Mcenery Miles Gallery (65 results)

Condition: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: first ] Publisher: Miles McEnery Gallery Pub Date: 2/3/2022 Binding: hardcover Pages: 52 first edition.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Hardcover. Condition: Fine.

hardcover. Condition: Very Good.

Condition: As New. An excellent copy. The pages are clean and unmarked. The binding is tight.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Near Fine. No Jacket. Hardbound, no dust jacket. Published on th occasion of the April 18-24, 2019 exhibition.

Hardcover. Condition: Very Good. No Jacket. Hardbound, no dust jacket.

hardcover. Condition: Very Good.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. 2020 Hardcover Exhibition catalogue and card. Interior clean; binding tight. Boards VG.

Condition: As New. An excellent copy. The pages are clean and unmarked. The binding is tight.

Hardcover. Condition: Near Fine. Very light wear to the boards and spine, otherwise a near fine copy. Folio - over 12 - 15" tall.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardbound, no dust jacket.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. 2020 Hardcover Exhibition catalogue 2 April - 9 May 2020 Interior clean; binding tight. Boards VG. Exhibition card included.

Hardcover. Condition: New. New, unopened book, still in plastic shrink wrap.

Hardcover. Condition: Near Fine. Published on the occasion of the Heather Gwen Martin exhibition 14 November- 21 December, 2019. Hardcover in Near Fine condition, illustrated boards with white lettering on spine and cover includes numerous color illustrations, 43 pages. No DJ as issued. A postcard from exhibition/reception is laid-in.…

Hardcover. Condition: Very Good. Minor shelf wear, binding tight, pages clean and unmarked. "His perspective isn?t an ordinary historical view of this celebrated serial gathering of hippies, activists, and their spiritual kin. In Huffman?s paintings, kente cloth visually rhymes with hard- edge abstraction, the head of a sphinx merges with the face of his mom, and basketballs float alongside the moons of Jupiter and Pluto. One might easily mistake Huffman?s juxtaposition of seemingly antithetical modes of abstraction?hard-edge and expressionistic?as some kind of postmodernist ploy. It is not. Their presence in these paintings is not a clever or ironic art historical pose but, rather, an authentic and genuine reflection on his early life experience."- Lawrence Rinder in "David Huffman: The Awakening".…

Hardcover. Condition: Very Good. Pictorial boards have minor shelf wear, binding tight, pages clean and unmarked. Flawlessly executed, Warren Isensee?s paintings present the viewer with a seductive and alluring assortment of shapes and colors. The various patterns and forms fade in and out, while simmering with the artist?s archetypal sense of humor and irony. Titles such as ?Pillow Talk,? ?Rise and Shine,? and ?LOL? playfully riff on phrases inherent to contemporary culture, highlighting Isensee?s negotiation of the line between reality, artifice and representation.Patterns begin to delightfully pulsate and radiate through the work, in oscillations that are at once hypnotic and soothing. As Ken Johnson notes in his catalogue text Wiggly World: A Conversation with Myself About Warren Isensee?s New Paintings, ?with their emphatically flat, frontal, and symmetrical compositions, the repetition and recursion of blobby forms outlined in black and in a tasty range of hues, from chocolaty browns and mossy greens to neon-bright pinks and yellows, all painted, with a precise, silky touch, they are optically dazzling.?The paintings on display trace their origins to the artist?s series of delicate, miniature pencil drawings, rendered with a concise and single layer of color application. Observed in an historic moment of vast upheaval, unprecedented in living memory, Isensee?s complete body of work celebrates vibrancy, dynamism and spontaneous movement and ultimately imbues the viewer with a sense of optimism.…

Hardcover. Condition: Very Good. Pictorial boards have minor wear, binding sound, internally clean. "For Raffi Kalenderian, the whole painting is the portrait. Kalenderian?s works vary greatly in their handling of scale. The figures displayed occupy as much as half the overall pictorial plane, or may appear as quite small, tucked lovingly into a lush visual landscape. His surfaces are completely activated. Additionally, the paintings display time, as well as space. Temporal complexity is intrinsic to portrait painting. It unfolds across an extended duration and yet is perceived by the viewer in, and as, an instant. Looking at them is like experiencing déjà vu.Glenn Adamson notes, ?In art as in physics, energy must come from somewhere. It?s easy to get lost in his paintings, their saturated hues, their mesmerizing patterns, their psychological presence. That?s the right way to look at them ? to give yourself the chance to see what Kalenderian saw, and somehow got down on canvas.?"=Miles McEnery Gallery.…

Hardcover. Condition: Very Good. Minor shelf wear, binding tight, pages clean and unmarked. 36 pages, illustrated in color. Ross has been exhibiting his paintings and drawings throughout the United States and Europe for over twenty-five years. He predominantly uses various hues of green to reference both plant life and the artificial, often seen in contrast to blues and reds. The works are a bridge between abstract and photorealistic; his compelling application of shadow and texture interact with color and form to create images with a deep dimensionality.Epps explains, ?By constantly rupturing and dissolving our conventional interpretation of shapes and colors, Ross perceives his painterly practice as a form of depictive abstraction. Captivated by both figurative and abstracted approaches to the medium, he has cited Giorgio Morandi and Max Ernst as two of his favorite painters. He sportively encourages us to undergo an experience of spectatorial confusion; the closer and longer you might focus on an image, the less you might understand it. Like the rotations of a kaleidoscope, the patterns continually mutate, seducing us with their boundless perplexity..…

Hardcover. Condition: New. New condition hardcover. Still in plastic shrink wrap.

Hardcover. Condition: New. New in shrinkwrap. Hardbound.

Hardcover. Condition: New. Shrink wrapped - never opened.

Hardcover. Condition: New. Shrink wrapped - never opened.

Hardcover. Condition: New. Brand new in shrink wrap.

Condition: Good. 4to. 62p. Hardcover. Very Good+. Minor bump at head of spine, else like new. Color prints throughout. Insert: exhibition announcement.

Condition: Good. 4to. 44p. Hardcover. Like New. Color prints throughout. Insert: exhibition announcement.From the Collection of the Art Historian Peter Selz (1919-2019).

Condition: Good. 4to. 62p. Hardcover. Like New. Color prints throughout. Insert: exhibition announcement.From the Collection of the Art Historian Peter Selz (1919-2019).

Hardcover. Condition: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.