Kristen Hileman (28 results)

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hirshorn Museum 2008 Fine condition clean tight and bright, black cloth hardcover is clean and strong, DJ has very light shelf rub at top else clean and strong.

hardcover. Condition: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Softcover. Condition: VG. Red illustrated wraps with white lettering; 19 pp. with 17 illustrations. Includes an essay by Hileman, a chronology of education and exhibitions, and illustrations of the sculptural paper works for which Ko is known.

Softcover, 80 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: NEW.

Hardcover. Condition: new. Hardcover. It has been more than fifty years since John Waters filmed his first short on the roof of his parents Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artists influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waterss renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy. Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. In bringing bad taste to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters freely manipulates an image bank of less-than-sacred, low-brow referencesElizabeth Taylors hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divineto entice viewers to engage with his astute and provocative observations about society. This richly illustrated book explores themes including the artists childhood and identity; Pop culture and the movie business; Waterss satirical take on the contemporary art world; and the transgressive power of images. The catalogue features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; critic, curator, and artist Robert Storr; as well as an interview with Waters by photographer Wolfgang Tillmans. Published in association with the Baltimore Museum of Art. Exhibition dates: The Baltimore Museum of Art: October 7, 2018January 6, 2019 Wexner Center for the Arts: February 2April 28, 2019 "This catalogue is published on the occasion John Waters: Indecent Exposure, an exhibition presented at The Baltimore Museum of Art, October 7, 2018-January 6, 2019, and at the Wexner Center for the Arts, The Ohio State University, February 2-April 28, 2019"--Colophon. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: New.

Condition: New. In.

Softcover. Condition: VG. Color illustrated wraps with white text. 79 pp. Bw and color illustrations. Catalog of an exhibition at American University Museum at the Katzen Arts Center, Washington, DC from September 7-December 8, 2024.

Condition: New. 2018. First. Hardcover. . . . . .

Hardback. Condition: New. It has been more than fifty years since John Waters filmed his first short on the roof of his parents' Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artist's influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waters's renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy. Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. In bringing "bad taste" to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters freely manipulates an image bank of less-than-sacred, low-brow references-Elizabeth Taylor's hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divine-to entice viewers to engage with his astute and provocative observations about society. This richly illustrated book explores themes including the artist's childhood and identity; Pop culture and the movie business; Waters's satirical take on the contemporary art world; and the transgressive power of images. The catalogue features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; critic, curator, and artist Robert Storr; as well as an interview with Waters by photographer Wolfgang Tillmans. Published in association with the Baltimore Museum of Art. Exhibition dates: The Baltimore Museum of Art: October 7, 2018-January 6, 2019 Wexner Center for the Arts: February 2-April 28, 2019.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 216 pages. 11.00x9.50x1.00 inches. In Stock.

Condition: New. 2018. First. Hardcover. . . . . . Books ship from the US and Ireland.

Softcover, unpaginated; very good condition; small crimp at top of spine; no internal marks. (Blank blue spine). Foreign shipping may be extra.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condition: NEW.

Hardcover. Condition: new. Hardcover. It has been more than fifty years since John Waters filmed his first short on the roof of his parents Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artists influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waterss renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy. Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. In bringing bad taste to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters freely manipulates an image bank of less-than-sacred, low-brow referencesElizabeth Taylors hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divineto entice viewers to engage with his astute and provocative observations about society. This richly illustrated book explores themes including the artists childhood and identity; Pop culture and the movie business; Waterss satirical take on the contemporary art world; and the transgressive power of images. The catalogue features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; critic, curator, and artist Robert Storr; as well as an interview with Waters by photographer Wolfgang Tillmans. Published in association with the Baltimore Museum of Art. Exhibition dates: The Baltimore Museum of Art: October 7, 2018January 6, 2019 Wexner Center for the Arts: February 2April 28, 2019 "This catalogue is published on the occasion John Waters: Indecent Exposure, an exhibition presented at The Baltimore Museum of Art, October 7, 2018-January 6, 2019, and at the Wexner Center for the Arts, The Ohio State University, February 2-April 28, 2019"--Colophon. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. &Uumlber den AutorKristen Hileman is the Senior Curator and Department Head of Contemporary Art at The Baltimore Museum of Art. Over two decades of curating, she has worked with such leading international artists as Cai Guo-Qiang.

Hardback. Condition: New. It has been more than fifty years since John Waters filmed his first short on the roof of his parents' Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artist's influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waters's renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy. Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. In bringing "bad taste" to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters freely manipulates an image bank of less-than-sacred, low-brow references-Elizabeth Taylor's hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divine-to entice viewers to engage with his astute and provocative observations about society. This richly illustrated book explores themes including the artist's childhood and identity; Pop culture and the movie business; Waters's satirical take on the contemporary art world; and the transgressive power of images. The catalogue features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; critic, curator, and artist Robert Storr; as well as an interview with Waters by photographer Wolfgang Tillmans. Published in association with the Baltimore Museum of Art. Exhibition dates: The Baltimore Museum of Art: October 7, 2018-January 6, 2019 Wexner Center for the Arts: February 2-April 28, 2019.

Buch. Condition: Neu. John Waters | Indecent Exposure | Kristen Hileman | Buch | Gebunden | Englisch | 2018 | University of California Press | EAN 9780520300477 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Hardcover. Color pictorial paper over boards; Color pictorial dj.; 176 pp.; Profusely illustrated, mostly in color. A nice, bright and sharp copy. "Anne Truitt (1921-2004) is a heroine of American Minimalism, an increasingly admired artist whose journals (Daybook, Prospect, Turn) have a longstanding and devoted readership, but whose art has not previously been the subject of a substantial monograph. Perception and Reflection remedies this historical oversight superbly and decisively. The evolution of Truitt's sensibility is at once a classic Minimalist story and the tale of a truly independent spirit: following an encounter with the black paintings of Ad Reinhardt at the Guggenheim in 1961, she abandoned her earlier sculptural style and began to make stark, columnar works inscribed with bands of sometimes bright and sometimes quiet color. Truitt's account of this transition betrays her rare clarity and sensitivity: "I thought to myself, 'If I make a sculpture, it will just stand up straight and the seasons will go around it and the light will go around it and it will record time."--Amazon. VG+ (Exlibrary book with stamp on front free end page; stamp, sticker, and due date card on back pasted end page. Stamp on top text block.).

Softcover. Condition: VG+. A textured blue softcover book with the title in white lettering on the front cover. The free end pages are akin to onion skin paper. Pages: (~38). Profusely illustrated with color images and eleven numbered plates. This catalogue is produced in conjunction with the exhibition, Willem de Looper: paintings 1968-1972, January 15-February 26, 2022.