Kandel Andrew (3 results)

Condition: gut. IV, 103 S. : zahlr. graph. Darst., Kt., 30 cm, Rand geknickt. Sprache: Englisch.

Final Corrected script for Episode 7 Season 5 of the 1969-1976 television series. The episode originally aired on October 29, 1973, on CBS. Noted as copy No. 19 in manuscript ink on the front wrapper. The long-running medical drama series followed two surgeons at a university hospital in Los Angeles, with a changing roster of patients showcased in each episode. In this installment, a young woman diver struggles with the pressure of competitive diving. Bright orange titled wrappers, dated September 17, 1973, stamped FILE COPY, noted as FINAL CORRECTED SCRIPT and production No. 7890 on the front wrapper, with credit for screenwriter Stephen Kandel. Title page integral with the front wrapper. 59 leaves, with last page of text numbered 58. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Broadside. First Edition. Contains 11 unnumbered loose sheets, 13 x 20 inches with limitation sheet, 1/300 copies, and 10 broadsides: September California: Richart Brautigan; illustration by Richard Correll; I Heard in the Shell: James Broughton; woodcut by Larry Landa; When did morning wind rip callow flowers in May: Jess, poem and illustration; 'There's Always a Moon in America': Max Finstein; drawing: Fred Martin; Stranger: Andrew Hoyem; woodcut: William Wolff: Vision of the Skull of the Prophet: Lenore Kandel; illustration: John Ihle; The Persimmons are Falling: Joanne Kyger; illustration by Phyllis Bailey; Station: David Meltzer; collage: Peter Bailey; Across Lamarck Col: Gary Snyder; illustration by Francesca Greene; The Rescue: George Stanley; illustration by Paul Alexander. Sheets in orange folder, 13 x 20 inches, with pasted label with title in black on red. '300 copies of this folio, signed by the poet & the artist, created for the San Francisco Art Festival, 1964, by East Wind Printers.' Signed by the poet and the artist, except Brautigan and Meltzer did not sign their poems and Phyllis Bailey did not sign her art. First edition (first printing). A near fine copy in folder with some mild soiling. Broadsides are fine.