Klutsis Gustav (14 results)

Hardcover. Condition: Good. 1st Edition.

Hardcover. Condition: Fine. Dust Jacket Condition: No Jacket issued. 1st Edition.

First Edition. First Edition. Near Fine, with no dust jacket as issued. Oversize volume, shipping billed at cost.

Hardcover without dustjacket as issued; 256 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Very good.

Erste Auflage. 30,4 x 25,3 cm. 255 S. Illustrierter OPappband. Sehr gutes Exemplar. Durchgehend mit schwarz-weißen und farbigen Abbildungen versehen. Katalogbuch zur Ausstellung "Gustav Klutsis and Valentina Kulagina: Photography and Montage After Constructivism", organisiert vom International Center of Photography in New York, vom 12. März 2004 bis zum 30. Mai 2004. Texte in englischer Sprache.

Hardcover. Condition: Near Fine. 1st Edition. First Edition, 2004. 255 pages. Book measures 10 x 12 inches. Illustrative boards. No dust jacket as issued. An in depth study of the groundbreaking work of Gustav Klutsis, the pioneer of photomontage in the Soviet Union and a central figure in the transition from the formalism of the early Soviet avant-garde to the increasingly state-sponsored art production of the 1930. Also presented is the work of Klutsis' wife and colleague, Valentina Kulangina, an innovative poster, book, and exhibition designer. This book features their public works, street displays, poster, book, and magazine designs-as well as intimate family portraits and experimental photographs and photomontages. A Near Fine copy in solid binding.

Hardcover. Condition: Near Fine. 1st Edition. First edition, paper covered boards (hardcover), 255 pages : illustrations (some color) ; 31 cm. Very good/fine, clean, crisp, unread copy. Just some minimal shelf-wear. "Gustav Klutsis and Valentina Kulagina: Photography and Montage After Constructivism is an in-depth study of the work of Gustav Klutsis, the pioneer of photomontage in the Soviet Union and a central figure in the transition from the formalism of the early Soviet avant-garde to the increasingly state-sponsored art production of the 1930s. Also presented is the work of Klutsis's wife and colleague, Valentina Kulagina, an innovative poster, book, and exhibition designer, who participated in such seminal exhibitions as the 1928 Pressa exhibition in Cologne. Photography and Montage After Constructivism includes the artists' important public works - street displays, posters, and book and magazine desigs - as well as intimate family portraits and experimental photographs and photomontages. Drawing from her research at Russian archives and on previously unavailable information contained in the artists' letters and diaries - many translated here for the first time - art historian Margarita Tupitsyn offers new insights on the artists and the political and cultural climate in which they were working.".

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: gut. 2004. Photography and Montage After Constructivism. In deutscher Sprache. pages.

edited: 2000 copies - first edition - 17,8 x 12,9 cm - [2]+26 pgs - soft thick paper cover with illustration by Klutsis - stappled - one of at least 7 small booklets by Kruchenykh on Esenin 's suicide or used it as pretext, see MOMA 644 - Campton: Russian avant-garde books pg 58 and 59,- condition bottom of back used, otherwise in good condition, library number (?) on front part of wrappers, slightly discolored front part (see pictures).

Soft cover. Condition: Near Fine. 1st Edition. Octavo 17,8x 12 cm., wrappers, (26) pp.The All-Russian Union of Poets was organized in Moscow in 1918 and continued to 1929 when it was absorbed into All Russian Union of Writers. In 1922 it came under the scrutiny of the NKVD who forced it to change the charter of its aims This collection consists of exponents of various schools due to the extreme dubiousness of the goals and revolutionary objectives pursued by the Union, as well as harmful activities to the ranks of youth. This is the second poetry collection issued by the Union. Poets representing various isms are found here with Mandel shtam (Sestry), Tsvetaeva (Kon -Khrom), Pasternak (Mne v sumerki ty vse.), Sel vinskii and Boguslavskii, among others. Rare, Getty 827,MOMA 394. Printed on heavy van Gelder, This copy very crisp, near fine. With very fine cover by Gustav Klutsis, one of his earliest works.

Softcover with silver dustjacket in constructivist design by Gustav Kluctsis, whose name is printed on rear side, 48 pages, in German; very good condition, except dj is neatly split into 2 separate pieces down length of spine with light diagonal crease down front cover, light chipping to top and bottom edge and small waterstain to bottom of rear cover of dj; still very presentable; internally fine; no internal marks. With many b/w photos including several of sets designed by Popova.

Placchetta (12x19 cm) di 30 pagine, su carta forte porosa. In lingua russa, caratteri cirillici. Contiene poesie di Nikolai Aduev, Agra, Iakov Apushkin, N. Bogoslovskii, Georgii Deshkin, V. Lapin, T. Levit, Osip Mandelshtam, N. Minaev, A. Olenin, Boris Pasternak, Ia. Polonskii, Matvei Roizman, S. Rubanovich, Evgenii Shilling. Brossura originale con copertina disegnata da Gustav Klutzis. Raro. La pubblicazione è esposta al MoMA di New York e al Getty Research Institute (Russian Modernism). Una copia è stata venduta da Shapiro Auction il 3 novembre 2019.