCondition: Used - Very good
£ 30.20
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Trade Paperback. Condition: Used - Very Good. 'Painted Dialogue' celebrates in the form of an artistic retrospective the past twenty-plus years of paintings of Michael Von Helms. A non-figurative abstractionist, Von Helms describes his paintings as dialogs between his inner self and a higher power. Upon entering his studio, Von…Helms forgets everything but that which is before him and draws no references from anything but the canvases on which he paints. He surrenders himself to the journey for he says, 'In the end it is not about attaining, but more about attempting. In my attempt I come face to face with the old realities of myself, and then, through 'hard payment, ' rearrange and reconfigure simultaneously my inner self and the two dimensional surface of the work in progress.' The evolution of Von Helms's work has moved from the straight, simple yet dramatic petroglyph-like images of the '80s into the sophisticated, energetic bold-color canvasses of the '90s. Today he may repaint a single canvas as many as five times, giving his paintings a surface of thick and thin overlays with a palpable sense of edge and energy. Von Helms says, 'When my process is pushed hard enough, long enough, the work and I seem to turn around a point and slip into a state of resolution. The curtain comes down, the play is finished. For the moment, all confusion, unknowing, and tension has been exhausted. Darkness is made visible. The emotions within me, the world outside, and the painting are all, at last, united. There is communication. It becomes a kind of salvation.' A celebration of the art of Michael Von Helms.

Cady Wells and Southwestern Modernism
Wells, Cady; Rudnick, Lois P. (EDT); McKinnon, E. Luanne (INT); Gavin, Robin Farwell (CON); Udall, Sharyn R. (CON)
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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£ 38.26
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Condition: As New. Unread book in perfect condition.

- Hardcover
Seller: medimops, Berlin, Germanymedimops
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£ 22.88
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Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

- Hardcover
Seller: Kloof Booksellers & Scientia Verlag, Amsterdam, NetherlandsKloof Booksellers & Scientia Verlag
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£ 14.96
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Condition: as new. New Haven : Yale University Press, 2010. Hardcover. Dustjacket. 88 pp. Condition : as new. English text. - In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in… abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these "spectre" paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre. Condition : as new copy. ISBN 9780300164152. Keywords : ART, Hesse, Eva, 1936-1970.

- Hardcover
Seller: WorldofBooks, Goring-By-Sea, WS, United KingdomWorldofBooks
Contact seller5-star sellerCondition: Used - Very good
£ 36.14
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Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

- Softcover
Seller: HPB-Emerald, Dallas, TX, U.S.A.HPB-Emerald
Contact seller5-star sellerCondition: Used - Very good
£ 40.91
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paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Frederick Hammersley: Organics and Cut-Ups, 1963-1965
Hammersley, Frederick and E. Luanne McKinnon, Elizabeth East
Published by L. A. Louver, Venice, 2014
- Softcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerCondition: Used
£ 26.42
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Softcover, 40 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Published by New Haven, CT; London Albuquerque: Yale University Press; University of New Mexico Art Museum, 2010
- Hardcover
- First Edition
Seller: MW Books Ltd., Galway, IrelandMW Books Ltd.
Contact seller5-star sellerCondition: Used
£ 18.53
£ 11.95 shippingShips from Ireland to U.S.A.Quantity: 3 available
Add to basket1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective wrapping. Physical description; 88 p.: ill.; 26 cm. Includes bibliographical references. Notes; Issued in connect…ion with an exhibition held Sept. 25, 2010-Jan. 3, 2011, Hammer Museum, Los Angeles, Jan. 28-May 22, 2011, University of New Mexico Art Museum, Albuquerque, and Sept. 16, 2011-Jan. 8, 2012, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York. Contents; Me, you, us: Eva Hesse's early paintings / Helen Molesworth -- Eva's Eva / E. Luanne Mckinnon -- The spectral bride and her uncanny double / Elisabeth Bronfen -- An instrument in the shape of a woman: the real nonsense of Eva Hesse / Louise S. Milne. Summary; In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these "spectre" paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre. Review: "Provide(s) valuable new insights into the work of Eva Hesse." -Woman's Art Journal Woman's Art Journal. Subject; Hesse, Eva 1936-1970. Individual artists ; Painting & paintings ; Sculpture. ART / Individual Artists / Monographs. ART / History / Contemporary (1945-). ART / Collections, Catalogs, Exhibitions / General. 1 Kg.

Cady Wells and Southwestern Modernism
Wells, Cady; Rudnick, Lois P. (EDT); McKinnon, E. Luanne (INT); Gavin, Robin Farwell (CON); Udall, Sharyn R. (CON)
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condition: New.

Published by New Haven, CT; London Albuquerque: Yale University Press; University of New Mexico Art Museum, 2010
- Hardcover
- First Edition
Seller: MW Books, New York, NY, U.S.A.MW Books
Contact seller5-star seller1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective wrapping. Physical description; 88 p.: ill.; 26 cm. Includes bibliographical references. Notes; Issued in connect…ion with an exhibition held Sept. 25, 2010-Jan. 3, 2011, Hammer Museum, Los Angeles, Jan. 28-May 22, 2011, University of New Mexico Art Museum, Albuquerque, and Sept. 16, 2011-Jan. 8, 2012, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York. Contents; Me, you, us: Eva Hesse's early paintings / Helen Molesworth -- Eva's Eva / E. Luanne Mckinnon -- The spectral bride and her uncanny double / Elisabeth Bronfen -- An instrument in the shape of a woman: the real nonsense of Eva Hesse / Louise S. Milne. Summary; In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these "spectre" paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre. Review: "Provide(s) valuable new insights into the work of Eva Hesse." -Woman's Art Journal Woman's Art Journal. Subject; Hesse, Eva 1936-1970. Individual artists ; Painting & paintings ; Sculpture. ART / Individual Artists / Monographs. ART / History / Contemporary (1945-). ART / Collections, Catalogs, Exhibitions / General. 1 Kg.

Cady Wells and Southwestern Modernism
Wells, Cady; Rudnick, Lois P. (EDT); McKinnon, E. Luanne (INT); Gavin, Robin Farwell (CON); Udall, Sharyn R. (CON)
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: New
£ 34.73
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Condition: New.

Published by New Haven, CT; London Albuquerque: Yale University Press; University of New Mexico Art Museum, 2010
- Hardcover
- First Edition
Seller: MW Books Ltd., Galway, IrelandMW Books Ltd.
Contact seller5-star sellerCondition: Used
£ 22.06
£ 11.95 shippingShips from Ireland to U.S.A.Quantity: 1 available
Add to basket1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 88 p.: ill.; 26 cm. Includes bibliographical references. Notes; Issued in connection with an exhibition held Sept. 25, 2010-Jan. 3…, 2011, Hammer Museum, Los Angeles, Jan. 28-May 22, 2011, University of New Mexico Art Museum, Albuquerque, and Sept. 16, 2011-Jan. 8, 2012, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York. Contents; Me, you, us: Eva Hesse's early paintings / Helen Molesworth -- Eva's Eva / E. Luanne Mckinnon -- The spectral bride and her uncanny double / Elisabeth Bronfen -- An instrument in the shape of a woman: the real nonsense of Eva Hesse / Louise S. Milne. Summary; In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these "spectre" paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre. Review: "Provide(s) valuable new insights into the work of Eva Hesse." -Woman's Art Journal Woman's Art Journal. Subject; Hesse, Eva 1936-1970. Individual artists ; Painting & paintings ; Sculpture. ART / Individual Artists / Monographs. ART / History / Contemporary (1945-). ART / Collections, Catalogs, Exhibitions / General. 1 Kg.

Cady Wells and Southwestern Modernism
Wells, Cady; Rudnick, Lois P. (EDT); McKinnon, E. Luanne (INT); Gavin, Robin Farwell (CON); Udall, Sharyn R. (CON)
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: Used - As new
£ 36.47
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Condition: As New. Unread book in perfect condition.

Published by L. A. Louver, Venice, California, 2014
- Softcover
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
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£ 26.42
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Softcover. Condition: VG. Siena and lavender illus. wraps, 40 pp., color illus. Issued in conjunction with a 2014 exhibition of these specific works by American abstract artist Frederick Hammersley (1919-2009). With an illustrated essay by E. Luanne McKinnon and a foreword by Elizabeth East. Includes a brief bio, a collections l…ist, and many full-color examples of Hammersley's creativity.

Published by New Haven, CT; London Albuquerque: Yale University Press; University of New Mexico Art Museum, 2010
- Hardcover
- First Edition
Seller: MW Books, New York, NY, U.S.A.MW Books
Contact seller5-star seller1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 88 p.: ill.; 26 cm. Includes bibliographical references. Notes; Issued in connection with an exhibition held Sept. 25, 2010-Jan. 3…, 2011, Hammer Museum, Los Angeles, Jan. 28-May 22, 2011, University of New Mexico Art Museum, Albuquerque, and Sept. 16, 2011-Jan. 8, 2012, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York. Contents; Me, you, us: Eva Hesse's early paintings / Helen Molesworth -- Eva's Eva / E. Luanne Mckinnon -- The spectral bride and her uncanny double / Elisabeth Bronfen -- An instrument in the shape of a woman: the real nonsense of Eva Hesse / Louise S. Milne. Summary; In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these "spectre" paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre. Review: "Provide(s) valuable new insights into the work of Eva Hesse." -Woman's Art Journal Woman's Art Journal. Subject; Hesse, Eva 1936-1970. Individual artists ; Painting & paintings ; Sculpture. ART / Individual Artists / Monographs. ART / History / Contemporary (1945-). ART / Collections, Catalogs, Exhibitions / General. 1 Kg.

- Hardcover
- First Edition
Seller: Glands of Destiny First Edition Books, Sedro Woolley, WA, U.S.A.Glands of Destiny First Edition Books
Contact seller5-star sellerCondition: Used - As new
£ 56.62
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hardcover. Condition: Like New. Like New. First Edition. Publisher: Yale University Press, 2010. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Unread. Pristine.