Julius Epstein Phillip (24 results)

Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condition: Acceptable. THE SCRIPT! Not so pretty. ACTING EDITION SCRIPT will serve as a useful Starving Student Edition when you need an extra! Some shelf wear and edge wear to the covers.THE FORMER ACTOR HAS MARKED UP THE SCRIPT including name,.highlighting, underlining and sidebar notes. Economically priced ACTING EDITION for your performance needs. Book.

paperback. Condition: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

VHStape. Condition: Good. VHS TAPE.

Paperback. Condition: New. /NEW/I HAVE THOUSANDS OF PLAYS AND MUSICALS IN MY LISTINGS/.

Hardcover. Condition: Fair. No Jacket. GOOD/NO DUST JACKET. Former Library Book. [10], 134 pages. Text clean and unmarked except for usual library treatments. Pages lightly toned. Blue cloth boards lettered in silver at front and spine, lettering worn. Spine sunned, all edges rubbed, lower corners worn to boards, spine top and tail rubbed. Joints and hinges good, binding firm.

Softcover. Two [2] vintage original 8" x 10" black-and-white single weight glossy silver gelatin print still photos of the 1958 American period drama film directed by Richard Brooks from a screenplay co-written with Julius and Philip Epstein, based on Fyodor Dostoevsky's 1880 novel. It stars Yul Brynner, Maria Schell, Claire Bloom, Lee J. Cobb, Albert Salmi, Richard Basehart, and William Shatner in his film debut. Very Good with some small creases on a few edges.

RÚSTICA. DETERIORADO / CONTRAPORTADA ROTA. Libro.

Hardcover. Condition: Good. Dust Jacket Condition: Fair. First Edition. Good, but with offsetting (tan discoloration) on blank endpapers. No markings or bookplate. In a fair only dust jacket heavily faded along the spine. Abrasions along front flap fold and some tears and corner wear to jacket.Includes: CASABLANCA;DRAGON SEED;GOING MY WAY;HAIL THE CONQUERING HERO;THE MIRACLE OF MORGAN'S CREEK;THE MORE THE MERRIER;THE OX-BOW INCIDENT;THE PURPLE HEART;WATCH ON THE RHINE;WILSON.

tapa blanda. Condition: Bien. Literatura.(82) Clíper. Barcelona. 15 cm. 160 p. Encuadernación en tapa blanda de editorial. Colección "Cliper Film" (4) . Cubierta deslucida. (=3356040=) GH17.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Good. Near fine with usual age-toning to paper. No markings, no bookplate. In good price-clipped dust jacket with some edge wear including short tears and some dust soiling. Minor paper loss to extremities. .Includes: CASABLANCA;DRAGON SEED;GOING MY WAY;HAIL THE CONQUERING HERO;THE MIRACLE OF MORGAN'S CREEK;THE MORE THE MERRIER;THE OX-BOW INCIDENT;THE PURPLE HEART;WATCH ON THE RHINE;WILSON.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. First edition. 7 5/8" x 5 1/4". Dust jacket (unclipped; chips, large stain front panel). Very good. 134 pages. Actor Parley Baer's copy with his pencil signature on front free endpaper.

First Edition. Theatrical comedy play of how a "family of Manhattan aristocrats, led by a pompous and dogmatic grandfather, is covereted to humanity by a rude, young political idealist." Author wrote the screenplay for Casablanca. Near Fine in Very Good plus dustjacket, small chip at top spine end and top rear flap corner, number '75' in red crayon at spine, "Baker's Plays - Boston" sticker at lower front cover.

No Binding. Condition: Near Fine. Photocopy. 126 Pp., Unbound. A Later Reconstruction Of The Movie, By Unknown Author, In Photocopy. "When Production Began The Script Was Only Half Completed, Near The End Of Production The Script Was Literally Being Written The Night Before . Dalogue For The Final Seconds Of The Film Was Even Added Well After Production Had Been Completed. It Is Therefore Accurate To Say That No Complete Production Script For Casablanca Exists. The Script That Follows Is Therefore A Synthesis Of Extant Versions Of The Shooting Script, The Continuity Script, And A Close Analysis Of The Finished Film." Indeed This Script Differs From The "Official" Warner Brothers Version.

Script Format, reprint. Condition: Very Good. /FINAL REVISED DRAFT, 1941/ THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/.

Script Format, reprint. Condition: As New. / 1942 REVISED FINAL DRAFT / DIRECTOR MICHAEL ORTIZ, PRODUCER HAL WALLIS / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condition: Very Good. / 1941 REVISED FINAL DRAFT /PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/.

Condition: Good. Original pictorial wraps. 18.2 x 25.8cm. 34pp.The Motion Picture Library was a pioneering bilingual film publication launched in Tokyo in post-WWII Japan (1946-1948). Aimed at bridging American pop culture and Japanese audiences, it printed full English scripts, actor profiles, and bilingual synopses of imports like Casablanca.The emergence of these bilingual or heavily translated film resources during the mid-1940s marked a dramatic cultural shift. Following wartime censorship and the total ban of foreign films, the sudden influx of Hollywood movies under the Supreme Commander for the Allied Powers (SCAP) created a boom in cine-literacy. ."M?shon pikuch? raiburar?" wa, dainijisekaitaisengo no Nihon (1946-nen ? 1948-nen) ni oite, T?ky? de s?kan sa reta senku-tekina bairingaru eiga shuppan-monodeatta. Amerika no poppukaruch? to Nihon no kankyaku to no kakehashi to naru koto o mezashi, d?shi wa "Kasaburanka" nado no yuny? eiga ni tsuite, kanzen'na eigo kyakuhon, haiy? no purof?ru, soshite nichiei taiyaku no arasuji o keisai shite ita. 1940-Nendai nakaba ni okeru, k?shita bairingaru aruiwa ?habana hon'yaku o hodokoshita eiga kanren shiry? no t?j? wa, gekitekina bunka-teki tenkan o sh?ch? suru monodeatta. Senji-ch? no ken'etsu ya gaikoku eiga no zenmen kinshi o hete, reng?-koku saik? shirei-kan s? shirei-bu (SCAP) no t?chi-ka de Hariuddo eiga ga totsujotoshite tairy? ni ry?ny? shita koto wa, eiga riterash? (eiga o yomitoku chikara) e no kanshin o ikkini takameru b?mu o makiokoshita nodearu.??????????????????????????????????1946??1948????????????????????????????????????????????????????????????????? ???????????????????????????????????????????????????????????? ?????1940??????????????????????????????????????????????????? ?????????????????????????????????????????????SCAP??????????? ???????????????????????????????????????????????????????????? ??.).

Condition: Good. Original pictorial wraps. 18.2 x 25.8cm. 60pp.The Motion Picture Library was a pioneering bilingual film publication launched in Tokyo in post-WWII Japan (1946-1948). Aimed at bridging American pop culture and Japanese audiences, it printed full English scripts, actor profiles, and bilingual synopses of imports like Casablanca. The emergence of these bilingual or heavily translated film resources during the mid-1940s marked a dramatic cultural shift. Following wartime censorship and the total ban of foreign films, the sudden influx of Hollywood movies under the Supreme Commander for the Allied Powers (SCAP) created a boom in cine-literacy. ."M?shon pikuch? raiburar?" wa, dainijisekaitaisengo no Nihon (1946-nen ? 1948-nen) ni oite, T?ky? de s?kan sa reta senku-tekina bairingaru eiga shuppan-monodeatta. Amerika no poppukaruch? to Nihon no kankyaku to no kakehashi to naru koto o mezashi, d?shi wa "Kasaburanka" nado no yuny? eiga ni tsuite, kanzen'na eigo kyakuhon, haiy? no purof?ru, soshite nichiei taiyaku no arasuji o keisai shite ita. 1940-Nendai nakaba ni okeru, k?shita bairingaru aruiwa ?habana hon'yaku o hodokoshita eiga kanren shiry? no t?j? wa, gekitekina bunka-teki tenkan o sh?ch? suru monodeatta. Senji-ch? no ken'etsu ya gaikoku eiga no zenmen kinshi o hete, reng?-koku saik? shirei-kan s? shirei-bu (SCAP) no t?chi-ka de Hariuddo eiga ga totsujotoshite tairy? ni ry?ny? shita koto wa, eiga riterash? (eiga o yomitoku chikara) e no kanshin o ikkini takameru b?mu o makiokoshita nodearu.??????????????????????????????????1946??1948???????????????????????????????????????????????????????????????? ???????????????????????????????????????????????????????????? ??????1940?????????????????????????????????????????????????? ??????????????????????????????????????????????SCAP?????????? ???????????????????????????????????????????????????????????? ???.

Revised Final script for the 1953 film. Based on J. M. Barrie's 1914 play "Rosalind." A reigning Broadway diva refuses to accept her own age, creating consternation when she insists on playing the part of a 19 year-old in a new hit play. Set in New York. Missing wrappers, presumably as issued. Distribution page present, with receipt intact, rubber-stamped copy No. 88. Title page present, dated October 6, 1952, noted as REVISED FINAL WHITE, with credits for director Irving Rapper, and screenwriters Julius and Philip Epstein. 133 leaves, with last page of text numbered 130. Mimeograph duplication, rectos only, with blue and goldenrod revision pages bound in after the script, dated variously between 9-24-52 and 9-30-52. Pages Very Good plus, with light rust around the binding, bound with two gold brads. Olive Films 802.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. First Edition; First Printing. First edition. Splendid AUTOGRAPH of George M. Cohan on plain white index card included. (3 1/2" X 4 1/2" bracketed under glass. ) From the collection of Ruth & Louise Goodspeed. Near fine in fine dust jacket. (A few faint spots of soiling at fore edge. ) Small cloth issue. Sold only as a pair. ; 8vo 8" - 9" tall; 239 pages.

Final Draft script for the 1959 film. Based on the first play on Broadway to have been written by an African American playwright, about the challenges of a Black youth growing up in a predominantly white neighborhood. In 1991, "Jump Cut" magazine reassessed the play (and subsequent screenplay), calling it a pioneering work. Yellow titled wrappers, with credits for production company Hecht-Hill-Lancaster along the bottom edge of the front wrapper. Title page present, dated October 1, 1958, noted as Final Draft, with credits for screenwriters Julius Epstein and Louis Peterson. 119 leaves, with last page of text numbered 108. Mimeograph duplication on eye-rest green stock, pages dated variously between 10/1/58 and 10/2/58, rectos only, with blue and eye-rest green revision pages throughout, dated variously between 10/22/58 and 11/3/58. Pages Near Fine, wrapper Near Fine, bound with three gold brads.

Script Format, reprint. Condition: As New. / 1942 DRAFT / DIRECTOR MICHAEL ORTIZ, PRODUCER HAL WALLIS / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Vintage reference photograph from the 1944 film, showing cast and crew members, including director Frank Capra and actors Cary Grant, Priscilla Lane, Jean Adair, and Raymond Massey, posed together at what appears to be a wrap party. From the archive of film historian and author Joel Finler. Capra's beloved, classic rendition of the 1939 Joseph Kesselring play, today considered a high point in Cary Grant's career. Production on the film ended in 1941, only a few days after the United States entered World War II, though the film's release would be delayed until 1944 due to a contractual obligation with the Broadway show. Capra applied for a commission with the Signal Corps, and would make no further commercial films until his discharge, beginning with 1946's "It's a Wonderful Life." Set in Brooklyn. 10 x 8 inches, with wide margins (image measuring 4.5 x 3.75 inches). Very Good, with moderate wear on the margin and a two inch closed tear on the right edge. Byrge and Miller, The Screwball Comedy Films.