Kikukawa (30 results)

Loose Leaf. Condition: New. Reproduction. Original title: Sojo Henjo, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" German: Sojo Henjo aus der Serie "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" French: Sojo Henjo, de la série "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" Spanish: Sojo Henjo, de la serie "Los Niños Fashionables como los Seis Poetas Inmortales (Furyu kodakara rokkasen)" High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1814/17). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: The Theater District in Sakai-cho (Sakai cho shibai), from the "Fashionable Eight Views of the Eastern Capital (Furyu Toto hakkei)" German: Das Theaterviertel in Sakai-cho (Sakai cho shibai), aus dem "Fashionable 8 Views of the Eastern Capital (Furyu Toto hakkei)" French: Le quartier du théâtre à Sakai-cho (Sakai cho shibai), à partir des « Huit vues fashionnables de la capitale orientale (Furyu Toto hakkei) » Spanish: El Distrito del Teatro en Sakai-cho (Sakai cho shibai), de las "Ocho Vistas Fashionables de la Capital del Este (Furyu Toto hakkei)" High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1824/29). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Tamatsushima, from the series "Three Fashionable Young Women (Furyu waka no sannin)" German: Tamatsushima, aus der Serie "Drei modische junge Frauen (Furyu waka no sannin)" French: Tamatsushima, de la série "Three Fashionable Young Women (Furyu waka no sannin)" Spanish: Tamatsushima, de la serie "Tres mujeres jóvenes de moda (Furyu waka no sannin)" High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1811/13). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Enjoying the Evening Cool at Ryogoku Bridge (Ryogokubashi noryo), from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)" German: Genießen Sie die Abendkühle an der Ryogoku-Brücke (Ryogokubashi noryo), aus der Serie "Fashionable Eight Views of Edo (Furyu Edo hakkei)" French: Profitez de la soirée Cool au pont Ryogoku (Ryogokubashi noryo), de la série "Fashionable huit vues d'Edo (Furyu Edo hakkei)" Spanish: Disfrutando de la noche fría en el puente Ryogoku (Ryogokubashi norio), de la serie "Ocho vistas de moda de Edo (Furyu Edo hakkei)" High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (early 19th century). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Bunya no Yasuhide, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" German: Bunya no Yasuhide, aus der Serie "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" French: Bunya no Yasuhide, de la série "Les enfants fashionables comme les six poètes immortels (Furyu kodakara rokkasen)" Spanish: Bunya no Yasuhide, de la serie "Los Niños Fashionables como los Seis Poetas Inmortales (Furyu kodakara rokkasen)" High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1814/17). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: The brine maidens German: Die Solemädchen French: Les jeunes filles de saumure Spanish: Las doncellas de salmuera High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1820s). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condition: New. Reproduction. Original title: The Jewel River of Plovers (Chidori Tamagawa), from the series "Fashionable Six Jewel Rivers (Furyu Mu Tamagawa)" German: Der Jewel River of Plovers (Chidori Tamagawa), aus der Serie "Fashionable Six Jewel Rivers (Furyu Mu Tamagawa)" French: La rivière Jewel de Pluviers (Chidori Tamagawa), de la série "Fashionable Six Jewel Rivers (Furyu Mu Tamagawa)" Spanish: El río Joya de Plovers (Chidori Tamagawa), de la serie "Fashionable Six Jewel Rivers (Furyu Mu Tamagawa)" High-quality fine-art reproduction based on an original work from the Artic. Creation period: 18th century (c. 1804/18). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condition: New. Reproduction. Original title: Ono no Komachi, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" German: Ono no Komachi, aus der Serie "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" French: Ono no Komachi, de la série "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" Spanish: Ono no Komachi, de la serie "Los Niños Fashionables como los Seis Poetas Inmortales (Furyu kodakara rokkasen)" High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1814/17). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Enoshima in Sagami Province (Soshu Enoshima), fron the series "Elegant Famous Places in the Various Provinces (Furyu shokoku meisho)" German: Enoshima in der Provinz Sagami (Soshu Enoshima), mit der Serie "Elegante berühmte Orte in den verschiedenen Provinzen (Furyu shokoku meisho)" French: Enoshima dans la province de Sagami (Soshu Enoshima), sur la série "Élégantes places célèbres dans les différentes provinces (Furyu shokoku meisho)" Spanish: Enoshima en la provincia de Sagami (Soshu Enoshima), en la serie "Lugares famosos en las diversas provincias (Furyu shokoku meisho)" High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (early 19th century). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Otomo no Kuronushi, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" German: Otomo no Kuronoshi aus der Serie "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" French: Otomo no Kuronushi, de la série "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)" Spanish: Otomo no Kuronushi, de la serie "Los Niños Fashionables como los Seis Poetas Inmortales (Furyu kodakara rokkasen)" High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1814/17). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Tankobon Softcover. Condition: Brand New. 8.19x5.83x0.79 inches. In Stock.

Condition: Gut. Front cover with a small image of the art print, 1 side text, 1 side with art print fixed to one side, back side blank. Leaflet slightly bumped at the lower edge in the fold, art print very good. Text in Japanese and English. - Yoko Oban Nishikie - (Unregistered) - The linking of courtesans feelings or sentiments with odes by medieval poets was a device frequently employed by ukiyoe artists. Eizans design provides this courtesan with an elaborate coiffure, balanced by the wide-spread hems of her garment. The artists mannerism can be seen in the facial expression and the raised knee. Eizan (1787-1867) received his first instruction in painting from his father, who had studied in the Kano school. He was also a pupil of Suzuki Nanrei. Eizan formed his own school, independent of Utamaro or Hokusai. His style, however, is close to that of Utamaros last years. Sprache: Englisch Gewicht in Gramm: 550 Leaflet 28,5*42 cm, Art print 36,5 * 25 cm.…

Tankobon Hardcover. Condition: Brand New. Japanese language. 8.43x5.98x0.87 inches. In Stock.

Tankobon Hardcover. Condition: Brand New. Japanese language. 10.31x7.28x0.98 inches. In Stock.

Condition: Fine. Number of books:s.

Condition: Fine. Number of books: 1 book.

Condition: Fine. Number of books: 1 book.

Condition: Fine. Number of books:s.

Condition: Fine. The book is in fine condition.

Tankobon Hardcover. Condition: Brand New. Japanese language. 8.46x5.91x1.02 inches. In Stock.

Hardcover. Condition: New. US SELLER SHIPS FROM USA.

Hardcover. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Soft cover. Condition: Good. No Jacket. 4to. 254pp. Many illus. some in color. Original wr., slightly rubbed, binding slightly weak, owner stamps on title-page and last page.

Soft cover. Condition: As New. 1st Edition. 198 Pages, Text in Japanese, Illustrated in color - Kikukawa Eizan - first edition Paperback by the Ota Memorial Museum of Art - 298 x 224 mm - As new copy. Very rare - Here under a text from the editors website - "Kikukawa Eizan (1787-1867) was an ukiyo-e artist playing an active part especially in the Bunka era (1804-1818) after the death of Kitagawa Utamaro. While many ukiyo-e artists portrayed beautiful women in the sophisticated and ethereal Utamaro style, Eizan ushered in a new phase in the bijinga genre; although his women too wear the latest fashionable kimonos, he established his own sweet down-to-earth vision of female beauty. His works portrayed a diverse range of women from different social classes, such as the graceful young ladies of samurai families, charming daughters of merchants, or flamboyant courtesans. We see them sleek, svelte, and elegant, or sometimes bright, colorful, and fashionable. In recent years, Eizan's bijinga are not well-known, but these works would have profoundly influenced not only his pupil Keisai Eisen, but also such later artists as Utagawa Kunisada and Utagawa Kuniyoshi. It is no exaggeration to say that bijinga in the 19th century started from Eizan. ?This year commemorates the 150th year since the death of Kikukawa Eizan. This exhibition is made up of some 200 outstanding works, covering wood-block prints and nikuhitsu-ga (original paintings), including important representative pieces and works shown to the public for the first time; together they once again shine the spotlight on Kikukawa Eizan's achievements as an ukiyo-e artist. We would be grateful if, through this exhibition, you can fully enjoy the fascination of Eizan's beauties that blossomed so gracefully in response to the culture of the late Edo period. ?Finally, we would like to sincerely express our gratitude to all those collectors who loaned their valuable works and materials to the exhibition, and all those involved in the mammoth task of assembling this wonderful display of the artist's works". Book.…

Hardcover. Condition: Very Good. 1st Edition. Eizan was the most prolific, longest-lived and ultimately the best of the late followers of Utamaro, who attempted to carry on the master's bijin style after his death in 1806. Along with Kikumaro, Tsukimaro and Utamaro II, Eizan has generally been dismissed by connoisseurs as a plagiarist of Utamaro's late style, but his work in fact develops, like that of most ukiyo-e artists, from a close identification with a leading master to a studied independence, and contains pieces of remarkable beauty and interest. ukiyo-e artists with whom he is often associated, Eizan was not an actual pupil of Kitagawa Utamaro, but studied originally with his father, Kikugawa Eiji, a Kano style painter and fan maker, and later with the Shijo artist Suzuki Nanrei and the Hokusai pupil Hokkei. Few traces of this eclectic training can be seen in Eizan's early work, produced shortly after the death of Utamaro and for the most part in that master's style. In the following decade, however, as Eizan reached artistic maturity, he began to develop his own figural style, still focused for the most part on prints of beautiful women (bijin-ga). Eizan's work retains the sensitivities and lyricism that marks the Utamaro style, however, not following the earthier realism and more overt sensuality of Kunisada and Ikeda Eisen in their . Eizan, like Toyokuni I in actor prints, is the last manifestation of the classical ukiyo-e style in bijin work, with harmonious colors and graceful lines and subjects. After him, one senses the introduction of a different aesthetic, with harsher colors, angular lines and less ethereal material, more of an emphasis, in sum, on the material weight of earthly life, rather than its transformation into something of elegance. With Eizan, the alchemy of elegance is still alive, and in his best work, properly produced, he can cast a magic glow over the forms of the world and create lightness and grace. He is also left-handed, which was strange at such a time in Japan. Kikukawa Eizan (illustrator). By the Artist.…

Paperback. Condition: New.

Estampe japonaise ancienne, gravure sur bois en couleurs, 20,5 x 32,5 cm, Nb-0185.

Leather Bound. Condition: New. Language: jpn. Language: jpn. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1863. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - jpn, Vol:- Volume v. 2, Pages:- 272, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v. 2 272 272.…

Condition: Gut. (Kikukawa Eizan, geb. 1787, gest. 17.07.1867, japanischer Künstler des ukiyo-e). Original-Farbholzschnitt von Kikukawa Eizan auf Japanpapier (oban tate-e) aus den 1820er Jahren. Ein Blatt eines Bijin-Mehrblattdrucks. Signiert: Eizan hitsu. Blattgröße: 37,1 x 25,5 cm. Papier in der unteren linken Ecke schwach ausgedünnt. Rückseitig in den oberen beiden Ecken kleine Reste von weißem Papierklebeband. Guter bis sehr guter Zustand. Vielen Dank an Horst Gräbner für die Angaben.…