Marc Bernheim (18 results)

Hardcover. Condition: Fair. No Jacket. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Thus. Foreword by Dr. Barnes Riznik. DJ is price-clipped. Shelfwear (to book & dj).

Hardcover. Condition: As New. Dust Jacket Condition: As New. 4to. Lt. green cl. w. black letters. Prof. photos w. descriptive text. A Face to Face Book. Photos (illustrator).

Soft cover. Condition: Good. No Jacket. Ex-Library Book with stamps, pockets and stickers. Cover shows some wear on the bottom. Pages are extremely nice. Marc and Evelyne Bernheim (illustrator).

Hardcover. Condition: Fine. No Jacket. 1st Edition. Ex-Library With The Usual Library Markings Such As Pocket, Bar Codes, Stamps, Stickers On Spine, Etc. There Are No Other Markings Or Tears Inside The Book. Binding Is Tight With Very Little Wear On Cover.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Very good condition book, unmarked, in very good condition dustjacket, not price-clipped. [1803].

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First Edition. Ex Libris with all the usual attributes. Dust jacket taped to cover, clipped, with a few rips; Very Good condition. Tape marks on end pages. A few marks on pages, but still Very Good condition.

HC. Condition: good, ex-library. 96 Photographic essay of modern Africa.

Illustrated Boards. Condition: Good. Dust Jacket Condition: No Jacket (as published). First Edition. A bright clean copy with only slight thinning at edge of front end-paper where it was stuck to half-title page & imprint of paperclip on rear end-paper, illust. throughout with col. photo's. many full-page, unpaginated. Size: 4to - over 9¾" - 12" tall. Illustrator: Photo's. Quantity Available: 1. Category: Indigenous Cultures; West Africa; Anthropology. ISBN: 0152242333. ISBN/EAN: 9780152242336. Inventory No: SAF00016. Photo's (illustrator).…

Condition: Good. Good condition. Good dust jacket. (New England, History) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: Very Good. First Edition. Cloth. 96 pp. Photos. Index. No dust jacket. Light soiling to cloth, minor wear to boards. Contents clean and tight.

Hardcover. Condition: Fair. Acceptable condition with some wear on covers and spine.

soft cover. Condition: very good. first edition. In-8° broché, 208 pages - Sommaire : Pour préparer utilement le Congrès - Références aux décisions antérieures - Elections - Bilan de Politique Intérieure - Démocratie socialiste : Bilan et perspectives - Conjoncture Internationale - Rapports Est Ouest .…

Condition: Normal. Timun Mas. Tapa dura. 30 cm. Cubierta deslucida. Ilustrado. Libro en almacén 1. Normal.

Hardcover. Quarto. Hardcover. Red cloth boards, gilt spine titles, pale peach dust jacket with color illustration. XXI, 360 pp., plus 16-page unnumbered index. 720 reproductions, in black and white. Text in French and English. "When he died, in 1919, Renoir left a considerable number of paintings and drawings in his atelier. These were the works which the master chose not to sell during his lifetime, but instead to live with in his home." Messrs. Josse and Gaston Bernheim-Jeune catalogued these works, published in 1931 as "Renoir's Atelier", in 2 volumes. "This new edition combines the two volumes into one, additionally including an English translation of both texts." -- book jacket. VG/VG. Jacket in mylar, light touches of soiling to wraps, and a 1 inch closed tear to jacket at the head of spine on the front panel. Interior is clean and unmarked besides previous owners bookplate on front end paper. Pierre-Auguste Renoir (illustrator).…

Condition: Good. Original photographs. 3 kodak photographs of Yvonne and Philippe Halsman at Marc Bernheim's, measuring 9 x13 cm (3½x5¼").?Annoted vers on one fof the three.Text below by Mary Panzer,Curator of PhotographsNational Portrait Gallery, Smithsonian Institution.Philippe Halsman (1906-1979) was born in Riga, Latvia. He studied engineering in Dresden before moving to Paris, where he set up his photographic studio in 1932. Halsman's bold, spontaneous style won him many admirers. His portraits of actors and authors appeared on book jackets and in magazines; he worked with fashion (especially hat designs), and filled commissions for private clients. By 1936, Halsman was known as one of the best portrait photographers in France.From the 1940s through the 1970s, Philippe Halsman's sparkling portraits of celebrities, intellectuals, and politicians appeared on the covers and pages of the big picture magazines, including Look, Esquire, the Saturday Evening Post, Paris Match, and especially Life. His work also appeared in advertisements and publicity for clients like Elizabeth Arden cosmetics, NBC, Simon & Schuster, and Ford. Photographers, amateur as well as professional, admired Halsman's stunning images. In 1958, a poll conducted by Popular Photography named Halsman one of the "World's Ten Greatest Photographers" along with Irving Penn, Richard Avedon, Ansel Adams, Henri Cartier-Bresson, Alfred Eisenstaedt, Ernst Haas, Yousuf Karsh, Gjon Mili, and Eugene Smith. Altogether, Halsman's images form a vivid picture of prosperous American society in the middle years of the twentieth century. "Philippe Halsman: A Retrospective" is the first historical survey of his work.Halsman's career came to a dramatic halt in the summer of 1940, when Hitler's troops invaded Paris. Albert EinsteinHis wife, daughter, sister, and brother-in-law, who all held French passports, immigrated to America, but as a Latvian citizen, Philippe Halsman could not obtain a visa. For several long months he waited in Marseilles along with many others who were forced to escape fascist Europe. Finally, through the intervention of Albert Einstein (who had met Halsman's sister in the 1920s), Halsman obtained permission to enter the United States, and he arrived in New York in November 1940 with little more than his camera.Halsman's big break came when he met Connie Ford, a striking young model who agreed to pose in exchange for prints for her portfolio.Constance Ford When publicists at Elizabeth Arden saw Halsman's photograph of Ford against an American flag, they used the image to launch a national campaign for "Victory Red" lipstick. A year later, in the fall of 1942, Life asked Halsman to shoot a story on new hat design. To Halsman's delight, his portrait of the model smiling through a feathery brim landed on the cover. One hundred more covers followed before the magazine ceased weekly publication in 1972.When Halsman began working for Life, the magazine was only six years old, and photojournalism was still a new field. Before the existence of Life and its competitors, Americans learned about the world from newspapers, radio, and newsreels. But the new picture magazines published pages filled with bright, dramatic photographs, bringing Americans vivid information that no other media could match. Frank SinatraIn the spirit of a variety show, or a world's fair, magazines combined stories about international politics, everyday life, news events, celebrities, exotic scenery, and humor to prove that "so much of the world, so judiciously selected, had never been seen before in one place." Today, to understand the significance of those great magazines, we need only look at the many forms of mass media that have come to replace them. Now, we find photographs on television and billboards; in special publications devoted to news, people, fashion, or sports; in newspapers; in museums and galleries; and on the Internet. And, ironically, the more places there are to see photographs, the harder. …

Condition: gut. Kommentar zum Bundesgesetz über Schuldbetreibung und Konkurs unter Einbezug der Nebenerlasse SchKG I/II/III und Ergänzungsband: Kommentar zum . Art. 1-8788-220221-352, Nebenerlasse Acocella, Domenico; Angst, Paul; Bauer, Thomas; Bernheim, Marc; Berti, Stephen V; Bessenich, Balthasar; Bodmer, Bernhard; Brunner, Alexander; Bürgi, Urs; Casati, Reto; Cavadini-Birchler, Caroline; Cometta, Flavio; Dubacher, Jean C; Emmel, Frank; Engler, Urs; Feuz, Andreas; Foëx, Bénédict; Frey, Markus; Gasser, Dominik; Giroud, Roger; Guggisberg, Jürg; Handschin, Lukas; Hardmeier, Hans Ulrich; Häusermann, Markus; Hierholzer, Dieter; Huber, Ueli; Hunkeler, Daniel; Jenny, David; Jent-Sørensen, Ingrid; Känzig, Philipp; Kofmel Ehrenzeller, Sabine; Lebrecht, André E; Lévy, Laurent; Lustenberger, Urs; Merkt, Olivier; Nordmann, Francis; Nordmann, Philippe; Ottomann, Rudolf; Peter, Hansjörg; Peter, James T; Reiser, Hans; Roth, Markus; Russenberger, Marc; Rutz, Magdalena; Schmid, Ernst F; Schnyder, Anton K In deutscher Sprache. pages. …

Condition: gut. Bundesgesetz über Schuldbetreibung und Konkurs I (Art. 1-158 SchKG) + II (Art. 159-352 SchKG) (Basler Kommentar) In deutscher Sprache. pages.