Mark D Fullerton (103 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. US Soft Cover Edition. Book is in great condition! Little to no damage present on cover, pages, spine, or corners. Amazing buy!

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

paperback. Condition: Very Good. Has moderate shelf and/or corner wear. Great used condition.Over 1,000,000 satisfied customers since 1997! Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders.

Paperback. Condition: Very Good. Greek Art This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condition: Very Good. 176 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark top fore-edge.

2000. Europe, Classical Studies, Art. Cambridge University, 176 p., very good paper.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: As New.

Softcover. Condition: Very Good. A bit of edgewear to front wrap. Very light shelfwear. ; Since antiquity, the period from 480 to 323 BC in Greece has been considered to be the high point, the Classical era, of Hellenic culture. At that time, the values and customs of ancient Greece received an especially lucid expression in the visual arts. In this new overview, the political, social, and religious functions of Greek art are given fresh life, with chapters focusing on issues such as the relationship between visual narrative and history; the role of artistic style in the construction of meaning; and how personal and communal identity was carried by the imagery on intricately decorated pottery and jewelry, naturalistic wall-paintings, and public buildings across the Greek world. Using the Parthenon as a paradigm monument, Mark Fullerton examines the principles of classical sculpture, architecture, and painting to explore all phases of Greek art from its birth around 900 BC to its incorporation into the art of the Roman Empire. Combining the latest archaeological discoveries with new scholarly methods, Fullerton presents a history of Greek art and the idea of the classical through a range of media and materials, including Archaic statues from the Aegean islands, the gold and ivory of Macedonia, to the great Hellenistic monuments of the Greek east. Mark D. Fullerton is Professor and Chairperson in the Department of History of Art at the Ohio State University. His research centers on Roman, Greek, and Hellenistic sculpture and he has published work on Roman art. ; 9.1 X 6.3 X 0.6 inches; 176 pages.

Softcover. Condition: Near Fine. Since antiquity, the period from 480 to 323 BC in Greece has been considered to be the high point, the Classical era, of Hellenic culture. At that time, the values and customs of ancient Greece received an especially lucid expression in the visual arts. In this new overview, the political, social, and religious functions of Greek art are given fresh life, with chapters focusing on issues such as the relationship between visual narrative and history; the role of artistic style in the construction of meaning; and how personal and communal identity was carried by the imagery on intricately decorated pottery and jewelry, naturalistic wall-paintings, and public buildings across the Greek world. Using the Parthenon as a paradigm monument, Mark Fullerton examines the principles of classical sculpture, architecture, and painting to explore all phases of Greek art from its birth around 900 BC to its incorporation into the art of the Roman Empire. Combining the latest archaeological discoveries with new scholarly methods, Fullerton presents a history of Greek art and the idea of the classical through a range of media and materials, including Archaic statues from the Aegean islands, the gold and ivory of Macedonia, to the great Hellenistic monuments of the Greek east. Mark D. Fullerton is Professor and Chairperson in the Department of History of Art at the Ohio State University. His research centers on Roman, Greek, and Hellenistic sculpture and he has published work on Roman art. ; 9.1 X 6.3 X 0.6 inches; 176 pages.

Paperback. Condition: Very Good. . Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item.

Paperback. Condition: Like New. FIRST THUS. First Edition Thus, First Printing. Not price-clipped. Published by Cambridge University Press, 2000. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Printing. Slight wear; Dust Jacket slight wear. Crisp oversize hardcover. ; "This book treats the historiography of ancient Near Eastern and Classical art, examining the social, intellectual and institutional contexts that have shaped the way that the history of ancient art has been and continues to be written. It demonstrates how, from the Renaissance to the present, the study and interpretation of ancient art reflect contemporary ideas and practices." Contents: 1. Introduction / A.A. Donohue -- 2. From Whores to Hierodules: The historiographic invention of Mesopotamian female sex professionals / Julia Assante -- 3. Humanissima ars: Evaluation and devaluation in Pliny, Vasari, and Baden / Jacob Isager -- 4. The Fate of Plate and Other Precious Materials: Toward a historiography of ancient Greek minor arts / Kenneth Lapatin -- 5. 'Der Stil der Nachahmer': A brief historiography of stylistic retrospection / Mark D. Fullerton -- 6. The Peplos and the "Dorian question" / Mireille M. Lee -- 7. Mrs Arthur Strong, Morelli, and the Troopers of Cortés / Mary Beard -- 8. Jargon, Authenticity, and the Nature of Cultural History-Writing: Not out of Africa and the Black Athena debate / Joanne Monteagle Stearns; Index. ; 224 pages.

Small 4to, 176pp with black and white and colour illustrations. A near fine paperback copy. Remainder mark.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and strong. Physical description: x, 213 pages : illustrations ; 24 cm. Subjects: Art, Ancient Historiography; Art antique Historiographie; Art, Ancient; Historiography; Ancient World; Classical World; Art history. 3 Kg.

Soft cover. Condition: Good. UK paperback from 2011. From the estate of respected historian William St. Clair with his pencil annotations. Good overall with some light wear only.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and strong. Physical description: x, 213 pages : illustrations ; 24 cm. Subjects: Art, Ancient Historiography; Art antique Historiographie; Art, Ancient; Historiography; Ancient World; Classical World; Art history. 1 Kg.

Paperback. Condition: Good. 1st Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD. Compares the evolution of Greek sculpture over the centuries to works of contemporaneous Mediterranean civilizationsEmphasizes looking closely at the stylistic features of Greek sculpture, illustrating these observations where possible with original works rather than copiesPlaces the remarkable progress of stylistic changes that took place in Greek sculpture within a broader social and historical contextFacilitates an understanding of why Greek monuments look the way they do and what ideas they were capable of expressingFocuses on the most recent interpretations of Greek sculptural works while considering the fragile and fragmentary evidence uncovered Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.