Published by Phaidon, New York, 2004
ISBN 10: 0714843105 ISBN 13: 9780714843100
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
First Edition
First Edition. First Edition. Fine and unread in a Fine dust jacket. 247 pages, color illustrations and drawings throughout. Includes an index, a bibliography and a chronology of works.
Published by Weidenfeld & Nicolson, London, 1999, 1999
ISBN 10: 0297842927 ISBN 13: 9780297842927
Seller: THE CROSS Art + Books, Sydney, NSW, Australia
22.0 x 18.5cms, 272pp, colour illusts, very good paperback with French flaps Colllings asks: what is a genius? Why do we want to be shocked by art? What happened to beauty & loveliness? why are there so mank white blank canvases in modern art? When did jokes and irony take hold in modern art? Will the future validate late 20th century art? SALE PRICE.
Published by Weidenfeld & Nicolson, London, 1999, 1999
ISBN 10: 0297842927 ISBN 13: 9780297842927
Seller: THE CROSS Art + Books, Sydney, NSW, Australia
22.0 x 18.5cms, 272pp, colour illusts, very good+ paperback with French flaps Collings asks: what is a genius? Why do we want to be shocked by art? What happened to beauty & loveliness? why are there so mank white blank canvases in modern art? When did jokes and irony take hold in modern art? Will the future validate late 20th century art?.
Published by Watson Guptill, New York, 1999, 2000
ISBN 10: 0823053628 ISBN 13: 9780823053629
Seller: THE CROSS Art + Books, Sydney, NSW, Australia
22.0 x 18.5cms, 272pp, colour illusts, very good paperback with French flaps Colllings asks: what is a genius? Why do we want to be shocked by art? What happened to beauty & loveliness? why are there so mank white blank canvases in modern art? When did jokes and irony take hold in modern art? Will the future validate late 20th century art?.
Published by Weidenfeld & Nicolson, London, 1999, 1999
ISBN 10: 0297842927 ISBN 13: 9780297842927
Seller: THE CROSS Art + Books, Sydney, NSW, Australia
22.0 x 18.5cms, 272pp, colour illust, hardcover in dustjacket, very good++ Colllings asks: what is a genius? Why do we want to be shocked by art? What happened to beauty & loveliness? why are there so mank white blank canvases in modern art? When did jokes and irony take hold in modern art? Will the future validate late 20th century art?.