Language: English
Published by Indiana University Press, Bloomington, 1972
ISBN 10: 0253310806 ISBN 13: 9780253310804
Seller: biblioboy, North Providence, RI, U.S.A.
First Edition
Paperback. Condition: Very Good. First Edition. Bloomington: Indiana University Press 1972. First Edition.Trade Paperback. 0253310806. Midland Book MB-179 330 pages, notes on authors, index. Very Good copy with edgewear, rubbing, and toning to covers. clph.
Published by Doubleday Anchor Book A48A, NY, 1955
Seller: WONDERFUL BOOKS BY MAIL, CHICO-CA, CA, U.S.A.
First Edition
paperback. Condition: Good. Illustrated by MAN WITH CANE & KNIFE on White Covers (illustrator). 1st Edition". GOOD Condition PAPERBACK. BIT INK UNDERLINED IN 1 PLAY ; BLACK SPINE & COVER TITLES ON WHITE PAPER COVERS ; 302+pg pages; Volume ONE only. Of MULTI volume set.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 218.
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 218.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Condition: New.
Seller: Chiron Media, Wallingford, United Kingdom
PF. Condition: New.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 60.85
Quantity: Over 20 available
Add to basketCondition: New. In.
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. pp. 218.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Taylor & Francis Ltd, 2019
ISBN 10: 1138055190 ISBN 13: 9781138055193
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 202 pages. 9.00x7.25x0.50 inches. In Stock.
Seller: Mispah books, Redhill, SURRE, United Kingdom
Paperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
Language: English
Published by Focal Press 2019-10-25, 2019
ISBN 10: 1138055182 ISBN 13: 9781138055186
Seller: Chiron Media, Wallingford, United Kingdom
Hardcover. Condition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
£ 145.18
Quantity: Over 20 available
Add to basketCondition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
£ 158.59
Quantity: Over 20 available
Add to basketCondition: As New. Unread book in perfect condition.
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New.
Condition: New.
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 178.99
Quantity: Over 20 available
Add to basketCondition: New. In.
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New.
Language: English
Published by Taylor & Francis Ltd, 2019
ISBN 10: 1138055182 ISBN 13: 9781138055186
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 202 pages. 9.50x7.75x0.75 inches. In Stock.
Language: Spanish
Published by SUR, Buenos Aires, 1931
Seller: Libreria del Signo, Capital Federal, Argentina
First Edition
Encuadernado (conserva cubiert. Condition: Muy bien. Primera edición. REVISTA SUR - Colección completa - Directora: Victoria Ocampo. Buenos Aires, 1931-1992. Números 1 al 371. Publicación cerrada. Fundada y dirigida por Victoria Ocampo (1891-1979), SUR se convirtió en una de las más importantes revistas literarias del mundo. Desde el primer número, aparecido en el verano de 1931 hasta el número 371 publicado en 1992, ofreció a sus lectores colaboraciones de destacados escritores argentinos y universales: Jorge Luis Borges, José Ortega y Gasset, Alfonso Reyes, Adolfo Bioy Casares, Pedro Henríquez Ureña, Octavio Paz, Jules Supervielle, Silvina Ocampo, Ramón Gómez de la Serna, y tantos otros que a través de sesenta años hicieron de SUR un fresco imprescindible de la cultura del siglo XX. El comité de colaboración estaba compuesto por un consejo extranjero y un consejo de redacción de los que formaban parte: Alfonso Reyes, Pierre Drieu la Rochelle, José Ortega y Gasset, Jules Supervielle, Waldo Frank, Ernest Ansermet, Jorge Luis Borges, Oliverio Girondo y Guillermo de Torre, entre otros. Entre otros colaboradores, SUR contó con William Faulkner, Aldous Huxley, Thomas Mann, María Zambrano, Rafael Alberti, André Bretón, Rabindranath Tagore, Jacques Maritain, Pablo Neruda, Alberto Moravia, Paul Valéry, Bertold Brecht, Jean Paul Sartre, Albert Camus, Roger Caillois, Graham Greene, André Gide, Ricardo Güiraldes, Ezequiel Martínez Estrada, Leopoldo Marechal, Silvina Ocampo, Ernesto Sábato, Nicolás Berdiaeff, Adolfo Bioy Casares, Amado Alonso, Juan Carlos Onetti, Francisco Luis Bernárdez, H.A. Murena y Alejandra Pizarnik, entre tantos otros. Colección completa encuadernada conservando sus cubiertas originales. Muy buen estado.
Encuadernación de tapa blanda. Condition: Aceptable. Dos libros en aceptable estado, encuadernados en rústica. El primer libro es Teatro completo 3, Alianza Editorial Madrid, con 240 páginas. El segundo libro es Der Zauberberg, Fischer, Frankfurt am Main, 1991, con 997 páginas, en lengua alemana.
Published by Exit Art New York, NY, 1993
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.