Joline Blais (14 results)

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: New. Pap. New copy.

Hardcover. Condition: Near Fine. 1st. Pictorial boards, 256 pages, colour illustrations; 23 cm. Near fine. Gently browsed, clean copy. Richly illustrated with colour plates. *** "A dizzying array of artworks by over fifty creators, illustrated in a dynamic design that challenges conventional art publications. Desktop computer technology and the Internet have opened up new possibilities for artistic creation, distribution, and appreciation. But in addition to projects that might conventionally be described as new-media art, there is now a wide spectrum of work-unclassified until this book-by practitioners not normally thought of as 'artists.' Engineers, software programmers, biologists, and architects, among others, are producing work on the Internet that can only be described as 'art.' Or can it? As rapid technological and scientific advances raise new cultural, ethical, and moral issues, while the white walls of the conventional museum or gallery seem to be straitjacketing cultural development, Joline Blais and Jon Ippolito confront our definition of art. The book explores six strands of creation: Code as Muse: new artistic possibilities opened up by computer programming; Deep Play: new narrative forms and aesthetics of computer games; Autobotography: the rise of Webcam-based performance art; Designing Politics: seemingly real Web sites, used to subvert commercial and political enterprise;Preserving Artificial Life: a new biology established via human-engineered viruses and other digital life-forms; and Reweaving Community: the emergence of an online art world whose fugitive existence resists definition. Over 350 full-color illustrations." - Publisher. *** CONTENTS: Introduction; Code as muse; Deep play; Autobotography; Designing politics; Reweaving community; Preserving artificial life; Redefining art. Size: 8vo. Collectible.…

Wrappers. Condition: Very Good. 24 pages. Oblong format softcover, staple bound with stiff printed paper covers. Slight wear to the edges, with some light creases to both right edges of the front cover. Binding remains solid, with a clean interior free of markings. Published in conjunction with the three person exhibition of the works of Jon Ippolito, Janet Cohen, and Keith Frank, held in New York from March 17-April 12, 1997.…

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: New. Satisfaction Guaranteed or your money back.

Thames & Hudson, London 2006. 8vo. 256 pages. Illustrations in b/w and colour. Orig. boards. A few light dents to the edges. Very good.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

1st edition pictorial boards New book quarto 256pp., col. & b/w pls. & ills., glossary, index.

Hardcover. Condition: New. A dizzying array of artworks by over fifty creators, illustrated in a dynamic design that challenges conventional art publications.Desktop computer technology and the Internet have opened up new possibilities for artistic creation, distribution, and appreciation. But in addition to projects that might conventionally be described as new-media art, there is now a wide spectrum of workâ"unclassified until this bookâ"by practitioners not normally thought of as "artists." Engineers, software programmers, biologists, and architects, among others, are producing work on the Internet that can only be described as "art." Or can it?As rapid technological and scientific advances raise new cultural, ethical, and moral issues, while the white walls of the conventional museum or gallery seem to be straitjacketing cultural development, Joline Blais and Jon Ippolito confront our definition of art. The book explores six strands of creation:⢠Code as Muse: new artistic possibilities opened up by computer programming⢠Deep Play: new narrative forms and aesthetics of computer games⢠Autobotography: the rise of Webcam-based performance art⢠Designing Politics: seemingly real Web sites, used to subvert commercial and political enterprise⢠Preserving Artificial Life: a new biology established via human-engineered viruses and other digital life-forms⢠Reweaving Community: the emergence of an online art world whose fugitive existence resists definition.Over 350 color illustrations.…