Kathryn Brush (48 results)

Condition: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Paperback. Condition: Very Good. 2nd ed. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: As New. Dust Jacket Condition: Very Good. Cambridge, 2004; blue cloth covered boards; minimal shelf wear; illustrated jacket with mild wear; 4to - over 9 3/4" to 12" tall; Interior is clean and unmarked; 231 pages.

Hardcover. Condition: Very Good. unmarked, light shelfwear-NICE Standard-sized.

Paperback. Condition: As New. 2nd ed. Softcover in Like New condition. Carefully packaged to avoid damage in shipping.

Soft cover. Condition: Good. 2nd Edition. Moderate wear to cover, heavy marking in 3 chapters, binding good. WR.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fine. Some pencil annotations, otherwise fine. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975. Size: Quarto. Book.

Hardcover. Condition: Fine. Hardcover book & text in FINE CONDITION, tight, clean, neat, bright with minor signs of use. Boards in FINE CONDITION with minor signs of use. Dust jacket in NEWA FINE CONDITION, minor edge wear, slight scuffs with little signs of use.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 231 pages, illustrations; 27 cm. Published in honor of the seventy-fifth anniversary of the opening of the second - and current - Fogg Art Museum building. The related exhibition celebrating that anniversary is organized by and on view at the Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts, May 29 to August 22, 2004. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. *** "This generously illustrated book - a history of the formative years of the Fogg Art Museum - discusses the educational and cultural philosophies behind its conception, its historical, social, and economic circumstances, its teaching activities, its art collections, and its research, library, and technical resources. It also places the Harvard institution in relation to contemporary initiatives in Germany (Aby Warburg's cultural-historical library in Hamburg and the Kunstinstitut at the University of Marburg), Britain (the Courtauld Institute of Art), and the United States (Princeton University, New York University, the University of Chicago, and others). This book combines institutional, intellectual, cultural, and social history, providing a lively portrait of a leading American art institution and the personalities involved in its reinvention." - Publisher. *** CONTENTS: The old and the new Fogg: conception, direction, and patronage before and after World War I; A comprehensive "art laboratory" for teaching and research: fund-raising and planning, 1922-25; Constructing, inaugurating, and using the new Fogg, 1925-28; A contemporary counterpart in Germany: the Kunstinstitut at the University of Marburg; The new Fogg as model?: national and international responses. Size: 4to. Collectible.…

Trade Paperback. Condition: Very Good. Toronto, Buffalo and London: University of Toronto Press, 1995. 9 x 6 inches: pp. xiv, 348. Dark blue and lavender photographic stiff paper cover with white and dark blue type. Light edge and corner wear, creasing. Text is unmarked. Binding tight.

Soft cover. Condition: Very Good. 348 page paperback with illustrations. Papers delivered at the conference "Artistic Integration in early Gothic churches" held at York University April 7-9, 1989. Several contributors. Unmarked, tight and clean.

Condition: New.

Hardcover. Condition: Good. Dust Jacket Included. 1st Edition. 1st edition, hardback, large 8vo, 231pp, illustrated, some light pencil marginal scoring in text, otherwise sound, Good / Very Good dustwrapper. ISBN: 0300101767.

Hardcover with dustjacket, 232 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New. Like New condition. (Art exhibitions, Canada).

Hardcover. Condition: Near Fine. Softcover. Clean, tight and unmarked. Very neat -- a sound and handsome copy, very nearly as new.

Soft cover. Condition: Fine. First Edition. 172 pages, colour illustrations. The publication consists of eleven essays written by Professor Brush and her graduate students on diverse facets of "medievalism" that have contributed to the construction of the mythology—textual and visual—of the Canadian frontier. The topics range across transhistorical and transcultural terrain, and draw on recent approaches used by historians and theorists of art, culture, and anthropology. The objective is to make an exploratory foray into an original topic and to initiate discussion of it. This illustrated collection of essays is co-published by Museum London and the McIntosh Gallery. The publication includes a checklist of the objects in the exhibition. Kathryn Brush Introduction: Canoes, Crenellations, and "Medieval" Canada Claire Feagan Castle-Building in Canada's "New" London: The Architecture of Authority, Ideology, and Romance Hillary Walker Gugan Inventing and Marketing the Ideal Capital: Representations of the New London on the Thames Simon Bentley "Middle-Aged" Men: Masculinity and Medievalism at the Canadian Frontier Ahlia Moussa Medievalism and Feminism in Anna Jameson's Winter Studies and Summer Rambles in Canada Erin Rothstein Roughing it in the Bush: Representations of "Primitivism" at the Canadian Frontier Stephanie Radu Dismantling Frontiers: Cross-Referencing the Material Culture of Europe and the Great Lakes Region, ca. 1000-1500 CE Emma Arenson Cross-Cultural Technological Adaptations: Exploring Intersections Between "Medievalism" and Native Material Culture Megan Arnott Putting the Vikings on the Canadian Map Rebecca Gera Imag(in)ing the Medieval: Gothic Encounters in the Literary "Wilderness" of Upper Canada Kathryn Brush Reframing Canada's Wilderness Icons: Medievalism, Tom Thomson, and the Group of Seven.…

hardcover. Condition: As New. Hardcover with fine dust jacket. Book is in Excellent condition, pages are clean and tight.

Condition: New.

Hardcover. Condition: Very good. Dust Jacket Condition: very good. First edition. Tall octavo (standard size). Slight wear to edges and corners of boards and dust jacket. xiii, 263p. w/illus., endnotes, bibliography, index. Examines the formation of art history as a discipline in the late 19th c.

OLwd. Gr.-8°. XIII, 348 S. Schönes, frisches Exemplar aus der Bibliothek Prof. Dr. Willibald Sauerländer, mit deren Stempel. Sprache: Englisch Gewicht in Gramm: 800.

PAP. Condition: Very Good. Paperback, blackened near edge of bottom right corner of book, a few black short "lines" on first page, greyish "line" on upper edge of book, otherwise in very good condition.

Publishers Cloth. Condition: Very Good Plus. Very Good Plus. Book measures 26x19.cm. xiii,263pp, illustrated. Bound in original publishers black cloth, with gilt lettering. Binding in very good clean firm condition. Dust jacket in very good clean condition. Internally, pages clean throughout. A nice clean copy. Size: Large 8vo.…