Müller Pohle Andreas Editor (13 results)

Soft cover. Condition: Very Good. Quarto, softcover, light curl to cover else near finein b & w pictorial wraps. 50pp. Magazine has forum by Max Kozloff; projects by MarkKlett; report by Inge Bondi; books, Szene, Scene, and letter prices. plus exhibition calendar. Book.

Condition: Very good. - Quarto, soft cover bound in pictorial black-and-white wraps. The wraps are lightly rubbed & soiled. 45 pages. Profuse black-and-white illustrations. Very good. This issue inclues "Immigrants", a discussion among Akinbode Akinbiyi, Jim Bengston, Derek Bennett, Ricardo Gomez-Perez and others. Also included are a bibliography of photographic books and catalogues, an article on photography in Norway by Jim Bengston and reviews of work by Rene Burri, Paul Hill, Jun Shiraoka and Robert Rauschenberg. The text is printed in German and English.

Number 42, Volume 12, Issue 1. includes Young Europen Photographers '90; 54 pages, illustrated. Fine paperback magazine in decorative wrappers/ no dust jacket.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. FINE, 1st edtion, hard cover. Appears unread. 95 numbered pps in German and English. ISBN 3923283512. Interior clean and tight. Dust jacket fine or better only show light shelf wear on back cover. Book corner, lower right, lightly bumped, otherwise as new condition. "Andreas Muller-Pohle is an artist and publisher who has challenged the limits of photographic, video, and computer images since 1977. Interfaces surveys his entire career, including his early, experimental work from the 70s and 80s and his latest video and computer pieces, Face Codes and Sojourner II. Exquisitely presented and printed, this book is edited and introduced by one of Europe's most distinguished curators, Hubertus von Amelunxen. Anreas Muler-Pohle has also served as the publisher of European Photography since 1980 and is the editor of numerous publications including the major books by media philosopher Vilem Flusser. As von Amelunxen notes, "With its combination of analog and digital technology, video and interaction installations, Interfaces provides insight into photography as a tool for imaging ideas. For Muller-Pohle, the medium of photography is located on the threshold between human perception and the abolition of its limits by the apparatus".

Paperback. Condition: Very Good. Number 62, 1997. Corner and edge wear. Light shelf wear. Interior pages are clean.

Soft cover. Condition: Very Good. Text clean and unmarked. Binding tight. Covers have light wear. Edges of pages have light wear. # 61, Volume 16/Spring/Summer 1997 Issue 1.

Soft cover. Condition: Very Good. Text clean and unmarked. Binding tight. Covers have light wear. Edges of pages have light wear. # 60, Volume 17/Fall 1996, Issue 2.

Soft cover. Condition: Very Good. Text clean and unmarked. Binding tight. Covers have light wear. Edges of pages have light wear. # 67, Volume 21/Summer 2000 Issue 1.

Hardcover. Condition: Brand New. German language. 6.10x4.33x0.67 inches. In Stock.

kart. Condition: Akzeptabel. 30 x 24 cm ; Number 57, Volume 16, Issue 1, Spring 1995. The international Art Magazine for contemporary Photography and new Media. Großformatige Paperbackausgabe, Text in deutscher und englischer Sprache, 80 Seiten mit zahlreichen Fotos. Exemplar mit mäßigen Alterungs- und Gebrauchsspuren (Copy with moderate Signs of Age and Use). hw1198.

Paperback. Condition: Good in wraps. First Edition. 22 x 28cm 50pp paperback magazine, good in wraps, some very minor wear. German and English text. Front cover by David Chadwick plus a photo essay inside by him on 'Consumerism'.

Soft cover. Condition: Very Good. 1st Edition. One of Europe's leading photography journals. Most are paperback, early issues were stapled. Numbers 1-8 are in a bound volume. Most are Fine, are a couple have very minor faults. Collection consists of Nos. 1-16, 19-21, 24, 25, 39, 40, 43-45, 48, 49, 53-94. 1980-2014.

Paperback. Condition: Near fine in wraps. First Edition. 22 x 28cm 46pp near fine paperback magazine featuring a cover by Michel Szulc Krzyzanowski from 'Baja California, 1981'.