Lee Pockriss (18 results)

Paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Largely good condition paperback, some dust marks and small tears to covers, previous owners name to front. Content clear. A nice copy.…

Unbound. Condition: Very Good. Q6.

Soft cover. Condition: Very Good. Light wear. Three numbered pages with a two-page score. The rear cover lists more titles in the publisher's catalog.

Folio. Condition: Used Good. Wear to cover, bumped corners, pages tanned but clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.…

Sheet music. Condition: Good. ***GOOD CONDITION***CLEAN PAGES*** moderate edge wear, light scratches on back cover. Light edge wear to cover. We specialize in non-fiction books. Follow us on Facebook and Instagram.

paperback. Condition: Very Good. First Edition. VERY GOOD CONDITION,CLEAN, SOLID, BRIGHT; solid BLACK titles to WHITE PAPER COVERS.COVER ART SHOWS YOUNG, MATHIS LOOKING DIRECTLY AT VIEWER, BLACK COAT OVER GREY SWEATER ; Sheet Music; 4pg thin pages; Published by his own music publishing co.not a common item.…

Sheet Music. Condition: Very Good. In Very Good Condition. Music Store Stamp Front Cover. With Wear To Edges And/Or Turned Corners. For More Information On Condition. Please See All Photos. ~ Vintage Sheet Music 1957 - Catch A Falling Star. Signed by Author(s).

Sheet music. As recorded by Carl Dobkins Jr. on Decca records. 4 pages. Very nearly like new.

Paperback. Condition: Very Good. 4pp sheet music booklet, 1959, in overall very good used condition with only slight signs of age, handling and storage. Internally clean; no annotations or inscriptions; text and music bright and clear throughout. Arranged for voice and piano with lyrics and chords. Not an old library book. Photograph available. …

Soft cover. Condition: Good. FREE U.K. Shipping. FAMILY Business. FIRST Class Service. Full refund if not totally satisfied. 1957 Paperback edition. Featured and recorded by Perry Como. Colin Twinn (illustrator).

4°. 3 p. Sprache: Englisch Gewicht in Gramm: 300.

Sheet music. Condition: Good. First Edition. Clean sheet music, name on front cover. 2 pages, words and music.

Sheet Music. Condition: Very Good. 4pp original sheet music booklet copyright 1960. In overall good to very good condition with minorsigns of handling and storage. No annotations or inscriptions, music bright and clear throughout. Scored for voice and piano with lyrics and chords. From the estate of the late Johnny Dallas with his JD Enterprises stamp to cover and p.3. Photograph available.…

Paperback quarto, one folded sheet, very good condition, pages lightly toned, few small edge tears, minor edgewear, rubber stamp. 4 pp. Sheet music. Music by Gaze, English lyrics by Pockriss and Vance. Copyright date, by George Pincus & Sons and Symphony House Music Publishers, New York, and Macmelodies, London, Including piano solo, as played by Winifred Atwell on Decca Y7003. Recorded by Lawrence Welk & Orch., on London HL1747.…

Paperback. Condition: Good. Good condition with wear and markings.

No Binding. Condition: Good. Pages are creased, soiled and age-toned, rubbed on all extremities. Markings and name of previous owner on front page. Closed tears along the spine. The inside is unmarked. The Pages are lightly age-toned.

No Binding. Condition: Near Fine. Oliver Cool - Actual First Recording, Roulette 1958. Tony Mordente, as' Larry Ellis'. Precedes other claimed earliest productions. Claims to the contrary notwithstanding. That ignorance is not true neo pseudo Mandela Effect, thought it smells like it. In sleeve, 6.75" x 6.75". 45 RPM. The real first 'Oliver Cool' production. Opposite side is 'I Love Girls'. Small rectangular label shown in main image is included, but loose since it was offered by my source to enhance the clarity of the main point. There was, at the time, no 'A' or 'B' nomenclature for either side; they presumably didn't know at the time which would be better liked, since it was produced mainly for fun - or so it seems. At least Very Good condition; played only once here, also played by my son once, checks out. See images. Paper sleeve is also Very Good, reverse side of it showing a small stain; can't tell if the sleeve is faded at all, without a hermetically sealed example from 1958, which presumably doesn't exist. I'm not a record dealer. The point here is resolving a mini-mystery - are we being neo-'Mandela Effect' brain cleaned? (that's a fringe theory which, at the (hypothetical) extreme, is genuinely Creepy). Can't even pull up the correct version of Oliver Cool at you-know-where anymore. Probably not intentionally. More likely from youthful incompetence or greed. Or a dash of both. The original Oliver Cool release was an unexpected.thing in late fifties rock - it became, briefly, wildly popular in some locales, surprisingly considering it was an example of the 'Novelty Song' genre, as then so-named. Now - online platforms don't offer the original at all (they did, until very recently) and the original record itself is sometimes given short shrift as with 'I Love Girls' being seeminglyforcibly accorded A-Side status (which it never had, in the day). Tony Mordente - see image for a brief bio, which is a bit stunning - was the singer of the original, under the pseudonym Larry Ellis. It's clarity of style and tone, comic though it intentionally was, struck a stylized high school 'Geek Chic' tone that the later 'Rock Martin' performance watered down, and probably didn't even understand that well, imho. 'Rock Martin' was, according to some sources, the two creators of the song, Paul Vance and Lee Pockriss, a Novelty Song specialty duo. But that rendition it lost it way, presumably from ambition for sophistication or the like; it could not measure up to the base heart, any more than some of the more sophisticated jazz forms can measure up to the simpler, but more spontaneous and primally trenchant, 'Take Five' of Dave Brubeck. IE - 'Rock Martin' apparently just didn't get it. The apparent erasure of the original - to some degree even by its name - brings to mind real and fictional 'cleansings' of the past. In fact, this mystery is (almost) certainly NOT an example of a creepy neo-Mandela Effect mind control. Much more likely, it's the combined effect of wet-behind-the-ears new hires as catalog re-writers and greedy or lazy (or both) overseers at the platforms. Don't let such things control your personal informational intake, even accidentally. Por favor. Stay tuned. It'll probably all change anyway. Everything does. It's supposed to. There are other examples out there of this piece - it's not truly rare. But you'll have to search for one as if "I Love Girls" was the A side, because of the current ignorance displayed out there. Grr. Again: there was no A or B side, but 'OC' was the popular side, in the day. Tony Mordente, who passed on in 2024, is the real paragon of talent and virtue in all this. In my opinion. Amazing resume. Check him out on the web. Worthy Dude. There will be a quiz. Please review all images. Ships in stout protection, of course. L108. …

Couverture souple. Condition: bon. RO50041918: non-daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Partitions d'Orchestre. Illustration de J Blériot. . . . Classification Dewey : 780.26-Partitions.