Joseph Cipolla (18 results)

Condition: Good. Joseph Cipolla; Wendy Cipolla (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Very Good. Joseph Cipolla; Wendy Cipolla (illustrator). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: As New. Joseph Cipolla; Wendy Cipolla (illustrator). Like New condition. A near perfect copy that may have very minor cosmetic defects.

Condition: Good. Joseph Cipolla; Wendy Cipolla (illustrator). Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Good. Joseph Cipolla; Wendy Cipolla (illustrator). Good Condition. Gift inscription inside cover. Five star seller - Buy with confidence!

Condition: Good. Joseph Cipolla; Wendy Cipolla (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Mass Market Paperback. Condition: Very Good. 'The Iron Forge' by Joseph Wright of Derby (Cover Illustration) (illustrator). 1st Published in This Edition: 1973. 477 pp. Vol. 4, Part 2 issue only! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Moderate browning, tanning, foxing or discoloration on page edges, not affecting text.

Mass Market Paperback. Condition: Very Good. 'The Iron Forge' by Joseph Wright of Derby (Cover Illustration) (illustrator). 1st Published in This Edition: 1973. 368 pp. Vol. 4, Part 1 issue only! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Moderate browning, tanning, foxing or discoloration on page edges, not affecting text.

Condition: good. Joseph Cipolla; Wendy Cipolla (illustrator). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Brand New. paperback edition. 136 pages. 8.90x6.00x0.40 inches. In Stock.

Condition: Fine. Original flat backed colour illustrated souvenir theatre brochure programme. 11½'' x 8¼''. Contains 64 pages with colour plates and photographs of the characters from the production. In Fine condition. Member of the P.B.F.A. BALLET & BALLERINAS.

Condition: New. In.

PF. Condition: New.

Condition: New.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Computer vision has been successful in several important applications recently. Vision techniques can now be used to build very good models of buildings from pictures quickly and easily, to overlay operation planning data on a neuros- geon's view of a patient, and to recognise some of the gestures a user makes to a computer. Object recognition remains a very di cult problem, however. The key questions to understand in recognition seem to be: (1) how objects should be represented and (2) how to manage the line of reasoning that stretches from image data to object identity. An important part of the process of recognition { perhaps, almost all of it { involves assembling bits of image information into helpful groups. There is a wide variety of possible criteria by which these groups could be established { a set of edge points that has a symmetry could be one useful group; others might be a collection of pixels shaded in a particular way, or a set of pixels with coherent colour or texture. Discussing this process of grouping requires a detailed understanding of the relationship between what is seen in the image and what is actually out there in the world.

Taschenbuch. Condition: Neu. Shape, Contour and Grouping in Computer Vision | David A. Forsyth (u. a.) | Taschenbuch | viii | Englisch | 1999 | Springer | EAN 9783540667223 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Computer vision has been successful in several important applications recently. Vision techniques can now be used to build very good models of buildings from pictures quickly and easily, to overlay operation planning data on a neuros- geon's view of a patient, and to recognise some of the gestures a user makes to a computer. Object recognition remains a very di cult problem, however. The key questions to understand in recognition seem to be: (1) how objects should be represented and (2) how to manage the line of reasoning that stretches from image data to object identity. An important part of the process of recognition { perhaps, almost all of it { involves assembling bits of image information into helpful groups. There is a wide variety of possible criteria by which these groups could be established { a set of edge points that has a symmetry could be one useful group; others might be a collection of pixels shaded in a particular way, or a set of pixels with coherent colour or texture. Discussing this process of grouping requires a detailed understanding of the relationship between what is seen in the image and what is actually out there in the world. 364 pp. Englisch.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Computer vision has been successful in several important applications recently. Vision techniques can now be used to build very good models of buildings from pictures quickly and easily, to overlay operation planning data on a neuros- geon¿s view of a patient, and to recognise some of the gestures a user makes to a computer. Object recognition remains a very di cult problem, however. The key questions to understand in recognition seem to be: (1) how objects should be represented and (2) how to manage the line of reasoning that stretches from image data to object identity. An important part of the process of recognition { perhaps, almost all of it { involves assembling bits of image information into helpful groups. There is a wide variety of possible criteria by which these groups could be established { a set of edge points that has a symmetry could be one useful group; others might be a collection of pixels shaded in a particular way, or a set of pixels with coherent colour or texture. Discussing this process of grouping requires a detailed understanding of the relationship between what is seen in the image and what is actually out there in the world.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 364 pp. Englisch.