Jon Kee Robert (2 results)

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Essays "Books: J. Hoberman on 'Mad' Magazine's Early Imitators," by J. Hoberman; "Film: Michael Wood on Grant Gee's 'Patience (After Sebald),'" by Michael Wood; "News: Elizabeth Schambelan talks with Curator Carolyn Christov-Bakargiev About Documenta 13," by Elizabeth Schambelan; "Slant: Ken Okiishi on Forrest Bess," by Ken Okiishi; "Slant: Elizabeth Mangini on Arte Povera in Naples," by Elizabeth Mangini; "Top Ten," by Adriana Lara; "Summer 2012 Exhibitions: 45 Shows Worldwide"; "Graham Bader on 'Roy Lichtenstein: A Retrospective,'" by Graham Bader; "Image of the People: Mike Kelley (1954-2012)," by Ann Goldstein, Michael Smith, Tony Oursler, Paul McCarthy, Jim Shaw, and Kim Gordon; "Magnificent Obsession: The Films of Werner Schroeter," by James Quandt; "False Front: The Art of Ming Wong," by Joan Kee; "A Room of Their Own: Three Views on the Whitney Biennial," by David Rimanelli, Amy Taubin, and David Velasco; "1000 Words: Kraftwerk," by Michelle Kuo; "After Effects: The Art of Anja Kirschner and David Panos," by Martin Herbert; "Openings: Dave Miko," by Sam Pulitzer. Reviews by Thomas Crow, Suzanne Cotter, Adam Szymczyk, T.J. Demos, Jeffrey Kastner, Robert Pincus-Witten, Barry Schwabsky, Frances Richard, Johanna Burton, David Frankel, Suzanne Hudson, Donald Kuspit, Joshua Decter, Michael Wilson, Lauren O'Neill-Butler, Emily Hall, Brian Sholis, Sam Pulitzer, Eva Diaz, Nuit Banai, Nick Stillman, Joan Kee, Jan Tumlir, Catherine Taft, Gareth James, Sherman Sam, Steven Cairns, Claire Moulène, John Beeson, Daniela Stöppel, Hans Rudolf Reust, Quinn Latimer, Marco Meneguzzo, Gianfranco Baruchello, Alessandra Pioselli, Saskia van der Kroef, Filipa Oliveira, Midori Matsui, Ronald Jones, Zehra Jumabhoy, Anthony Byrt, and Jon Bywater. Cover: Mike Kelley.…

[Genève], Editions Pierre Cailler, s.d. Un vol. au format pt in-4 (228 x 192 mm) de 154 pp., broché, sous jaquette en couleurs. Edition originale. Elle s'agrémente - en regard du faux-titre - d'un bel envoi autographe signé de Robert Jon-Kee. Abondante iconographie (vignettes contrecollées, la plupart en couleurs). ''?On m'a souvent demandé pourquoi certains de mes tableaux font penser à Matisse, d'autres à Bonnard. Je n'ai jamais désiré faire mon apprentissage auprès d'aucun maître occidental ou oriental (Liu Haisu et mes professeurs Chinois à Shanghai mis à part) Mon v?u fut d'être purement moi-même.? Bandeau à parution conservé. Coiffe supérieure de la jaquette légèrement élimée. Du reste, très belle condition.…