Kwon Miwon Et Al (5 results)

First Edition. First edition. Softcover. Features an introduction by Diane Shamash, texts by Miwon Kown, Patricia C. Phillips, Lynne Cooke, Sandraw Percival, & Lynne Tillman, Lee Balter, Harvey Flad, Verlyn Klinkenborg, Lothar Baumgarten, George Baker, and numerous others. A near fine copy in French style wrappers.…

Softcover, 216 pages; in English and Spanish; as new condition; light rubbing to white covers; no internal marks. Foreign shipping may be extra.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. Stated first edition. Introduction by Hal Foster. Essays by Barbara Kruger, Miwon Kwon, Martha Gever, Carol Squiers, and Alexander Alberro. Exhibition history. Bibliography. Illustrated in black & white and color. 12" high X 10" wide, 307 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

307 pages, illustrated in colour throughout. Hardback 30.5 x 25cms. ISBN: 9780847833252. The most comprehensive volume on Kruger's body of work to date, exploring her work over the past thirty years, including many previously unpublished pieces, large-scale works and public projects.

Hardcover. Condition: New. The fascinating and generously illustrated catalogue documents the history of Land art from its emergence during the early 1960s through 1974. A companion volume to the first large-scale exhibition on Land art, this book traces the emergence of the artistic impulses to use the earth as material, land as medium, and to locate works in remote sites, beyond familiar art contexts. Ends of the Earth challenges many myths about Land art-that it was primarily a North American phenomenon, that it was foremost a sculptural practice, and that it exceeds the confines of the art system. Essays by leading young scholars will offer new insights into Land art's emergence, including its intrinsic connection to media, its dreams of an elsewhere, the attraction of wastelands, and the problems inherent in a historical evaluation of site-specific or ephemeral art. The book will also include a series of reflections from the major curators, critics, and dealers who helped to make Land art both as work and discourse in the 1960s and 1970s.…