Johnson Edward Introduction By (17 results)

Paperback. Condition: Very Good. Very good paperback with May Johnson's introduction. Light sunning at edges, previous owner's name on front endpaper, minor shelfwear. Spine is uncreased, binding tight and sturdy, text and artwork also very good.

Hardcover. Condition: Very Good - Cash. Lighter surface and edge wear to the cover. The corners have been lightly bumped. Discoloration to the spine. Pages show light reader wear. Still in great condition! The binding is tight and pages are secure. Slipcase has general shelf and use wear. Discoloration to the slipcase. The corners have been bumped and the boards are beginning to show in the corners. Stock photos may not look exactly like the book. …

unknown_binding. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Good/NO DUSTJACKET. New York, NY: H. W. Wilson Company. Good/NO DUSTJACKET. 1947. . Hardcover. Sm 4to., 751 p.p., Shelf lean; cracked inner hinge; shelf wear; spine sunned; page edges foxed; edges of cover rubbed; back free-end paper and pastedown has some spotting; pages clean and unmarked. . Black & White Photographs (illustrator).…

Cloth. Condition: Good. 8vo, 373 pp., b/w plates. From the library of poet and critic Elder Olson, with his ownership signature. Covers rubbed and darkened, page edges tanned, light soiling to page edges and endpapers, previous owner name, scattered pencil marks in text.

Condition: Very Good. Book is in very good condition with slipcover. The slipcover shows wear from shelving and the spine of the book is faded. But the book inside is in excellent condition.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. First Thus. Hardcover. Book Condition: Near Fine.Light fading to spine. Dust Jacket Condition: Slip cased. Minor rubbing and bumping. Includes Sndglass. Kurt Craemer (illustrator).

Hardcover. Condition: Fine. No Jacket. New York: Heritage Press (1957). Introduction by Edgar Johnson & illustrations by Kurt Craemer. Hardcover in fine condition. Spine tanning. An otherwise clean, tight copy. Comes with slipcover with some fading and shelfwear, but in very good condition. Shipped in well-padded box. Smoke-free shop.…

Hardcover. Condition: Fine. No Jacket. 1st Edition, Limited Edition. This volume is in Fine condition. The front and back covers are both in terrific condition and the gilded page edges show minor wear (see pictures of all edges). There is light residue on the second page. A blank bookplate is included. This book is part of the Library of Famous Editions Collection published by Easton Press. It comes complete with Collector's Notes and would be a beautiful addition to your Easton Press collection. Kurt Craemer (illustrator).…

Hardback. Condition: VG-. No DW. 1st Edition. Three library marks to verso title page BUT no other library marks. Owner's bookplate on front end paper which has a small hole and a chip. Ingernally in very good condition BUT corners bumped and spine a bit worn. Text edges a bit dust soiled. SPECIAL POSTAL RATES APPLY Packed weight. 1800g.…

Full-Leather. Condition: As New. First Edition. Easton Press Collector's Edition in gilt-stamped & decorated full dark red leather with 3 raised spine hubs, part of Easton's Library of Famous Editions with the striking illustrations of Kurt Craemer, 1st Printing Thus, Notes from the Archives pamphlet laid in, moire fabric endsheets, satin ribbon marker bound-in, all page edges gilt, bookplate to first white page (filled in), a Fine unread copy; lg 8vo; (xxi) 513pp illus.…

Audio Book (Cassette). Condition: Near Fine. First Edition. 373 Pp. Beige Cloth Stamped In Gilt And Brown. First Printing, With 1891 Date On Title Page. Spine And Cover Gilt Brilliant, Very Clean, Spine With A Little Even Aging, Points Of Fraying At Tips, Hinges Tight. An Attractive Example. Plates (illustrator).…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First edition. First of this edition, 1939. 925 copies printed at the Spiral Press. Tall handsome 8vo. Brown paper over boards, linen weave spine with paper label. Deckle edge. Very good dust jacket, unclipped.

Hardcover. Dust Jacket Condition: Very good. xiv, 290 pp. LCC: 9750590 Very good condition; touches of wear on bottom edges of covers; on inside surface of cover: a few bands of color leaking from board through to paper.

Hardcover. Condition: Excellent condition. vii, 464 pp. LCC: 2009010005.

Hard Cover. No Jacket. First Edition. Hard Cover. No Jacket. First Edition. HBNODJ Issued, 1888, 1st edition, Interior Nice, Tight Clean with few brown stains from paper & minor Wear to some pgs edges, 273 pgs + ads, Brown cloth with spine label, VG/VG,AS-IS, NODJ, Cover minor Wear & tiny chips Extremities, Each pg red marginal border, book is protected with clear wrapping, SMALL 4 1/2 X 5 3/4 IN APPROX.…

The Limited Editions Club signed limited edition of Bulwer-Lytton's most celebrated work, a classic of historical fiction and the basis for the 1935 Hollywood film of the same name directed by Ernest B. Schoedsack and Merian C. Cooper. Quarto, bound in full crushed levant morocco by Sangorski & Sutcliffe with gilt titles and ruling to the spine in six compartments within raised gilt bands, gilt ruling to the front and rear panel, gilt-ruled turn-ins and inner dentelles stamp-signed by Sangorski & Sutcliffe, marbled endpapers, top edge gilt with others untrimmed,Âillustrated by Kurt Craemer.ÂOne of fifteen hundred numbered copies signed by the printer and the illustrator on the colophon, this is number 511. In fine condition. First published in 1834, Edward Bulwer-Lyttonâs The Last Days of Pompeii emerged at a time of growing British interest in classical antiquity, fueled by ongoing archaeological excavations in southern Italy and the broader cultural authority of Greco-Roman history in Victorian education and aesthetics. Drawing on contemporary reports of discoveries at Pompeii and Herculaneum, Bulwer-Lytton constructed a fictional narrative set in the final days of the Roman city. The novel juxtaposed Roman polytheism with early Christianity, reflecting dominant Victorian concerns with moral decline, religious transformation, and civilizational decay. While primarily a work of imaginative reconstruction, it also aligned with mid-nineteenth-century literary efforts to interpret the ancient world in terms legible to modern readers. The work served as the basis for multiple film adaptations, particularly in the early and mid-20th century. The most notable is the 1935 Hollywood film The Last Days of Pompeii, directed by Ernest B. Schoedsack and Merian C. Cooper (who also directed King Kong). …