Jong Jacqueline De Ed (7 results)

Paperback. Condition: Good. Marked in pencil throughout, with some highlighting in the final pages. A page has been torn to replace the battery, which may or may not have been successful. A fascinating book that allegedly "never stops making music".

Hardcover. Condition: Fine. 1st Edition. Cloth covered boards with dust jacket, 167 pages : illustrations (chiefly in color) ; 29 cm. Very good/fine in a very good/fine dj, clean, no internal marks. Text in Dutch and English; some contributions are in French and German.

Hardcover. Condition: New.

Softcover. Condition: Near fine condition. First edition. Quartos. Original illustrated stiff wraps with lettering in variant colors on covers, protected by modern mylar. The Situationist International (SI) was formed by a group of international social revolutionaries from a variety of fields, including avant-garde artists, intellectuals, and political theorists in 1957. The theoretical foundation was derived from so-called libertarian Marxism and avant-garde art movements like Dada and Surrealism. Its theoretical underpinnings relate to the concept of the spectacle as it was developed by Guy Debord in his book "The Society of the Spectacle." Jacqueline de Jong, a Dutch artist and graphic designer, had joined the movement in 1960 and advanced quickly into its Central Committee. She decided to start "a completely free magazine, based on the most creative of the Situationist ideas," and published the first issue in 1962, a broad representation of the movement and its efforts to synthesize the diverse fields and theoretical disciplines into a comprehensive critique of advanced capitalism. Six issues of the magazine were published until 1967 before the student uprising of May 1968, leaving the seventh issue compiled but unpublished. The first two issues were co-edited by the French pataphysician Noël Arnaud. The magazines contained literary contributions, artwork, found objects and used quotations relating to such issues as topology, politics and "spectacle culture." It was originally released in offset print and starting with issue # 4 switching to full color lithography, printed to different quality paper of variant color and weight with text in English, French and German. Issue one: 30 leaves. Includes an essay by Noel Arnaud, an extensive certified transcript of the Criminal Court in Munich relating to accusations of production and distribution of lewd writings in the magazine "Spur" and public slander against Dieter Kunzelmann, Helmut Sturm, Heimrad Prem and Hans-Peter Zimmer, including facts of the case and an answer of the court, comics by R. Gasché and others, a Proclamation for L'Internationale Situationiste! and other contributions. Small strip of sunning along top and foredge. Issue two: 32 leaves, two folding. Includes a declaration concerning the conviction and imprisonment of the Situationist Uwe Lausen, various contributions relating to the trial mentioned in issue one, including the verdict and a reaction to the trial by Rodolphe Gasché, artwork by Gail Singer and others, a musical concept on two folding pages, poetry by Marcel and Gabriel Piqueray, among other contributions. Issue three (International British Edition): 48 leaves. Includes an essay by Anton Ehrenzweig "Meditations on the Future of Art," artwork by Ann Hagen, an extensive contribution on the patterns of Situological Aspects found in a) the "Early Christian monuments in Scotland and b) the "Principles of topological psychology" by Kurt Lewin, with a mathematical (analysis situs) introduction by Max Brucaille, and other contributions. Some light staining on front cover. Issue four: 184pp. Focusing on labyrinths this issue includes contributions Lech Tomaszewski, by Italian artist Piero Simondo, the Max Bucaille, W. Lietzmann, H. L. C. Jaffé, the Dutch architect Aldo van Eyck, Lars-Ivar Ringbom, Julius Schwabe, Gaston Bachelard, Kalevalla (A Finnish Myth), and Franz Kafka (An Imperial Message) and James Joyce, among other contributions. Profusely illustrated with drawings and photographs throughout. Issue five: 110 leaves. Articles by Asger Jorn "Mind and sense" and "Art and Orders," various contributions by Max Bucaille, excerpts from the opera "The Labyrinth" by Jim Ryan, "Kreisen, Kreissegmenten und Wellenlinien etc." by F. van der Waals, "Some mathematical aspects" by H. C. Doets, drawings and poems by Karl Pelgrom and Jim Ryan, and many other contributions. Editor's note at rear: "In this No. of the Situationist Times (5) do we try to open up the problem of the ring, interlaced rings and consequently, ch. …

Condition: Gut. 220 Seiten, mit zahlreichen Abbildungen. Schutzumschlag mit leichen Gebrauchsspuren und 2 kleinen Randläsuren, ansonsten gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1950 28 x 22 cm, Broschur mit Schutzumschlag.

Jacqueline de Jong, Paris 1967. 33 original litographies. Publisher's litographed wrappers. * Among artists represented with original litographs are Pierre Alechinsky, Asger Jorn, Wifredo Lam, Roberto Matta, Hannes Postma, Antonio Saura and Arne Haugen-Sørensen. ** Printed in 2000 copies plus 500 hors commerce.…

A rare complete run of The Situationist Times. It was edited by Dutch artist Jacqueline de Jong after her resignation from the Situationist International, a group of left-wing artists and activists whose practices were designed to disrupt the systems of late-stage capitalism. Issues 1 through 3 were issued in an edition of 1,000 copies; later issues expanded to 2,000. The Situationist International was established in 1957, but by the early 1960s the group had descended into factionalism. The expulsion of the German and Scandinavian sections (Gruppe SPUR and the "Nashists") in 1962 left the official SI consisting almost exclusively of the Franco-Belgian section with Guy Debord as de facto leader. Jacqueline de Jong was a member of Gruppe Spur from 1959 and joined the SI in 1960. She quickly rose to become a member of the central council. When Gruppe Spur were expelled, she resigned in protest over the increasing factionalism of the movement. The first issue of the Situationist Times criticizes the expulsion of Gruppe Spur and documents the expulsion of the "Nashists". Where the SI had aimed for a consistent line, the Situationist Times reported on and published work across dividing lines. Jong's publication strove to reflect and nurture the relationships between the like-minded artists, theorists, and activists of SI's fragmented community. Issue 6 is a luxurious publication, comprised entirely of 33 lithographs produced by SI artists, including Pierre Alechinsky, Lourdes Castro, Asger Jorn, Roberto Matta, and others. This run is from the collection of Tjeerd Deelstra, an architect, urban planner, and important collector of avant-garde art who co-founded the Dutch Society of Ecologists and established the International Institute for the Urban Environment. Loosely inserted into the first issue is a returned typed postcard signed by Deelstra, dated 23 September 1963, requesting information about subscribing to the Situationist Times. McKenzie Wark, The Beach Beneath the Street: the Everyday Life and Glorious Times of the Situationist International, 2011. 6 vols, quarto. Text in German, French, and English. Illustrated in black and white throughout, vol. 6 printed in colour lithography. Original variously coloured wrappers, contents of issues 1, 2, and 6 printed on coloured paper. Loosely inserted postcard from Tjeerd Deelstra, Gasthuislaan 75A, Delft, Pays-Bas, dated 23 September 1963, stamped and franked from the Netherlands, addressed to the International Situationist Times, 18 rue Mesnil, Paris 16e. A little rubbing and creasing to extremities, issues 1 & 2 sunned at edges, short closed tear at head of front cover of issue 4, shallow chip to head of rear cover of issue 5: a near-fine set.…