Maurice Annenberg (19 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 286pp. 4to. Grey cloth-covered boards in dust-jacket. Jacket is a bit sunned along spine, otherwise a fine copy.

Hardcover. Condition: Near Fine. First edition. Illustrated in black and white. Near fine without dustwrapper as issued.

hardcover. Condition: Very Good. very good to like new hardcover with jacket. no marks. clean text. solid binding. very little wear. ISBN matches listing. Fast service with confirmation, no international or priority orders over 4lbs.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. Clean decorative boards with touch of wear to tips, hinges remain firm. Author inscription to flip side of FEP facing half-title page o/w clean, BP/Advertising/. Signed by Author(s).

Hardcover. Condition: Very Good. Hard cover in dust jacket. An excellent copy. Oversized. Clean text -- NO writing, NO highlighting to text. Very Good condition Oversized. Clean text -- NO writing, NO highlighting to text.ÂPLEASE NOTE: Domestic US media (standard) US orders ONLY. NO international orders.…

Hardcover. Condition: As new. A white casebound book with a gray dust jacket. The title is printed in red down the spine of the dust jacket. There is a mylar jacket, as well. The free and pasted end pages are illustrated. Pages: (4), v-xxi, 1-286. Contains many black-and-white illustrations. "[This book] is the definitive bibliography of American type specimen books. The book contains historical accounts of each foundry, a list of their specimen books with size and number of pages, and countless tidbits of fascinating historical and typographical information." Contents are as follows: Henry L. Bullen -- American Type Founders Company -- Bache, Benjamin Franklin -- Baltimore Type Foundry -- Barnhart Brothers and Spindler -- Baine, John and Grandson -- Bay, Jacob -- Benton, Waldo and Company -- Binny and Ronaldson -- Binny, John -- Boston Type Foundry -- Bresnan Type Foundry -- Bruce's New York Type Foundry -- Buell, Abel -- Buffalo Type Foundry -- California Type Foundry -- Central Type Foundry -- Chandler, Adorinam and Company -- Cincinnati Type Foundry -- Cleveland Type Foundry -- Collins and M' Leester -- Conner Type Foundry -- Cortelyou's Type Foundry -- Crescent Type Foundry -- Damon and Peets -- Dickinson Type Foundry -- Empire State Type Foundry -- Farmer, Little and Company -- Farmer, A.D. and Son -- Fox, Justus -- Franklin Type and Stereotype Foundry -- Green, H.H. Type Foundry -- Hagar Type Foundry -- Hansen, H.C., Type Foundry -- Heinrich, Ph. -- Holmes and Curtis -- Howe and Company -- Illinois Type Founding Company -- Inland Type Foundry -- Johnson and Smith -- Johnson, L. and Company -- Kansas City Type Foundry -- Keystone Type Foundry -- Kinsley, A.W. and Company -- Knickerbocker Type Foundry -- Lindsay Type Foundry -- Lothian, Robert -- Lothian Type Foundry -- MacKellar, Smiths and Jordan -- Manhattan Type Foundry -- Mappa, Adam Gerard -- Marder, Luse and Company -- Mechanics Type Foundry -- Mengel, John G. and Company -- Minnesota Type Foundry -- Mitchelson, David -- New England Type Foundry -- Ohio Type Foundry -- Pacific States Type Foundry -- Palmer and Rey -- Pelouze, Edward -- Pelouze, Lewis -- Reich, Starr and Company -- Richmond Type Foundry -- Robb and Ecklin -- Ronaldson, James -- Ryan, John Type Foundry -- Sower, Christopher -- St. Louis Type Foundry -- Standard Type Foundry -- Starr, R. and Company -- Starr's Type Foundry -- Union Type Foundry -- Washington Type Foundry -- Western Type Foundry -- White's Type Foundry -- Printing Periodicals -- Appendix 1. Type specimen collections -- Appendix 2. Additionally type specimen books -- Appendix 3. A new type foundry -- Appendix 4. The New York Public Library collection -- Appendix 5. The Smithsonian Institution collection -- Appendix 6. The Stephen O. Saxe collection -- Appendix 7. Errata, omissions and duplications -- Appendix 8. Select bibliography.…

cloth, dust jacket. 4to. cloth, dust jacket. xviii, 276 pages. Reprint of the first edition with an added appendix. A brand new copy. With additions and an introduction by Stephen O. Saxe and an index by Elizabeth K. Lieberman. Recognized by booksellers, collectors, librarians and bibliographers for its great usefulness as the definitive bibliography of American type specimen books. This edition contains an appendix listing 73 type specimen books unknown at the time of the first edition, more than 10 percent of the former total. TYPE FOUNDRIES contains historical accounts of each foundry, a list of their specimen books with size and number of pages and countless tidbits of fascinating historical and typographical information. Oak Knoll's edition has been updated and amended by the well-known printing historian, Stephen O. Saxe. He has added eight appendixes to the book, as well as a four-page introduction and a biographical sketch of the author. In addition, one new type foundry, Abraham Riggs of New York City, has been discovered and is described in a separate appendix. There are also listings of the complete type specimen holdings of the New York Public Library, the Smithsonian Institution and Stephen O. Saxe's personal collection. The appendixes conclude with a list of errata, omissions and duplications in the first edition; and a select bibliography. Also, of the greatest importance, the much-lamented lack of an index has now been corrected through the efforts of Elizabeth Lieberman.…

hardcover. Condition: Like New. 1994; Delaware; hard cover book with dust jacket, still in manufacture's plastic wrap; 4to - over 9 3/4" to 12" tall; Additional shipping charges may need to be requested due to size or weight of book.

Hardcover. Condition: Near Fine. Gray cloth printed in black, DW, 4to., xxi, 286 pages, profusely illustrated. A fine copy in a near fine DW with a small chip at the foot of the spine.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. Top edge slightly dust marked, otherwise Fine. Scratch to rear of dust jacket.

Hardcover. Condition: Very Good. Clean tight and unmarked large format hardcover in lightly shelf worn jacket oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Hardcover. Condition: Fine condition. Good dust jacket. First Edition, Limited 500 copies. Baltimore and Washington: Maran Printing Services, 1975. A landmark in bookmaking???? Fine condition in a Good dust jacket (soiled and with tiny edge tears, all less than 1/4 inch). NOT price clipped ($30.00). NOT a library discard. Sharp corners. NO owner's name or bookplate. Pages are crisp, clean and unmarked. 1975. First Edition. Limited to 500 numbered copies, this being #137. An illustrated history of American type foundries and an annotated bibliography of the catalogs they issued. Based in part on the 37 largest private and public collections in the country. Essential for type catalog collectors. Pictorial endpapers depict numerous scenes of a type foundry at work. The dust jacket states that this is believed to be the first book in the graphic arts field to be produced without metal type, having all text composed by the Mergenthaler VIP, variable input phototypesetter. Bound in the original pictorial biege cloth, stamped in blue. Complete with dust jacket that is illustrated to match the book's cover art. Oversize Hardcover. 8.75" wide by 11.25" tall. This large heavy book may require extra postage for Priority and International shipments, but only the standard charge for media mail. First Edition, Limited 500 copies. Oversize Hardcover. Fine condition/Good dust jacket. Illus. by NOT a library discard. 245pp. Great Packaging, Fast Shipping. NOT a library discard (illustrator). …

hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

folio. custom cloth folding box, linen ties, paper cover label. 37 leaves, of which 32 are wood type specimens. Presented to the School of Library Service, Columbia University. Privately printed in an edition of 30 numbered copies (of which the publisher states the number is more like 23) signed by Victoria Brush, Marc Lippman, Christine Ruggere, and Terry Belanger. This copy is out-of-series, however it does have three additional large specimens showing the woodtype in use at the Book Arts Press, along with a letter from Terry Belanger about this portfolio. A fine copy of this stunning production. Printed in color on an 1843 R. Hoe & Company Washington hand press and a c. 1885 Wesel flatbed platen press. The text paper is Mohawk Superfine, and the cover sheet is Kilmory Text. custom cloth folding box, linen ties, paper cover label. Book Arts Press (illustrator).…

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. 4to. 286 pp.top edge lightly foxed, otherwise very good in original grey cloth with black titles, neglible shelf wear, very good in original unclipped dustwrapper, minimal shelf wear, very good. over 1kg, overseas customers may be asked for extra shipping Size: 4to - over 9¾" - 12" tall.…

Hardcover. Condition: Fine. Dust Jacket Condition: fine. Signed presentation by Stephen O. Saxe on the half title page. Introduction and additions by Stephen O. Saxe and index by Elizabeth K. Lieberman. Profusely illustrated with examples of the type founder's art. Bound in publisher's original ivory cloth with spine lettered in black and illustrated endpapers. 11 1/4 x 8 3/4 inches. 286 pages. Signed.…