Marc Simpson with Richard Ormond (5 results)

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    • Language: English

      Published by New Haven: Yale University Press, 1997

      0931102383 / 9780931102387

      • Softcover

      Seller: Lorrin Wong, Bookseller, Los Angeles, CA, U.S.A.Lorrin Wong, Bookseller

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      Condition: Used

      £ 9.51

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      1st printing of 1st edition. 192 pages, illustrated. Light diagonal crease on front wrapper (cover) otherwise a clean, unmarked, complete near fine trade paperback in decorative wrappers (soft cover book).

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      Language: English

      Published by Yale University Press, New Haven, CT, 1997

      0300071779 / 9780300071771

      • Softcover

      Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA

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      Association member: ABAAILAB

      Condition: Used

      £ 7.60

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      Softcover. Condition: VG/VG As New copy. Black wraps. xiii, 192 pp. 35 color plates. This is a softcover book. Published in conjunction with an exhibition held at the Sterling and Francine Clark Art Institute from June 15 to Sept. 7, 1997. Includes an annotated and illustrated catalogue of 35 works. Contents as follows: Foreword / Michael Conforti -- Introduction / Richard Ormond -- Sargent and Carolus-Duran / H. Barbara Weinberg -- Sargent and His Critics / Marc Simpson -- Catalogue / Marc Simpson. hing and Experimentation, 1877-1880. "Away for Venice," 1880-1882. "Crispation de Nerfs" 1880-1887. Appendix: Sargent's Exhibition History, 1877-1887. This book explores how the young American painter in just over a decade jumped from apprenticeship to wide acclaim, how he presented himself and his works, and how he sought to shape public perception of his talent. The book includes illustrations of almost every painting Sargent exhibited in Paris, London, and New York through 1887. Drawing on the correspondence of the artist, his friends, and his family, as well as an extensive review of contemporary critical responses, the text examines these works of Sargent's early maturity - some not exhibited in this century and others among his best-known work, including Carnation, Lily, Lily, Rose and Madame X. The authors contend the canvases present a fresh view of Sargent's aspirations and ambitions, representing a metaphoric self-portrait of the artist as a young man. The early paintings, their relationship to one another, and their reception also shed light on the complex, cosmopolitan art world in which Sargent lived.

    • Language: English

      Published by Yale University Press, New Haven, CT, 1997

      0931102383 / 9780931102387

      • Softcover

      Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA

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      Association member: ABAAILAB

      Condition: Used

      £ 7.60

      £ 9.59 shipping 
      Ships within U.S.A.

      Quantity: 2 available

      Softcover. Black wraps. xiii, 192 pp. 35 color plates. This is a softcover book. Published in conjunction with an exhibition held at the Sterling and Francine Clark Art Institute from June 15 to Sept. 7, 1997. Includes an annotated and illustrated catalogue of 35 works. Contents as follows: Foreword / Michael Conforti -- Introduction / Richard Ormond -- Sargent and Carolus-Duran / H. Barbara Weinberg -- Sargent and His Critics / Marc Simpson -- Catalogue / Marc Simpson. hing and Experimentation, 1877-1880. "Away for Venice," 1880-1882. "Crispation de Nerfs" 1880-1887. Appendix: Sargent's Exhibition History, 1877-1887. This book explores how the young American painter in just over a decade jumped from apprenticeship to wide acclaim, how he presented himself and his works, and how he sought to shape public perception of his talent. The book includes illustrations of almost every painting Sargent exhibited in Paris, London, and New York through 1887. Drawing on the correspondence of the artist, his friends, and his family, as well as an extensive review of contemporary critical responses, the text examines these works of Sargent's early maturity - some not exhibited in this century and others among his best-known work, including Carnation, Lily, Lily, Rose and Madame X. The authors contend the canvases present a fresh view of Sargent's aspirations and ambitions, representing a metaphoric self-portrait of the artist as a young man. The early paintings, their relationship to one another, and their reception also shed light on the complex, cosmopolitan art world in which Sargent lived. VG (May have marks from previous gallery owner.).

    • Language: English

      Published by Yale University Press/Sterling and Francine Clark Art Institute, New Haven and London/Williamstown, MA, 1997

      0931102383 / 9780931102387

      • Softcover
      • First Edition

      Seller: Saucony Book Shop, Kutztown, PA, U.S.A.Saucony Book Shop

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      Condition: Used - Near fine

      £ 15.21

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      Soft cover. Condition: Near Fine. 1st Edition. Stiff color illus. wraps. Slight shelf wear, virtually as issued. xiv,192 pp., 26 color plates, 36 b&w figures in text. Size: 4to - over 9¾" - 12" tall. Sargent, John Singer (illustrator). Book.

    • Published by New Haven [CT] & London: Yale University Press, 1997., 1997

      • Hardcover

      Seller: Cornell Books Limited, Tewkesbury, United KingdomCornell Books Limited

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      Condition: Used - Good

      £ 20.00

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      Condition: Good. Second impresssion (hardback). 4to (28cm by 23cm), 192pp. Illustrated throughout in b&w and colour. Original black cloth, dustwrapper. There is some foxing of the endpapers; overall, the book is in good to very good condition. The dustwrapper is in near-VG condition (minor chafing to one corner). ISBN 0300071779.