Mark Durden (224 results)

Hardcover. Condition: Very Good.

Hardcover. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Condition: Good. Color, B/w Illustrations (illustrator). Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A tan to the page edges/pages . Minor shelf wear.

Paperback. Condition: Fine.

Hardcover. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. 1753699177. 7/28/2025 10:39:37 AM.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condition: New. During a year long residency, photographer John Kippin documented the changing landscape of Greenham Common, notorious during the Cold War and the scene of a unique peace protest throughout the 1980s and 90s. This project marks the change of use of the site from a military base to common land, with essays examining the history of the Common, the development of the Womens' Peace Movement and the protest at Greenham. 38 colour & b/w illustrations.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.52.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Gebundene Ausgabe. Condition: Neu. Neu neuware, importqualität, auf lager - A comprehensive and much-needed survey of the last 40 years of photography, charting its path from method of documentation to art form. Reproduces 500 of the greatest photographic works by modern masters such as Diane Arbus, William Eggleston, Cindy Sherman, Danny Lyon, Joel Meyerowitz, Nan Goldin and James Nachtwey. Ten thematic chapters cover the major genres of contemporary photography, including landscape, portraiture, street photography, and documentary. A compelling narrative places these artists and their works within a wider context, with rich and authoritative text.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: 71 p. : ill. (some col.), ports. ; 24 cm. Notes: Includes bibliographical references. Summary: A series of critical essays examining new and existing photographic and lens-based art which rests upon a social exchange between artist and subject. Artists featured in the bool include, amongst others, Jennifer Bornstein, Adam Chodzko. Rineko Dijkstra and Philip-Lorca diCorcia. Face On examines the history of documentary photography and maps out current solutions and strategies to the problems involved in the exchange between photographer and subject. Subject: Photography - Social aspects. Artists and models in art. Arts - Psychological aspects. Photographic reportage. Photography / Criticism. Portrait photography ; Philosophy ; Photography in art ; Photography, Artistic ; Photographers' models.Genre: Illustrated. 1 Kg.

Softcover. Condition: Comme neuf. Edition 2001. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Edition 2001. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Brand New. Hardcover.Width: 21 cm. Height: 26cm. 108 pages. English text.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex Library Book with usual stamps and stickers. A slight tan to the page edges. Good condition book.

Softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition; First Impression. Shelf-light wear to spine, covers and corners. A light stain (possibly tea? ) marks this otherwise near-fine copy. ; With unusual corrugated cardboard covers with blue free-end papers. Shelf-light wear to spine, covers and corners. A light stain (possibly tea? ) marks this otherwise near-fine copy. A thought-provoking exploration of contemporary photography and its intersection with economics, politics, and society. The book examines how photographers respond to global capitalism's shifting dynamics, presenting a collection of works that critique labor, consumption, and economic inequality. Campbell and Durden analyze the way photography reflects, questions, and often challenges the visual representations of power and capital. The book features various artists and their approaches to documenting these themes, offering insights into the role of visual culture in shaping public perception of global economic forces and inequalities in the modern world. Colour and b&w photographic plates throughout. ; 29.5 x 23 x 1.5 cm; 151 pages.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Paperback. Condition: Very Good. Fairly good condition for year.

Taschenbuch. Condition: Sehr gut. Gebraucht - Sehr gut sg - ungelesenes mängelexemplar, gestempelt, mit leichten lagerspuren.

Condition: Good. Color, B/w Illustrations (illustrator). 4to. [38 pp]. Very good with marginal stain on back cover. Soft cover. Includes mostly color plates. First edition. Published to accompany the exhibit ?Cindy Bernard: at the James Hockey Gallery at the Surrey Institute of Art and Design from April 30 to June 4, 1995 and at the Viewpoint Photography Gallery from August 9 to September 10, 1995.

First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap. ; 8vo 8" - 9" tall; 151 pages; Physical description. : 151 p. : ill. (some col. ) ; 30 cm. Notes: Cardboard covers. "Exhibition Variable Capital from the Arts Council England, Liverpool City Council and the Liverpool Culture Company"--T. P. Verso. Exhibition dates taken from Gallery website. Catalogue of an exhibition held at Bluecoat Gallery (Liverpool), [16 May - 29 June 2008] Includes bibliographical references. Contents: The new -- Branding -- New geometry -- Logos -- Vanitas -- Gold -- Colour -- Dereliction -- Bad goods -- Possessions -- Common culture -- Screen tests -- Treadmills -- Standardisation -- Exploitation -- Sex -- Hollywood -- Free time -- Craft -- Thrift -- Display -- Excess -- Recycling -- Animation -- Repair. Summary: As a rapidly growing Liverpool enjoys its status as European Capital of Culture, Variable Capital presents international artists' critical and often humourous responses to today's 'spend spend spend' consumer culture. The international artists in Variable Capital, organised by artists David Campbell and Mark Durden (who, with Ian Brown, work collaboratively as Common Culture), look beyond the glamour of material possessions to the costs of a culture of glitz and excess. In an accompanying Liverpool University Press publication, the curators discuss in detail the works in the exhibition, locating them in a wider historical context. Biography: David Campbell and Mark Durden are artists and work collaboratively as Common Culture. Subject: Common Culture (Artist group) Art, Modern - 20th century Art and society. Capitalism - In art. Socialism and art. Art, Modern - 21st century - Exhibitions. Pop art - Exhibitions. Consumerism. Pop art. 1 Kg.

Condition: Good. Original brown cloth, dust jacket, illustrated with photographs in colour, unpaged, oblong (circa 25x31cm).; Wrinkles bottom back dust jacket.

Trade Paperback. Condition: Very Good. No Jacket. Color, B/w Illustrations (illustrator). First Edition. 4to - over 9¾" - 12" Tall. Laid in loose is a signed letter from artist to the issuer of a grant that enabled a number of projects.Color, b/w Illustrations.

Original Boards. Condition: As New. Dust Jacket Condition: As New. First Edition. With b/w & coloured plates. Slight shelfwear. ; 12mo; 84 pages.

Taschenbuch. Condition: Neu. 128 S. m. zahlr. Abb. NEU ! 9780714891941 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Deutsch Gewicht in Gramm: 221.

First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap. ; 8vo 8" - 9" tall; 151 pages; Physical description. : 151 p. : ill. (some col. ) ; 30 cm. Notes: Cardboard covers. "Exhibition Variable Capital from the Arts Council England, Liverpool City Council and the Liverpool Culture Company"--T. P. Verso. Exhibition dates taken from Gallery website. Catalogue of an exhibition held at Bluecoat Gallery (Liverpool), [16 May - 29 June 2008] Includes bibliographical references. Contents: The new -- Branding -- New geometry -- Logos -- Vanitas -- Gold -- Colour -- Dereliction -- Bad goods -- Possessions -- Common culture -- Screen tests -- Treadmills -- Standardisation -- Exploitation -- Sex -- Hollywood -- Free time -- Craft -- Thrift -- Display -- Excess -- Recycling -- Animation -- Repair. Summary: As a rapidly growing Liverpool enjoys its status as European Capital of Culture, Variable Capital presents international artists' critical and often humourous responses to today's 'spend spend spend' consumer culture. The international artists in Variable Capital, organised by artists David Campbell and Mark Durden (who, with Ian Brown, work collaboratively as Common Culture), look beyond the glamour of material possessions to the costs of a culture of glitz and excess. In an accompanying Liverpool University Press publication, the curators discuss in detail the works in the exhibition, locating them in a wider historical context. Biography: David Campbell and Mark Durden are artists and work collaboratively as Common Culture. Subject: Common Culture (Artist group) Art, Modern - 20th century Art and society. Capitalism - In art. Socialism and art. Art, Modern - 21st century - Exhibitions. Pop art - Exhibitions. Consumerism. Pop art. 1 Kg.

paperback. Condition: Gut. Seiten; 9780714896533.3 Gewicht in Gramm: 1.

Condition: very good. l'article peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques. vendeur professionnel; envoi soigne en 24/48h.