Lechleitner Gerda (75 results)

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Taschenbuch. Condition: Neu. Neuware -Relationships of speech tone and music have been intriguing me since my early studies in ethnomusicology and linguistics. Conducting fieldwork in Botswana in 1997 brought me in contact with a Bantu tone language of two tones, but in those days I had neither a matching methodology nor linguistic records that would have allowed me to focus on their relationship to singing and music ¿ a recurring situation that is mentioned, among others, in Catherine Ingram¿s contribution. The chance to participate in a DoBeS project in Upper Assam, India, documenting endangered Tai and Tibeto-Burman languages (isolating tone languages with contour tone) with project leader linguist Stephen Morey was a welcome challenge that taught me about the spectrum of possible relationships between speech tone and musics across different cultures. The ¿Workshop Relationships of Speech Tone and Music¿ in Vienna in 2012 developed out of the discourse between Stephen Morey and myself, and has become an important mile stone in what I see as an interdisciplinary basic research endeavour. Volumes dealing with this topic in a comparative way have previously been published, for example Thomas A. Sebeok & Donna Jean Umiker-Sebeok (1976) or Bonnie Wade (1993), but none of them targeted it as directly as the present one. The most valuable bibliography on the relation of speech tone and music is currently maintained online by Murray Schellenberg (2013); I had the pleasure of contributing a few items irregularly in the past.Books on Demand GmbH, Überseering 33, 22297 Hamburg 258 pp. Englisch.

Compact Disc. Condition: new. Compact Disc. English summary: Like the majority of Felix Exner's collection (published as Series 15/1 in 2016), the Phonogramme made by Hilko Wiardo Schomerus were recorded in Madras (Chennai), although some 25 years later and presumably in another location. Since then, they have been preserved in the Phonogrammarchiv, but unlike Exner's Phonogramme, which were studied by Kirste (1908) and Felber & Geiger (1912), they have not been described in the scholarly literature or edited before. The CD publication features 30 sound recordings from 1929, chiefly recitations of classical Tamil poetry. Today, these recordings are of great historical interest, as can be read in the detailed introduction. Alongside Schomerus' professional career, his commitment to Tamil culture and his interests, which repeatedly took him to that part of the world, the documents unearthed also allow insights into his contact with the Phonogrammarchiv, his itinerary and his research methods. Thanks to the meticulous study of the texts, numerous references to contemporary issues and Schomerus' painstaking method of working came to light. The texts also explain the project of the Complete Historical Collections and its editorial guidelines as well as the techniques of re-recording and signal processing. The transcriptions are linked to mp3 files, which makes simultaneous reading and listening easy and comfortable. Further information concerns the biographical data of those reciting. The original protocols have been included as digital image files. Since Schomerus' handwriting is not easy to decipher, transcriptions of the German translations have also been provided, even though the publication is in English. In this publication, the sources (i.e., the sound recordings and the original protocols) are presented alongside the commentaries, which contain references to similar research projects of the time and subsequent decades, as well as reflections on the value of sound recordings for modern research. German description: Wie viele von Felix Exners Aufnahmen (publiziert als Series 15/1, 2016) entstanden die Aufnahmen von Hilko Wiardo Schomerus ebenfalls in Madras (Chennai), allerdings 25 Jahre spater. Seit damals sind sie im Phonogrammarchiv bewahrt, aber bis jetzt fur wissenschaftliche Arbeiten weder benutzt noch ediert worden - im Gegensatz zu Exners Aufnahmen, die von Kirste (1908) und Felber & Geiger (1912) untersucht wurden. Die 30 Tonaufnahmen von 1929 haben hauptsachlich Rezitationen aus der klassischen tamilischen Dichtung zum Inhalt. Sie sind heute von grossem historischen Interesse, woruber in der ausfuhrlichen Einleitung zu lesen ist. Neben dem beruflichen Werdegang, Schomerus' Engagement in der tamilischen Kultur sowie seinen Interessen, die ihn wiederholt in diese Gegend fuhrten, werden auch sein Kontakt mit dem Phonogrammarchiv, der Reiseverlauf sowie seine Forschungsmethoden beschrieben. Die detaillierte Beschaftigung mit den Texten forderte so manche Bezuge zum Tagesgeschehen sowie zu Schomerus' penibler Arbeitstechnik zutage. Der Textteil gibt auch allgemeine Auskunft uber das Projekt der Gesamtausgabe der Historischen Bestande, dessen editorische Richtlinien, sowie bezuglich des Re-Recording und der Signalverbesserung. Die Transkriptionen sind mit mp3-Files verknupft, sodass eine einfache und schnelle Verbindung zwischen Mitlesen und Horen hergestellt werden kann. Weitere Informationen betreffen biografische Daten zu den Rezitatoren. Die Originalprotokolle sind als Bild-Files enthalten. Da Schomerus' Handschrift nicht leicht zu entziffern ist, werden auch die deutschen Ubersetzungen als Transkripte zur Verfugung gestellt, obwohl die Publikationssprache Englisch ist. In der Publikation werden die Quellen (Tone und Originalprotokolle) den Kommentaren gegenuberstellt, die Verweise auf ahnliche Forschungsvorhaben der Entstehungszeit un Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condition: new. Compact Disc. English summary: Series 17/1-6 is a commented source edition of sound documents featuring prisoners of war from World War I. The collection, compiled by various scholars in cooperation with the Phonogrammarchiv, comprises 250 language and music recordings. State-of-the-art re-recording and special signal processing, together with the expertise in handling historical sound documents, form the basis for processing and making these unique sources accessible. This multimedia publication thus represents an important contribution to the topic of "science in wartime" and deepens the research of various disciplines in cultural studies. While Series 17/1-5 contain the recordings of prisoners of war from the former Tsarist army, Series 17/6 is devoted to the recordings of Italian prisoners of war, made by linguist Karl von Ettmayer in the Upper Austrian camps of Mauthausen and Marchtrenk. The recordings are accompanied by detailed written documentation (the so-called protocols), which include transcriptions and German translations. Ettmayer, however, seems to have written these protocols prior to the actual recording process, since those extant do not correspond to the numbers of the recordings. Such "errors" are rather unique and asked for a lot of detective work in order to assign them to the respective recorded contents. Thanks to the fruitful cooperation with Serenella Baggio (University of Trento), it has been possible to provide detailed linguistic analyses of the recordings. The corpus is a quarry for dialectologists, and the language samples chosen - three different tales in a rural setting - were analysed not only with regard to pronunciation, but also to dissemination and popularity. The in-depth characterisation of the respective dialects clearly shows the marked differences between the various regions, which also reflects the historico-political situation. German description: Die Serie 17, publiziert in 6 Subserien, beinhaltet 250 Sprach- und Musikaufnahmen von Kriegsgefangenen aus der Zeit des Ersten Weltkriegs. Das fachgerechte Re-Recording verbunden mit einer speziellen Signalverbesserung und der Expertise im Umgang mit historischen Tondokumenten sind die Basis fur die Aufbereitung und Erschliessung dieser unikalen Quellen. Die Multimedia-Publikation leistet einen wesentlichen Beitrag zum Thema "Wissenschaft in Kriegszeiten" und vertieft die Forschung verschiedener kulturwissenschaftlicher Disziplinen. Wahrend die Serien 17/1-5 Aufnahmen von Kriegsgefangenen der ehemaligen Zaristischen Armee beinhalten, ist die Serie 17/6 den Aufnahmen der italienischen Kriegsgefangenen gewidmet. Diese Aufnahmen wurden 1918 in den Lagern Mauthausen und Marchtrenk (Oberosterreich) gemacht und vom Linguisten Karl von Ettmayer initiiert. Die Aufnahmen zeichnen sich durch ausfuhrliche Begleitprotokolle aus, die verschiedene Transkriptionen und eine Ubersetzung ins Deutsche enthalten. Allerdings scheint Ettmayer die Protokolle bereits vor der Aufnahme gemacht zu haben, denn die uberlieferten Protokolle stimmen mit den Aufnahmenummern nicht uberein. Solche "Fehler" sind einmalig - sie erforderten ein hohes Mass an detektivischer Arbeit, um sie den jeweiligen Inhalten der Aufnahmen zuordnen zu konnen. Durch die Zusammenarbeit mit Serenella Baggio (Universitat Trient) konnten die Aufnahmen linguistisch sehr detailreich erlautert werden. Die gewahlten Sprachproben, namlich drei verschiedene Geschichten aus dem bauerlichen Milieu, wurden nicht nur nach Aussprache, sondern auch nach Verbreitung und Bekanntheitsgrad untersucht. Die eingehenden Charakterisierungen der verschiedenen Dialekte zeigen deutlich, wie unterschiedlich in den verschiedenen Regionen gesprochen wurde, was auch die historisch-politischen Verflechtungen widerspiegelt. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condition: new. Compact Disc. English summary: As a result of the outbreak of World War I, 'classical' phonographic field research came to be greatly limited. Rudolf Poch, Professor of Anthropology and Ethnography at the University of Vienna, however, realised that the war situation would prove 'an unprecedented opportunity for academic research'. Together with musicologist Robert Lach he exploited this opportunity in order to make extensive language and music recordings of 'almost all peoples of European and Asian Russia', especially in the prisoner-of-war camps at Eger (Cheb), Reichenberg (Liberec) and Theresienstadt (Terezin) in Bohemia (today's Czech Republic). This undertaking with its 200 or so resultant recordings formed part of a larger-scale project by the Anthropological Society, carried out with the financial support of the Imperial Academy of Sciences. Apart from providing evidence for numerous minority languages, these recordings - still housed in the Phonogrammarchiv - also contain hitherto unheard-of critical commentaries by the prisoners of war, who had become objects of research under such tragic circumstances. All this underlines the enormous potential of historical recordings as sources for present-day research. One hundred years after their creation, these sound documents, chiefly thanks to the project "Displaced Voices" (funded by the "Jubilaumsfonds der Oesterreichischen Nationalbank", project no. 15848), were digitised in the Phonogrammarchiv and edited in cooperation with international experts, who supplied scholarly commentaries. Besides the audio CDs with the signal-enhanced recordings, each sub-series of the edition comprises a data CD with scans of the original recording protocols (i.e. the written documentation), transcriptions for orientation as well as comprehensive information on the genesis of the recordings, the researchers and the historical background. In addition, commentaries analyse the significance of the historical recordings from today's point of view. This English-language publication thus constitutes an important contribution to the discourse of "research in wartime", throwing a new light on this dark era. Contents of Series 17/1-5: 17/1: Armenian - Jewish - Latvian - Lithuanian Recordings 17/2: Finno-Ugric Recordings 17/3: Russian - Ukrainian Recordings 17/4: Turk-Tatar Recordings 17/5: Georgian - Avar - Jewish - Ossetian - Svanetian Recordings German description: Der Ausbruch des Ersten Weltkriegs schrankte 'klassische' phonographische Feldforschungen massiv ein. Zugleich jedoch erkannte Rudolf Poch, Professor fur Anthropologie und Ethnographie an der Universitat Wien, in der Kriegssituation "eine noch nie dagewesene (.) Gelegenheit fur die wissenschaftliche Forschung". Diese nutzte er gemeinsam mit dem Musikwissenschaftler Robert Lach, um vor allem in den k. u. k. Kriegsgefangenenlagern von Eger (Cheb), Reichenberg (Liberec) und Theresienstadt (Terezin) in Bohmen umfangreiche Sprach- und Musikaufnahmen "nahezu samtlicher Volkerschaften des europaischen und asiatischen Russland" zu machen. Die rund 200 Phonogramme entstanden im Kontext eines weiter reichenden Projekts der Anthropologischen Gesellschaft und mit finanzieller Unterstutzung durch die kaiserliche Akademie der Wissenschaften. Neben Zeugnissen zahlreicher Minderheitensprachen finden sich auf diesen noch heute im Phonogrammarchiv verwahrten Aufnahmen auch bisher unbekannte kritische Kommentare der unter tragischen Bedingungen beforschten Kriegsgefangenen. Dies unterstreicht das enorme Potential von historischen Tonaufnahmen als Quellen fur die heutige Forschung. Hundert Jahre nach ihrer Entstehung wurden die Aufnahmen - vor allem im Rahmen des Projekts "Displaced Voices" (gefordert vom Jubilaumsfonds der Oesterreichischen Nationalbank, Projekt Nr. 15848) - im Phonogrammarchiv digitalisiert und in Kooperation mit internationa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condition: new. Compact Disc. English summary: As a result of the outbreak of World War I, 'classical' phonographic field research came to be greatly limited. Rudolf Poch, Professor of Anthropology and Ethnography at the University of Vienna, however, realised that the war situation would prove 'an unprecedented opportunity for academic research'. Together with musicologist Robert Lach he exploited this opportunity in order to make extensive language and music recordings of 'almost all peoples of European and Asian Russia', especially in the prisoner-of-war camps at Eger (Cheb), Reichenberg (Liberec) and Theresienstadt (Terezin) in Bohemia (today's Czech Republic). This undertaking with its 200 or so resultant recordings formed part of a larger-scale project by the Anthropological Society, carried out with the financial support of the Imperial Academy of Sciences. Apart from providing evidence for numerous minority languages, these recordings - still housed in the Phonogrammarchiv - also contain hitherto unheard-of critical commentaries by the prisoners of war, who had become objects of research under such tragic circumstances. All this underlines the enormous potential of historical recordings as sources for present-day research. One hundred years after their creation, these sound documents, chiefly thanks to the project "Displaced Voices" (funded by the "Jubilaumsfonds der Oesterreichischen Nationalbank", project no. 15848), were digitised in the Phonogrammarchiv and edited in cooperation with international experts, who supplied scholarly commentaries. Besides the audio CDs with the signal-enhanced recordings, each sub-series of the edition comprises a data CD with scans of the original recording protocols (i.e. the written documentation), transcriptions for orientation as well as comprehensive information on the genesis of the recordings, the researchers and the historical background. In addition, commentaries analyse the significance of the historical recordings from today's point of view. This English-language publication thus constitutes an important contribution to the discourse of "research in wartime", throwing a new light on this dark era. Contents of Series 17/1-5: 17/1: Armenian - Jewish - Latvian - Lithuanian Recordings 17/2: Finno-Ugric Recordings 17/3: Russian - Ukrainian Recordings 17/4: Turk-Tatar Recordings 17/5: Georgian - Avar - Jewish - Ossetian - Svanetian Recordings German description: Der Ausbruch des Ersten Weltkriegs schrankte 'klassische' phonographische Feldforschungen massiv ein. Zugleich jedoch erkannte Rudolf Poch, Professor fur Anthropologie und Ethnographie an der Universitat Wien, in der Kriegssituation "eine noch nie dagewesene (.) Gelegenheit fur die wissenschaftliche Forschung". Diese nutzte er gemeinsam mit dem Musikwissenschaftler Robert Lach, um vor allem in den k. u. k. Kriegsgefangenenlagern von Eger (Cheb), Reichenberg (Liberec) und Theresienstadt (Terezin) in Bohmen umfangreiche Sprach- und Musikaufnahmen "nahezu samtlicher Volkerschaften des europaischen und asiatischen Russland" zu machen. Die rund 200 Phonogramme entstanden im Kontext eines weiter reichenden Projekts der Anthropologischen Gesellschaft und mit finanzieller Unterstutzung durch die kaiserliche Akademie der Wissenschaften. Neben Zeugnissen zahlreicher Minderheitensprachen finden sich auf diesen noch heute im Phonogrammarchiv verwahrten Aufnahmen auch bisher unbekannte kritische Kommentare der unter tragischen Bedingungen beforschten Kriegsgefangenen. Dies unterstreicht das enorme Potential von historischen Tonaufnahmen als Quellen fur die heutige Forschung. Hundert Jahre nach ihrer Entstehung wurden die Aufnahmen - vor allem im Rahmen des Projekts "Displaced Voices" (gefordert vom Jubilaumsfonds der Oesterreichischen Nationalbank, Projekt Nr. 15848) - im Phonogrammarchiv digitalisiert und in Kooperation mit internationa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condition: new. Compact Disc. English summary: As a result of the outbreak of World War I, 'classical' phonographic field research came to be greatly limited. Rudolf Poch, Professor of Anthropology and Ethnography at the University of Vienna, however, realised that the war situation would prove 'an unprecedented opportunity for academic research'. Together with musicologist Robert Lach he exploited this opportunity in order to make extensive language and music recordings of 'almost all peoples of European and Asian Russia', especially in the prisoner-of-war camps at Eger (Cheb), Reichenberg (Liberec) and Theresienstadt (Terezin) in Bohemia (today's Czech Republic). This undertaking with its 200 or so resultant recordings formed part of a larger-scale project by the Anthropological Society, carried out with the financial support of the Imperial Academy of Sciences. Apart from providing evidence for numerous minority languages, these recordings - still housed in the Phonogrammarchiv - also contain hitherto unheard-of critical commentaries by the prisoners of war, who had become objects of research under such tragic circumstances. All this underlines the enormous potential of historical recordings as sources for present-day research. One hundred years after their creation, these sound documents, chiefly thanks to the project "Displaced Voices" (funded by the "Jubilaumsfonds der Oesterreichischen Nationalbank", project no. 15848), were digitised in the Phonogrammarchiv and edited in cooperation with international experts, who supplied scholarly commentaries. Besides the audio CDs with the signal-enhanced recordings, each sub-series of the edition comprises a data CD with scans of the original recording protocols (i.e. the written documentation), transcriptions for orientation as well as comprehensive information on the genesis of the recordings, the researchers and the historical background. In addition, commentaries analyse the significance of the historical recordings from today's point of view. This English-language publication thus constitutes an important contribution to the discourse of "research in wartime", throwing a new light on this dark era. Contents of Series 17/1-5: 17/1: Armenian - Jewish - Latvian - Lithuanian Recordings 17/2: Finno-Ugric Recordings 17/3: Russian - Ukrainian Recordings 17/4: Turk-Tatar Recordings 17/5: Georgian - Avar - Jewish - Ossetian - Svanetian Recordings German description: Der Ausbruch des Ersten Weltkriegs schrankte 'klassische' phonographische Feldforschungen massiv ein. Zugleich jedoch erkannte Rudolf Poch, Professor fur Anthropologie und Ethnographie an der Universitat Wien, in der Kriegssituation "eine noch nie dagewesene (.) Gelegenheit fur die wissenschaftliche Forschung". Diese nutzte er gemeinsam mit dem Musikwissenschaftler Robert Lach, um vor allem in den k. u. k. Kriegsgefangenenlagern von Eger (Cheb), Reichenberg (Liberec) und Theresienstadt (Terezin) in Bohmen umfangreiche Sprach- und Musikaufnahmen "nahezu samtlicher Volkerschaften des europaischen und asiatischen Russland" zu machen. Die rund 200 Phonogramme entstanden im Kontext eines weiter reichenden Projekts der Anthropologischen Gesellschaft und mit finanzieller Unterstutzung durch die kaiserliche Akademie der Wissenschaften. Neben Zeugnissen zahlreicher Minderheitensprachen finden sich auf diesen noch heute im Phonogrammarchiv verwahrten Aufnahmen auch bisher unbekannte kritische Kommentare der unter tragischen Bedingungen beforschten Kriegsgefangenen. Dies unterstreicht das enorme Potential von historischen Tonaufnahmen als Quellen fur die heutige Forschung. Hundert Jahre nach ihrer Entstehung wurden die Aufnahmen - vor allem im Rahmen des Projekts "Displaced Voices" (gefordert vom Jubilaumsfonds der Oesterreichischen Nationalbank, Projekt Nr. 15848) - im Phonogrammarchiv digitalisiert und in Kooperation mit internationa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condition: new. Compact Disc. English summary: As a result of the outbreak of World War I, 'classical' phonographic field research came to be greatly limited. Rudolf Poch, Professor of Anthropology and Ethnography at the University of Vienna, however, realised that the war situation would prove 'an unprecedented opportunity for academic research'. Together with musicologist Robert Lach he exploited this opportunity in order to make extensive language and music recordings of 'almost all peoples of European and Asian Russia', especially in the prisoner-of-war camps at Eger (Cheb), Reichenberg (Liberec) and Theresienstadt (Terezin) in Bohemia (today's Czech Republic). This undertaking with its 200 or so resultant recordings formed part of a larger-scale project by the Anthropological Society, carried out with the financial support of the Imperial Academy of Sciences. Apart from providing evidence for numerous minority languages, these recordings - still housed in the Phonogrammarchiv - also contain hitherto unheard-of critical commentaries by the prisoners of war, who had become objects of research under such tragic circumstances. All this underlines the enormous potential of historical recordings as sources for present-day research. One hundred years after their creation, these sound documents, chiefly thanks to the project "Displaced Voices" (funded by the "Jubilaumsfonds der Oesterreichischen Nationalbank", project no. 15848), were digitised in the Phonogrammarchiv and edited in cooperation with international experts, who supplied scholarly commentaries. Besides the audio CDs with the signal-enhanced recordings, each sub-series of the edition comprises a data CD with scans of the original recording protocols (i.e. the written documentation), transcriptions for orientation as well as comprehensive information on the genesis of the recordings, the researchers and the historical background. In addition, commentaries analyse the significance of the historical recordings from today's point of view. This English-language publication thus constitutes an important contribution to the discourse of "research in wartime", throwing a new light on this dark era. Contents of Series 17/1-5: 17/1: Armenian - Jewish - Latvian - Lithuanian Recordings 17/2: Finno-Ugric Recordings 17/3: Russian - Ukrainian Recordings 17/4: Turk-Tatar Recordings 17/5: Georgian - Avar - Jewish - Ossetian - Svanetian Recordings German description: Der Ausbruch des Ersten Weltkriegs schrankte 'klassische' phonographische Feldforschungen massiv ein. Zugleich jedoch erkannte Rudolf Poch, Professor fur Anthropologie und Ethnographie an der Universitat Wien, in der Kriegssituation "eine noch nie dagewesene (.) Gelegenheit fur die wissenschaftliche Forschung". Diese nutzte er gemeinsam mit dem Musikwissenschaftler Robert Lach, um vor allem in den k. u. k. Kriegsgefangenenlagern von Eger (Cheb), Reichenberg (Liberec) und Theresienstadt (Terezin) in Bohmen umfangreiche Sprach- und Musikaufnahmen "nahezu samtlicher Volkerschaften des europaischen und asiatischen Russland" zu machen. Die rund 200 Phonogramme entstanden im Kontext eines weiter reichenden Projekts der Anthropologischen Gesellschaft und mit finanzieller Unterstutzung durch die kaiserliche Akademie der Wissenschaften. Neben Zeugnissen zahlreicher Minderheitensprachen finden sich auf diesen noch heute im Phonogrammarchiv verwahrten Aufnahmen auch bisher unbekannte kritische Kommentare der unter tragischen Bedingungen beforschten Kriegsgefangenen. Dies unterstreicht das enorme Potential von historischen Tonaufnahmen als Quellen fur die heutige Forschung. Hundert Jahre nach ihrer Entstehung wurden die Aufnahmen - vor allem im Rahmen des Projekts "Displaced Voices" (gefordert vom Jubilaumsfonds der Oesterreichischen Nationalbank, Projekt Nr. 15848) - im Phonogrammarchiv digitalisiert und in Kooperation mit internationa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condition: new. Compact Disc. English summary: As a result of the outbreak of World War I, 'classical' phonographic field research came to be greatly limited. Rudolf Poch, Professor of Anthropology and Ethnography at the University of Vienna, however, realised that the war situation would prove 'an unprecedented opportunity for academic research'. Together with musicologist Robert Lach he exploited this opportunity in order to make extensive language and music recordings of 'almost all peoples of European and Asian Russia', especially in the prisoner-of-war camps at Eger (Cheb), Reichenberg (Liberec) and Theresienstadt (Terezin) in Bohemia (today's Czech Republic). This undertaking with its 200 or so resultant recordings formed part of a larger-scale project by the Anthropological Society, carried out with the financial support of the Imperial Academy of Sciences. Apart from providing evidence for numerous minority languages, these recordings - still housed in the Phonogrammarchiv - also contain hitherto unheard-of critical commentaries by the prisoners of war, who had become objects of research under such tragic circumstances. All this underlines the enormous potential of historical recordings as sources for present-day research. One hundred years after their creation, these sound documents, chiefly thanks to the project "Displaced Voices" (funded by the "Jubilaumsfonds der Oesterreichischen Nationalbank", project no. 15848), were digitised in the Phonogrammarchiv and edited in cooperation with international experts, who supplied scholarly commentaries. Besides the audio CDs with the signal-enhanced recordings, each sub-series of the edition comprises a data CD with scans of the original recording protocols (i.e. the written documentation), transcriptions for orientation as well as comprehensive information on the genesis of the recordings, the researchers and the historical background. In addition, commentaries analyse the significance of the historical recordings from today's point of view. This English-language publication thus constitutes an important contribution to the discourse of "research in wartime", throwing a new light on this dark era. Contents of Series 17/1-5: 17/1: Armenian - Jewish - Latvian - Lithuanian Recordings 17/2: Finno-Ugric Recordings 17/3: Russian - Ukrainian Recordings 17/4: Turk-Tatar Recordings 17/5: Georgian - Avar - Jewish - Ossetian - Svanetian Recordings German description: Der Ausbruch des Ersten Weltkriegs schrankte 'klassische' phonographische Feldforschungen massiv ein. Zugleich jedoch erkannte Rudolf Poch, Professor fur Anthropologie und Ethnographie an der Universitat Wien, in der Kriegssituation "eine noch nie dagewesene (.) Gelegenheit fur die wissenschaftliche Forschung". Diese nutzte er gemeinsam mit dem Musikwissenschaftler Robert Lach, um vor allem in den k. u. k. Kriegsgefangenenlagern von Eger (Cheb), Reichenberg (Liberec) und Theresienstadt (Terezin) in Bohmen umfangreiche Sprach- und Musikaufnahmen "nahezu samtlicher Volkerschaften des europaischen und asiatischen Russland" zu machen. Die rund 200 Phonogramme entstanden im Kontext eines weiter reichenden Projekts der Anthropologischen Gesellschaft und mit finanzieller Unterstutzung durch die kaiserliche Akademie der Wissenschaften. Neben Zeugnissen zahlreicher Minderheitensprachen finden sich auf diesen noch heute im Phonogrammarchiv verwahrten Aufnahmen auch bisher unbekannte kritische Kommentare der unter tragischen Bedingungen beforschten Kriegsgefangenen. Dies unterstreicht das enorme Potential von historischen Tonaufnahmen als Quellen fur die heutige Forschung. Hundert Jahre nach ihrer Entstehung wurden die Aufnahmen - vor allem im Rahmen des Projekts "Displaced Voices" (gefordert vom Jubilaumsfonds der Oesterreichischen Nationalbank, Projekt Nr. 15848) - im Phonogrammarchiv digitalisiert und in Kooperation mit internationa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Paperback. Condition: new. Paperback. Vorwort Preface 1. BEITRAGE Feldforschungen zu den Kalmucken und ihrer Kultur: Ziele und Inhalte eines neuen Dokumentationsorjektes Thede KAHL & Ioana NECHITI Bemerkungen zum Nahen Osten als ethnographisches Untersuchungsfeld Gebhard FARTACEK Spaces of interaction: an intersectional approach to dancing in mortuary ceremonies in Southwest Madagascar Cornelia GRUBER Hornbostel and me. Expectations towards historical recordings of the Ewondo drum language (South Cameroon) Susanne FURNISS A multi-perspective analysis of videographic data on the perfomance of spirit possession in Dominican Vodou Yvonne SCHAFFLER & Bernd BRABEC DE MORI Transferring archival research collections into the digital domain: a special challenge Christiane FENNESZ-JUHASZ & Nadja WALLASZKOVITS 2. FELDFORSCHUNGSBERICHT Digitalisierung der longitudinalen Spontansprachdaten eines Kleinkindes aus dem Raum Wien Katherina KORECHKY-KROLL 3. REZENSION Anja Brunner, Cornelia Brunner, August Schmidhofer (eds.), 2015. Transgression of a musical kind. Feschrift for Regine Allgayer-Kaufmann on the occasion of her 65th birthday. Aacher: Shaker Verlag 2015 Helmut KOWAR Tatigkeitsbericht des Phonogrammarchivs fur das Jahr 2014 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Softcover/Taschenbuch. Condition: Sehr gut. kA (illustrator). kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Paperback - Gewicht: 450 - Illust.: kA - Zustand: Sehr gut - neuwertig.

Compact Disc. Condition: new. Compact Disc. This edition - comprising the collections of Matija Murko, made in 1912 and 1913 - releases all his recordings preserved in the Phonogrammarchiv; it also aims to shed light on Murko's research and phonographic fieldwork in Bosnia and Herzegovina, which he carried out just before the outbreak of World War I. Murko was convinced that his research into epic singing could be improved considerably by using a recording device. Although Murko's activities are quite well known, e.g. from his publications (1913 and 1915), his sound recordings are still waiting to be noticed and distributed. Murko was supported by the Balkan Commission and the Phonogrammarchiv (both part of the former Imperial Academy of Sciences in Vienna); moreover, Murko's results can be considered the basis for Milman Parry's ground-breaking research in the field of orality, since his meeting with Murko in Paris in 1928 stimulated Parry's studies in former Yugoslavia. This edition could not have been prepared had it not been for the fruitful cooperation with the University of Sarajevo, Academy of Music, Department of Musicology and Ethnomusicology. The two ethnomusicologists, Jasmina Talam and Tamara Karaca Beljak, have been known to us for years and so it was a welcome opportunity to have them as specialists for this publication. It is to their efforts that we owe the transcriptions of the (partly rather bad) recordings and the insightful comments concerning Murko's research and results in relation to contemporary and later scholars. Moreover, Muhamed Arnaut compiled a dictionary of old and lesser known Bosnian words found in Murko's recordings for better understanding of the epic songs as recited more than 100 years ago. For ethnomusicologists and researchers of folk literature, Murko's recordings are extremely valuable because they represent a manner of performing epic songs which one can no longer find in contemporary live folk musical practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Compact Disc. Condition: new. Compact Disc. The present series contains a unique collection of 23 Phonogramme featuring various Romagnol dialects. They were recorded between July and August 1914 in Ravenna and Forli, Italy, by Friedrich Schurr, the Vienna-born Romance scholar. His pioneering research into Romagnol, cut short by the outbreak of World War I, was preceded by comparative diachronic investigations which he conducted during several stays in Italy from 1910 onwards. Primarily aiming at a comprehensive account of stressed vowels in Romagnol dialects, Schurr eventually decided to make use of the phonograph, which enabled the recorded text to be listened to and checked repeatedly. His subsequent application to the Phonogrammarchiv was granted, and an Archivphonograph put at his disposal. The recordings comprise not only Schurr's 57 so-called Normalsatze (standardised sentences created for his research purposes), but also the names of weekdays and months, individual phrases and proverbs as well as dialect poems or prose. Schurr's approach of using the phonograph in documenting the dialects of Romagna is the more important since it constitutes the first sound documentation ever made in the field of dialectology as regards Italy. The publication at hand is the result of the fruitful cooperation between the Phonogrammarchiv and the Centro per il Dialetto Romagnolo of the Fondazione Casa di Oriani. Thanks to the latter's successful efforts, the Fondazione Cassa di Risparmio di Ravenna, with its library preserving the legacy of Friedrich Schurr, finally agreed to fund this project. The present multimedia publication consists of an audio CD, a data CD and a booklet (with a substantial contribution by dialectologist Sanzio Balducci). In addition to digital images of the original documentation accompanying the recordings, the data CD also provides scans of Schurr's publication of 1917 (resulting from his phonographic field research) and relevant correspondence as well as Italian translations of most of the booklet texts, making it a more or less bilingual edition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condition: As New. Unread book in perfect condition.

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Taschenbuch. Condition: Neu. Neuware -Das Jahrbuch 3 widmet sich der technischen Forschung und Entwicklung im audiovisuellen Bereich gleich mit drei Beiträgen, während zwei Artikel aus der kontextualisierenden Forschung sowie einer aus dem Bereich bedrohter Kulturen das Bild im Sinne von Synergien zwischen audiovisueller Dokumentation im Feld und Archivierung abrunden. Somit zeigt sich die Bedeutung des Phonogrammarchivs als wissenschaftliches audiovisuelles Archiv und Forschungsinstitut an der Österreichischen Akademie der Wissenschaften in seiner Schlüsselrolle hinsichtlich neuer wissenschaftlicher Ansätze und Erkenntnisse. Am Beispiel der Digitalisierung einer sehr frühen Tonbandsammlung aus Portugal wird die Kompetenz des Phonogrammarchivs beim Re-recording historischer Tonträger deutlich (N. Wallaszkovits). Die netzbasierte Bereitstellung von Archivinhalten, Metadaten und auch ausgewählten Hörbeispielen ist eine der großen Herausforderungen des 21. Jahrhunderts. Im Beitrag von J. Spitzbart geht es um besondere technische Probleme ¿ wie der Übertragung der Metadaten, der Such- und Sortiermöglichkeiten und der Anpassung der unterschiedlichen Katalogfelder in das Webportal ¿ sowie um ethische und moralische Bedenken bzw. urheberrechtliche Fragen. Vor zehn Jahren wurde begonnen, auch wissenschaftliches Videomaterial zu archivieren. Ein Rückblick auf die Entwicklung der Videographie im Phonogrammarchiv (F. Pavuza) zeigt, wie technische Vorgaben und individuelle Bedürfnisse abgestimmt werden mussten, woraus sich auch Strategien für die Zukunft ergeben.Books on Demand GmbH, Überseering 33, 22297 Hamburg 126 pp. Deutsch.