Kirshenbaum Sandra Editor Publisher (21 results)

Soft cover. Condition: Near Fine. Printed wrappers, slender 4to., 38-71 pages, illustrated. Features "The Types of Jan van Krimpen, Part 1" by Walter Tracy, "Raw Materials for Papermaking" by Simon Barcham Green, and "Rudolf Koch and the Offenbach Workshop" by David Farrell. Four-page Fine Print Two laid in. A near fine copy with minor signs of use.

Softcover. Condition: Fine. Kirshenbaum, Sandra editor and publisher. FINE PRINT - A REVIEW FOR THE ARTS OF THE BOOK VOLUME NINE NUMBER FOUR. SanFrancisco, California: Sandra Kirshenbaum publisher (1983). Illustrated, articles, advertisements, 44pp, full 4to (9" wide x 12" tall), wire-stitched(staples) softcover magazine format with color illustrated front cover. Printed on quality Mohawk Letterpress paper with total absence of foxing ortone. TOGETHER WITH: FINE PRINT II. 6pp "C" fold softcover (4to - 9" x 12"), printed on quality Mohawk Letterpress paper with calender ofevents and illustrated advertisements. Laid in: original mailing envelope. Unmarked, clean, tightly bound and in fine condition.

paperback. Condition: near fine. 9 x 12 " Contributors: Martin Antonetti, Robert Pack Browning, Ruth E. Fine, Anne Hyde Greet, Joshua Heller, Victoria Nelson, Richard Southall and others.

paperback. Condition: fine. 9 x 12 " contributors: John Dreyfus, Doris Grumbach, Decherd Turner, Monica J. Strauss, Claire Van Vliet, Julian Waters, Michael Winship and others.

paperback. Condition: fine. 9 x 12 " Contributors: Bruce Beck, William Beninck-Smioth, Betsy Davis, Crispin Elsted, Glenn Goluska, Kris Holmes, Susan Spring Wilson and others.

paperback. Condition: near fine. 9 x 12 " 39 pages. contributors: David Becker, William Britght, Paul Hayden Duensing, Colin Franklin, Alastair Johnson, Abe Lerner, James Linden, Breon Mitchell and others.

paperback. Condition: fine. 9 x 12 " contributors; Stephen O. Saxe,Don Etherington, Vivian Ridler.

paperback. Condition: fine. 9 x 12" contributors: D, Steven Corey, Kit Curris, H. George Fletcher, David R. Godine, Lance Hidy, Janice Mae Schoffer, Charles Seluzicki, Joanne Sonnichsen.

paperback. Condition: fine. 9 x 12 " contributors: Kirstin Tini Miura, DAvid E. Belch, Simon Barcham Green, Edward Guiliano, Horst Heidershoff, Scott Kellar, Kenneth Marantz, Sally Roggia.

Soft cover. Condition: Near Fine. printed wrappers, slender 4to., 135-187 pages, illustrated. Features Second Annual Broadside Roundup and "Five Contemporary Printers: Further Notes on Women in Printing" by Kathleen Walkup. Eight-page Fine Print II laid in. Very minor wear, else a near fine copy.

Condition: near fine. 9 x 12 " contributors: Don Glaister, Georgianna Greenwood, Suzanne Moore, David Pankow, Sumner Stone, Joyce Lancaster Wilson and others.

Soft cover. Condition: Near Fine. Printed wrappers, slender 8vo., (iv), 65-124, (3) pages, illustrated. Special issue on fine printing in Germany. Eight-page Fine Print II and ephemera laid in. A near fine copy.

Soft cover. Condition: Near Fine. Printed wrappers, slender 4to., (i), 188-238,(1) pages, illustrated. Article on parchment making. Eight-page Fine Print II laid in. A near fine copy.

Soft cover. Condition: Near Fine. Printed wrappers, slender 4to., (ii), 60-109, (2) pages, illustrated. Features John Dreyfus on Frederic Warde. Eight-page Fine Print 2 and ephemera laid in. Spine faded, else a near fine copy.

Soft cover. Condition: Near Fine. Printed wrappers, slender 4to., (i), 87-127 pages, illustrated. Color cover designed and printed by Wesley B. Tanner. Two articles on Western Book Paper. Six-page Fine Print Two laid in. A near fine copy.

Soft cover. Condition: Near Fine. Printed wrappers, slender 4to., 82-119 pages, illustrated. Eric Gill Centenary Issue. Spine slightly toned, else a near fine copy.

Soft cover. Condition: Near Fine. Printed wrappers, slender 4to., 39 pages, illustrated. Features two articles on bookbinding and "The New Type Specimen Books: A Critical View" by Charles Bigelow. Six-page Fine Print Part Two and errata slip laid in. A touch of toning to the spine, else a near fine copy.

Soft cover. Condition: Near Fine. Printed wrappers, slender 4to., 114-150, (1) pages, illustrated. Three essays on small and fine press publishing and The Art of the Book in Omaha by the editor. Six-page Fine Print II laid in. For-edge showing minor soft creases, else a near fine copy.

Soft cover. Condition: Near Fine. Printed wrappers, slender 4to., 39 pages, illustrated. Valenti Angelo issue. Four-page Fine Print II laid in. A near fine copy.

Soft cover. Condition: Near Fine. Printed wrappers, slender 4to., 35, (1) pages, illustrated. Features "On Illustrating Dante" by Barry Moser and with covers utilizing drawings by him. Letterpress by Wesley B. Tanner and Will H. Powers. Four-page Fine Print 2 laid in. Mild extremity wear, else a near fine copy.

Magazine. Condition: Very Good. Numerous (illustrator). Close to Complete Run of this signature publication on the book arts. 58 (out of 64 published) issues, unbound, all in very good or better condition. MISSING five issues: Vol. 1 #1, Vol. 2 #3, Vol. 2 #4, Vol. 4 #3, Vol. 5 #1, Vol 16 #4 (Index). Most near fine to fine. Issues are unmarked. Heavy (25+ lbs.). Publication of this benchmark review of the book arts extended from January 1975, through 1990, ceasing with 16, no. 3. In 2003, Editor Sandra Kirshenbaum issued "The Complete Index to Fine Print" which was declared to be Volume 16 Number 4, printed by Pro Art Libri of San Francisco, and Oak Knoll Press. "Fine Print began life in 1975 as an eight-page "Newsletter for the Arts of the Book". Its initial purpose was to present bibliographic descriptions of fineloy printed books (i.e. letterpress) along with reports on allied arts like hand bookbinding, calligraphy, and papermaking At firsteach issue [was] totally redesigned by a different graphic artist or printerbut soon became too burdensome to maintain". This soon morphed into the publisher's "practice of choosing a different outstanding graphic artist to design the cover of each issue". "Fine Print became the international medium for exploring the intellectual content of books in relation to their graphical, historical and craft aspects".