Language: English
Published by Independently published, 2018
ISBN 10: 1730712703 ISBN 13: 9781730712708
Seller: -OnTimeBooks-, Phoenix, AZ, U.S.A.
Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9781409129172.
Published by One 28 May the other undated but from 1951. Both on her letterhead, 1950
Manuscript / Paper Collectible
Each letter 1p, 8vo. Both in fair condition, lightly aged and creased. On signing one of the letters she has slightly smudged it. ONE: 28 May [1950]. She thanks him for his 'fascinating-looking book, THE MELODIES LINGER ON', and for his 'most generous inscription'. She and her husband 'Richard' (the drama critic Richard Halliday) have 'read bits and pieces and have looked at every photograph, and can't wait to really sit down and read the book from cover to cover!' She continues: 'And that will be soon. I close here this coming Saturday, June 2nd - and Richard and I leave June 4th for six weeks - and we expect to do nothing but eat and sleep and rest and read.' She gives 'our present schedule', with reference to her sons Heller and Larry (i.e. Larry Hagman, star of the TV series 'Dallas'). They are all going on 'a trip through Ireland and Scotland', 'if the army doesn't get [Larry] first'. She ends with reference to an interview with 'two English women from the DAILY MAIL', and ends with her secretary's address. TWO: Undated [1951]. It is 'truly wonderful' to hear from him, and as requested she is 'sending under separate cover two programs from SOUTH PACIFIC', the difference between which she explains. She continues: 'Yes, I can't help but let myself get more and more excited each day about the possibility of being back at Drury Lane and seeing all of you again. If and when we open there, it certainly will be the culmination of a long plan. | Just imagine - when I left London I said that my idea of perfection would be to play one year in New York and one year in London and back and forth that way for the rest of my life. It seems unbelievable that if we do open in October or November, it will be five years since I've been there. Moreover, it will be only a few more weeks before I celebrate two years in SOUTH PACIFIC. | You can't blame me for being excited!' She ends by joining her best wishes to those of 'Richard and Heller'. Mary Martin did indeed bring 'South Pacific' to the Theatre Royal, Drury Lane, where it ran for 802 performances with Wilbur Evans as co-star. Sean Connery was in the chorus.
Published by 12 October On London letterhead of 'The King and I' Williamson Music Limited 14 St George St W.1, 1953
Manuscript / Paper Collectible
1p, 4to. In fair condition, lightly aged. Folded once. The printing of the letterhead, in red and black, extends along three edges, with decorations including an oriental-style architectural motif in front of a tree at bottom right. At the head of the page the letterhead reads 'Williamson presents The King and I as originally produced by Richard Rodgers & Oscar Hammerstein 2nd.' The four directors of Williamson Music Limited are named at the foot, including Rodgers, Hammerstein and 'Louis Dreyfus (British formerly American)'. The note, addressed to 'Mr. MacQueen Pope' at his Coventry Street address, reads: 'Dear MacQueen, | Thank you for your book, I know that I shall read it with great pleasure. | We had the opening you predicted and I am very glad that you were not wrong. | All the best to you.' 'The King and I' was written as a vehicle for Gertrude Lawrence, who starred in the original Broadway run opposite Yul Brynner. The original London production opened on 8 October 1953 at the Theatre Royal, Drury Lane, and featured Valerie Hobson as Anna and Herbert Lom as the King. MacQueen-Pope was the Drury Lane publicist, hence his ability to make a prediction about the production's success.