Lucy Lippard Editor (22 results)

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

paperback. Condition: Very Good. First paperback printing, 1971. VG. Light wear. Spine is uncracked. Interior is pristine. No writing or markings of any kind.

Paperback. Condition: Very Good. 1st Edition. No markings. Oversize.

Soft cover. Condition: Very Good. No Jacket. First Edition (Stated). Soliology. This book is straight and tight, shows some edge wear, Tape at spine bottom, sticker from used book store on lower back, and black marker line at top of back cover. No marks were noted on interior pages. Twelve Native American artists and writers explore the complex relationship of photography to identity. Each contributor has selected two photographs as for their original poetic, historical, political, or autobiographical essays. An additional portfolio of more than sixty photographs drawn from around the country rounds out the book and makes it a unique and valuable anthology. Proceeds from the sale of this book benefit environmental restoration and education.…

Wraps. Condition: Good. 4to, 199 pp., b/w photos throughout. Inscribed and signed by the editor on title page. Wrappers handled and edgeworn, faint dampstain to top edge affecting some page margins, corners bumped.

Paperback. Condition: Very Good condition. First Printing of the First Edition. Englewood Cliffs, New Jersey:: Prentice - Hall, Inc., 1971. 5.5" wide by 8" tall. Bright, shiny, clean, square, and tight. No remainder marks. No owner's name or bookplate. Flat, uncreased spine. Anthology, with brief biographies of the 22 contributors: Tristan Tzara, Jean Arp, Marcel Janco, John Heartfield, Hans Richter, Theo van Doesburg, Man Ray, Hannah HÃ ch, Enrico Prampolini, Jean Crotti, Francis Picabia, etc. First printing, with complete number row (10 987654321) on the copyright page. From the rear cover: "Lucy Lippard reconstructs the anarchic history and harsh, vivid spirit of the Dada movement by presenting the prose, poetry, and polemic of the artists themselves and of their poet friends. Articles - several appearing in English for the first time - by Marcel Duchamp, Max Ernst, Richard Hulsenbeck, and many others reflect the political and artistic revolution with which the Dadas confronted the crises in Europe after World War I. This collection provides vivid examples of the Dada influence on the Western world and demonstrates Dada's continuing power to affect the arts of the sixties and seventies.". First Printing of the First Edition. Trade Paperback. Very Good condition. Illus. by Muni Lieblein cover design. xii, 178pp. Muni Lieblein cover design. (illustrator).…

1st edition. 4to.199pp. B/w. illustrations. Ownership inscription to title page. Paperback in original pictorial wrapps., faded yellow spine with black lettering, some minor wear to edges. ISBN 1565840410 US$10.

spiral_bound. Condition: Very Good. Spiral-boundLooks almost new, tight and solid. Very clean with no markings or writing. 100% Money Back Guarantee on all Items. We believe in providing accurate grading on used books and excellent customer service.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Printed in the U.S.A. [Date from the copyright page.] First Printing. Note on the Translations, Introduction, Footnotes, Abridged Dictionary of Surrealism; x, 213 pages. The original dark-brown simulated cloth has a few minor spots on the upper board; gilt lettering is faded on the spine. The interior leaves are crisp, creamy-bright, and are completely clean. The original unclipped dust jacket ($5.95) shows minimal wear, with just a touch of discoloration to the rear panel. [Please see my five images of the actual book.] "All along, the scientific principle of discovering a suspected but unknown order, of exposing and embodying the invisible, was obviously attractive to visual artists who were by nature accustomed to making visible the invisible." (Page 6.) Includes writings by Jean Arp, Andre Breton, Salvador Dali, Marcel Duchamp, Max Ernst, Alberto Giacometti, Joan Miro, Pablo Picasso, Man Ray, and many others. As with every book from my father's collection, tipped-in at the front is the small, attractive, acid-free bookplate pictured on my homepage. All books are wrapped with special care and are shipped promptly with tracking; international sales sent via global priority, also with tracking.…

Soft cover. Condition: Very Good. School of the Art Institute of Chicago, 1990: softcover exhibition catalog. 27 pages, illustrations. This publication documents a lecture series and accompanying programs which were held at the School of the Art Institute of Chicago between October 1989 and April 1990. Contains an essay by Lucy Lippard followed by excerpts from interviews with the five artist participants. No marka or writing to book. Covers are lightly rubbed, with some light signs of prior handling. Very Good condition overall.…

Paperback. Condition: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Paperback. Condition: Brand New. 288 pages. 10.00x8.50x0.75 inches. In Stock.

Wraps. Condition: Near Fine. Signed in ink, by Judy Chicago, on ffep; Former owner's blind-embossed seal on title/verso page, else textblock is very clean and very tight; All page edges are straight and sound; Minor edge and corner wear. 80p., including chronology. Size: 4to - Over 9 " -12" Tall. Photographs (illustrator). Signed by Judy Chicago. Paperback. …

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: Brand New. 304 pages. 10.20x8.80x1.20 inches. In Stock.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: Brand New. 208 pages. 10.75x12.25x1.00 inches. In Stock.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing. Signed in black ink on title page by Robbins and Becher. Hardcover. Photographically illustrated paper-covered boards with matching dust jacket. Photographs and text by Andrea Robbins and Max Becher. Essays by Maurice Berger and Lucy Lippard. Edited by Lesley A. Martin. Includes a chronology, list of exhibitions, collections, and bibliography. Designed by Francesca Richer. 156 pp., with 118 four-color plates and seven additional illustrations, printed on thick matte paper. 10-3/8 x 12 inches. New in publisher's shrink-wrap (slit open for signature). From the publisher: "Andrea Robbins and Max Becher draw on a rich visual vocabulary gleaned as much from travel brochures, postcards, and National Geographic as from the photography of Walker Evans, Edward Curtis, and Stephen Shore. In doing so, Robbins and Becher produce work that functions as surreal nonfiction, using documentary images to examine contradictions of place and cultural identity. In the words of the artists, 'The primary focus of our work is what we call the transportation of place--situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales. Traditional notions of place, in which culture and geographic location neatly coincide, are being challenged by legacies of slavery, colonialism, holocaust, immigration, tourism, and mass-communication. Whether the subject is Germany in Africa, Germans dressing as Native Americans, American towns dressed as Germany, New York in Las Vegas, New York in Cuba, or Cuba in exile, our interest tends to be a place out of place with its various causes and consequences.' The work posits vital questions for a globalized world: What are the larger implications of 'ideological passing,' when one culture assumes the skin of another? And what role can photography play as a document in context where cultural signification is entirely fluid? Curator and author Maurice Berger examines the work of Robbins and Becher against the background of race and identity, but also of Surrealism. Lucy Lippard discusses the development of the husband-and-wife team's work together, as well as looking specifically at the ideas of location, landscape, and manufactured place. 'Robbins and Becher's choice of subjects is brilliant, edifying, and always unexpected. . . . They seek out the visually varied symptoms of disruption and dislocation, exposing the bizarre manifestations of colonialism and its post-colonial counterpart--global tourism.' -Lucy Lippard" Signed by Author. …

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: New. BRAND NEW. Third Printing. Content is identical in all printings only cover art is different. Still Sealed in Publishers Shrinkwrap.

Paperback. Condition: Very Good. Full sheet of 25 stamps, inscribed by Friedman on November 6, 1974, to Kristine Bak. Offset lithography on gummed paper. Sheet in very good condition, small tear to one corner, not affecting stamps or inscription. Signed.