Krishan Y (12 results)

Condition: New. pp. xiv + 520 2 Maps (Folded).

Condition: New. pp. xiv + 520.

Condition: New. pp. xiv + 520, 2 Maps (Folded), 14 Indices.

Soft cover. Condition: Very Good. Softcover, 12 1/4 by 9 inches, paginated 253-322 pages plus plates. Published 1981-2. Covers have very slight wear. Spine sun darkened. The pages are clean. Articles include: Hariti in Chinese paintings by Murray, Origings of Ganesa by Krishan, Temple at Indore by Meister. Plus book review.…

Hardcover. Condition: Very Good. 2012. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: New. 246pp.

Condition: New. pp. xx + 231, Abbreviations Acknowledgements.

Hardcover. Condition: New. This is a revised edition of the book, first published in 1995. It deals with crucial though controversial questions in buddhist art: the origin of the buddha image-its transformation from aniconism to anthropomorphism-and the iconography of the Buddha Images. The earliest Buddhist Art of Sanchi and Bharhut is aniconic : The Buddha is represented in symbols only. In the later Buddhist art of Gandhara and Mathura, the Buddha is represented in human form: he is the Principal subject of Sculptural art. The book seeks to explore the geographical area in which the image of the Buddha first emerged and whether the Buddhist doctrines-Hinayana or Mahayana-had anything to do with this transformation and whether anthropomorphism of the Buddha Image is of Greek inspiration. The Buddha image, as developed eventually at Sarnath, became the Model for the Buddha Images in whole of Asia- southeast, central and Eastern. The iconographic features of the Buddha image are superficially an aberration, being in apparent conflict with the doctrine. The Buddha had cut off his hair at the time of his renunciation; the rules of the order enjoin that a Monk must be tonsured and must discard and eschew all riches. However, in his images, the Buddha has hair on his head; later he is also endowed with a crown and jewels which, srictly speaking, are a taboo for a renunciant. After an exhaustive examination of the Views of various scholars, the book answers these questions and resolves the controversies on the basis of literary, Numismatic and epigraphic sources. More importantly it makes use of the valuable evidence from the contemporaneous Jaina art : Aniconism of early Jaina art and the iconographic features of Jaina images. The implications of this Study are also important : Does India owe idolatry to Buddhism? Was this of foreign inspiration? Was the Buddha image fashioned after the Vedic Brahma and whether the Buddha's usnisa and Buddhist art motifs are rooted in the Vedic tradition.…

Encuadernación de tapa dura. Condition: Muy bien. 242 pp. Golpe en la esquina superior derecha.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: Buone. inglese Condizioni dell'esterno: sovracopertina leggermente logorata Condizioni dell'interno: Buone.

Ril. cm. 22x29, pp 151, 143 ill. e dis. in b/n. Testo sulla controversa questione dell'origine dell'immagine del Budda e della sua iconografia nell'arte. Dalla rappresentazione simbolica di Sanchi e Barhut al Gandhara, alla iconografia Mahayana.