Jed Distler (16 results)

Soft cover. Condition: Fine. The magazine is spotless and does not show any signs of wear or damage. It will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit. This issue includes: "Editorial"; "Letters" (Backhaus talks back, Mitropoulos's Mahler Seventh and more reissue requests); "Aksel Schiotz Unmasked" (Henrik Engelbrecht assesses the work of Aksel Schiotz, lyric tenor and national icon); "Great Danes of the Airwaves" (Lyndon Jenkins traces a path through more than six decades of recordings from the Danish State Radio Symphony Orchestra); "A Fiddler's Two Dozen" (Martin Anderson in conversation with the violinist Kai Laursen's widow about his life's work); "The Call of the North" (Robert Layton recalls how he first started record collecting and fell under Skandinavia's spell); "Seeking Haydn" (The history of the Haydn society of Boston, researched by Graham Silcock, reveals how one enthusiast was able to change the modern world's attitude to Haydn); "Les Six of the Piano" (Roger Nichols lends a critical ear to EMI's series of French pianists); "Two-channel Pathfinder" (Malcolm Walker interviews Roy Wallace, one of the Decca Record Company's stereo pioneers); "Music's Crucible" (The recordings of Queen's Hall survive, despite the loss of the building: Lewis Foreman reconstructs the hall's recorded history); "Record Player Care" (Advice from John Borwick on overhauling your record player and how to go about replacing components); "20th-century Rarities" (Jed Distler recalls a musical maverick and some American conductors); "Japanese Classics" (Sachio Moroishi looks back to a great decade for his country's music: the 1950s); "Russian Reissues" (Stephan Builtmann has news of a rediscovered violinist and two vintage pianists); "Collector News"; "New Releases"; "Book Reviews" (Reviews of EMI's centenary book Since Records Began and Priest of Music: The Life of Dimitri Mitropoulos); and "LP and CD Reviews".

Soft cover. Condition: Fine. Completely clean with no signs of wear or damage. It will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit. This issue includes: "Editorial"; "Letters" (Light shed on Romeo Cascarino, a Kubelik rarity unearthed and your reissue pleas aired); "Variations on an Enigma" (Nalen Anthoni explores the illustrious career of the pianist Wilhelm Backhaus); "The Koch Schwann Vienna State Opera Series" (Michael Tanner feasts on the 48-CD series and reports a few regrets but much to praise); "The Recording of Johannes Brahms" (Robert Matthew-Walker has painstakingly researched the events that led to the first ever recording by a composer); "The Art of Georges Thill" (Kenneth Morgan charts the recordings that punctuated the career of Thill, a French tenor non pareil); "The EMI Archives" (EMI's archive is now united for the first time in its history. Lyndon Jenkins paid it a visit); "Back to the Future" (EMI transfer engineer Andrew Walter demystifies the remastering process); "The Musical Legacy of a Vanished Land Part 2" (Graham Silcock concludes his study of the German Democratic Republic and asks why it was that the GDR's orchestras and choirs had such a distinctive sound); "The Birth of the Gramophone" (A portrait by Clara Louise Leslie, written in 1926, of the inventor of the gramophone, Emile Berliner); "Magnetic Tape Recording" (The advent of tape freed artists and engineers from the previous restrictions of recording. John Borwick traces its introduction); "Audio and the Record Collector -- Demonstration Discs" (John Borwick searches out some highly collectible demonstration LPs for the audiophile); "Capturing History" (Jed Distler on some rare recordings of the live broadcast performances--the ones that didn't get away); "A Quartet to Remember" (The Mari Iwamoto String Quartet; not a name familiar to Western ears but one, says Sachio Moroishi, worth following up); "Punk versus Kontrapunkt" (Stephan Bultmann surveys the German reissue market in the aftermath of recent industry upheavals); "Collector News" (Ward Marston goes solo; Naxos waxes historical); plus "New Releases" and "Reviews".

Condition: New. Brand New.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Softcover. Condition: near FINE. A near FINE bright tight copy!! , 1st Edition.

Soft Cover. Condition: Very Good.

Soft cover. Condition: Very Good. No Jacket. White pictorial soft covers; lightly tanned. Stapled text block tight; edges lightly tanned. Pages clean. Price sticker on front.

Condition: New. 1992. Paperback. . . . . .

Condition: New. 1992. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. 70 pages. 12.00x9.25x0.25 inches. In Stock.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: New. Distler, Jed, edKlappentextrnrnIncludes Sweet Lorraine, Ain t Misbehavin , Fine And Dandy, Shacked, Moonglow, and I Surrender Dear.

Taschenbuch. Condition: Neu. Neuware - Includes Sweet Lorraine, Ain't Misbehavin', Fine And Dandy, Shacked, Moonglow, and I Surrender Dear.

Taschenbuch. Condition: Neu. Art Tatum Jazz Masters: Jazz Masters Series | Jed Distler | Taschenbuch | Jazz Masters | Buch | Englisch | 1992 | Music Sales | EAN 9780825640858 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Condition: Neu. Neuware.