Language: English
Published by Oxmoor House, Birmingham, AL, 1978
ISBN 10: 0848704916 ISBN 13: 9780848704919
Seller: Village Booksmith, Hudson Falls, NY, U.S.A.
First Edition
Hard Cover. Condition: Very Good. Dust Jacket Condition: Good. First Printing. 205 pages. Dust jacket has a couple of chips. Size: 4to - over 9¾" - 12" tall.
Language: English
Published by Childrens Museum of Oak Ridge, Oak Ridge, Tennessee, U.S.A., 1982
ISBN 10: 0960683208 ISBN 13: 9780960683208
Seller: Reader's Corner, Inc., Raleigh, NC, U.S.A.
First Edition
Cloth. Condition: Very Good. Dust Jacket Condition: No DJ. First Edition. Teeth marks at the lower front corner, otherwise a near fine hardcover first edition copy in gray cloth binding, no DJ. Color map endpapers. MEDIA SHIPPING ONLY.
Published by Neighbor Lady Community Arts Project, Oakland, 2002
Softcover. Condition: Fine. Neighbor Lady Community Arts Project (Oakland) , magazine, paperback about 7¾x10, Fine, 110 pages, unmarked. POP CULTURE. ; E2835 / OVRA4 & OVRB9; Large 8vo 9" - 10" tall; 110 pages.
Language: English
Published by University of Arizona Press, 2016
ISBN 10: 0816509441 ISBN 13: 9780816509447
Seller: zenosbooks, San Francisco, CA, U.S.A.
First Edition
paperback. Condition: Very Good in Wrappers. No Jacket. First Edition. Tucson. 2016. March 2016. University of Arizona Press. 1st American Edition. Very Good in Wrappers. 9780816509447. 6 x 9. 25 halftones, 3 line drawings. 256 pages. paperback. keywords: Native American Music Indigenous America. DESCRIPTION - Popular music compels, it entertains, and it has the power to attract and move audiences. With that in mind, the editors of Indigenous Pop showcase the contributions of American Indian musicians to popular forms of music, including jazz, blues, country-western, rock and roll, reggae, punk, and hip hop. From Joe Shunatona and the United States Indian Reservation Orchestra to Jim Pepper, from Buffy Saint-Marie to Robbie Robertson, from Joy Harjo to Lila Downs, Indigenous Pop vividly addresses the importance of Native musicians and popular musical genres, establishing their origins and discussing what they represent. Arranged both chronologically and according to popular generic forms, the book gives Indigenous pop a broad new meaning. In addition to examining the transitive influences of popular music on Indigenous expressive forms, the contributors also show ways that various genres have been shaped by what some have called the 'Red Roots' of American-originated musical styles. This recognition of mutual influence extends into the ways of understanding how music provides methodologies for living and survival. Each in-depth essay in the volume zeros in on a single genre and in so doing exposes the extraordinary whole of Native music. This book showcases the range of musical genres to which Native musicians have contributed and the unique ways in which their engagement advances the struggle for justice and continues age-old traditions of creative expression. inventory #42735.