John Szarkowski Editor (30 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Oversized Hardcover. Condition: Good.

48 pages, illustrated. Front cover slightly dust soiled otherwise a clean, unmarked, complete good paperback book in decorative wrappers (soft cover book).

softcover. Condition: Very Good. Orginal Wrapper.

softcover. Condition: Collectible; Very Good. First Edition; First Printing. Numerous full page plates by Ansel Adams, Harry Callahan, Paul Caponigro, Timothy H. O'Sullivan, Eliot Porter, Kosti Ruohomaa, Edward Steichen, Alfred Stieglitz, Paul Strand, Paul Vanderbilt, Edward Weston and others. ; Tight, clean and crisp. A touch of shelf/edge wear, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library. …

48pp. 37 illus. Sm. oblong 4to. Wraps.

Softcover. Condition: Very Good. First Edition. First edition. Very good paperback. First edition. Pages are clean. Cover lightly yellowed.

Second printing. Small oblong softcover. 48 pages. Edited by and with an essay by John Szarkowski. Exhibition catalog that focuses on how various photographers viewed the American landscape ranging from T.H. O'Sullivan and Ansel Adams to Edward Weston and Paul Caponigro, Art Sinsabaugh and many others. There are also brief biographical entries about the various photographers in the back of the book. A near fine copy in photo-illustrated wrappers with some very minor wear.…

softcover. Condition: Collectible; Like New. First Edition; First Printing. As New. ; Numerous full page plates by Ansel Adams, Harry Callahan, Paul Caponigro, Timothy H. O'Sullivan, Eliot Porter, Kosti Ruohomaa, Edward Steichen, Alfred Stieglitz, Paul Strand, Paul Vanderbilt, Edward Weston and others. ; Tight, clean and crisp. A faint hint of shelf wear, otherwise As New. No inscriptions. No remainder mark. Not ex-library. As New.…

Soft cover. Condition: Near Fine. 1st Edition. Short horizontal crease close to spine on rear panel. Moderately age mellowed.

First Edition. First edition. Softcover. September 1962 issue of this terrific photography magazine. Features Nat Herz's interview of the then new Director of Photography at The Museum of Modern Art, John Szarkowski. Also includes Ralph Hattersley's reviews of Szarkowski's book "The Face of Minnesota" and Ezra Stoller's review of his book "The Idea of Louis Sullivan. Also features some black and white nudes of Pamela Perry by John Rawlings Harold Halma and Hattersley. A near fine stapled wrappers with a printed mailing address on the front panel and some other light wear.…

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition. Black boards. Black & white plate mounted to the front board. The upper corners and spine ends are bumped. The black dust jacket is rubbed but otherwise only very minimal wear. No chips or tears. Publisher's price sticker to the front flap. ; 4to 11" - 13" tall.…

Paperback. Condition: Very Good.

Condition: Very Good. None. 120 pages. Illustrated with full color and black & white photographs by: Robert Burley, Lee Friedlander and Geoffrey James. Clean, tight copy. Record # 607782.

First edition. 8vo., 143 - 182 pp., b&w photographs. Pictorial stiff wrappers. The wrappers have a few shallow creases and light soil; the original owner has written a three line comment on the inside of the front cover. Very good. The entire issue is titled "SUBSTANCE AND SPIRIT OF ARCHITECTURAL PHOTOGRAPHY", and contains images by: Morley Baer, Alvin Langdon Coburn, Edward Weston, Frederick Evans, Lewis Hine, Minor White, Aaron Siskind, John Szarkowski, and others. Cover illustrations by Minor White and Ansel Adams. Szarkowski, John (illustrator).…

First edition. 8vo., 143 - 182 pp., b&w photographs. Pictorial stiff wrappers. The lower corner is damp-wrinkled. Very good. The entire issue is titled "SUBSTANCE AND SPIRIT OF ARCHITECTURAL PHOTOGRAPHY", and contains images by: Morley Baer, Alvin Langdon Coburn, Edward Weston, Frederick Evans, Lewis Hine, Minor White, Aaron Siskind, John Szarkowski, and others. Cover illustrations by Minor White and Ansel Adams. Szarkowski, John (illustrator). …

Paperback. Condition: Very Good. Second Printing . Contents in very good condition, clean and bright contents, illustrated wraps in good condition, some shelf wear, corner of spine rubbed.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st edition. 1st edition, 1976. A Very Good book in a Very Good dust jacket. SIGNED by Callahan on half title page. 4to., 201 pp., bound in publishers black cloth with glossy black dust jacket, $30.00. Jacket lightly rubbed, a closed tear to top rear corner Binding solid, heavy foxing to text block edge; text clean / unmarked.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition (stated), 1996. Slight bump to on corner of the binding otherwise a very fine copy. International shipping may require added postage charges.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Extremely slight and minor bumps to a couple of corners otherwise a very fine copy. Still in the publisher's unopened original shrinkwrap. Likely a First Edition. International shipping may require added postage charges.

Hardcover. First American Edition. Quarto, 83 pages. In Very Good condition with a Very Good dust jacket. Spine black with red and white lettering. Dust jacket protected in mylar covering. Minor shelf wear. Scuffing to rear cover. Textblock clean. Features full-page photographs throughout. Shelved in Case 11. 1378311. Shelved Dupont Bookstore.…

Hardcover. Condition: Fine. Dust Jacket Condition: None, As Issued. 1st Edition. 1st Printing. 112 pages. Published in 1976. Landmark collection of color photographs. One of the greatest art photography books of the 20th century. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the 2002 and 2011 Reissued Editions, which are themselves available in multiple subsequent printings. The First Edition is now rare. A brilliant production by Carl Laanes: Oversize-volume format. Black "pebbled" leatherette boards with a photographic reproduction pasted in front and gilt titles embossed on the cover and spine, as issued. Photographs by William Eggleston. Essay by John Szarkowski, one of the seminal essays on photography, not just Eggleston, ever written. Printed on pristine-white, glossy stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the retrospective exhibition of the same apt name held at Museum of Modern Art (MOMA) in 1976. Presents "William Eggleston's Guide". The ground-breaking and influential distillation of his pioneering work. Despite the ensuing controversy, the first all-color photography exhibition of the images in this volume achieved two things almost overnight: It immediately established Eggleston's reputation as the most important photographer working primarily in color (after initially and intermittently working in black-and-white). It also made color itself a now-widely-accepted medium for serious art photography (no mean feat at the time precisely because color, having become the dominant choice, commercially and vernacularly, since its invention was thereby largely ignored as facile by serious photographers). Like a prodigiously talented writer who needed a great editor to give his work shape, phrasing, and rhythm, Eggleston needed John Szarkowski, who deserves credit for being the book's full-fledged collaborator. He worked with Eggleston to edit 375 images down to 75 for the exhibition and 48 for the book. Color remains a significant artistic challenge to this day: Your eyes "de-focus", do not know - despite what you think - what to look for in a color photograph, especially a bad one. Every image in color is inherently "all over the place", distracted, as it were, rather than focussed. Eggleston, as described by Szarkowski, shows that to be an effective colorist, one must, intuitively or consciously, use color as a formal element, that is, be a formalist. The work of a brilliant contemporary photographer like Alec Soth is contained, not just implied, in this Guide, and not just because of their shared subject matter. "At once ordinary and spectacular, they look like someone's not particularly interesting snapshots until their matter-of-fact gorgeousness kicks in" (Vince Aletti). An absolute "must-have" title for William Eggleston collectors. This title is a great art photography book. This is one of few copies of the 1976 First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Precedes and should NOT be confused with the 2002 and 2011 Reissued Editions, which are themselves available in multiple subsequent printings. Copies available online have very serious flaws ("bowed", "slanted", "skewed", and so on) yet command hundreds of dollars. This is surely an accessible and lovely alternative. A rare copy thus. 48 color plates. "William Eggleston's Guide" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of our time. A fine collectible copy. (SEE ALSO OTHER WILLIAM EGGLESTON TITLES IN OUR CATALOG) ISBN 0870703781. no.…

Condition: Good. 8vo. [ca. 50 pp.], Oblong Soft Cover, Good, Ex-Library, Wear, Discoloration Toning. B&W Plates. First Edition.San Francisco Museum of Art Library Embossed Stamp on Cover.Provenance: Richard A. Lorenz (1952-2001), author, art conservator,curator and director of the San FranciscoRegional Art Conservation Center. As a trustee of The ImogenCunningham Trust , Mr. Lorenz organized and curatedexhibitions of Cunningham's photographs and authored four major books onthe photographer.…

First Edition. First Printing, cloth issue. Quarto (31.25cm); full black cloth, titled in silver, with a black & white photo inset onto the center of the front cover; [6],7-201,[3]pp; chiefly illus. Slightly musty from long storage, else very Near Fine, without dustjacket, as issued. Special Museum Edition of this monograph published on the occasion of a major exhibition of Harry Callahan's photographs, held at the Museum of Modern Art from December 2, 1976 to February 8, 1977. 81624.…

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 4to. 18 pp. + 34 b/w photo plates. 4th printing. The preliminary text includes a preface by Friedlander, describing his discovery of Bellocq's plates and his restoration project, as well as notes from a roundtable discussion about Bellocq that includes Friedlander and numerous New Orleans musicians, photographers, and one of Bellocq's models. Ships fast with tracking.…

dj. First Edition. First edition and first printing. Hardcover. The now classic book of 34 photographs of prostitutes from New Orleans' Red-Light District. Edited by John Szarkowski. Features a preface by photographer Lee Friedlander who also was the printer of these images. A clean near fine copy in cloth boards with photographer Robert Stiegler's signature to the front pastedown and in a near fine dust jacket with some light rubbing and wear. A pleasing copy with a nice provenance.…

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good+. First Edition; First Printing. First edition. Fine in very good+ dust jacket. (Light shelf-wear to jacket with couple tiny chips at base of front panel. Short tears & rubbing to jacket. ) (65pp. ) (9 1/2" X 11 1/4") 34 plates printed by meriden gravure. ; 9 1/2" x 11 1/4"; 65 pages.…

Paperback. Condition: As New.

Hardcover. Condition: Fine. Dust Jacket Condition: fine. First Edition. Quarto, illustrated. A fine copy in a fine dust jacket Inscribed by Harry Callahan to photographer/publisher Jonathan Williams "To Jonathan Atlanta 4/23/84 Harry Callahan".