Jane Mayo Roos (65 results)

Paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. unmarked, light shelfwear-NICE Oversized.

Condition: Very Good. Very Good Condition. Has some wear. Five star seller - Buy with confidence.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. crisp clean w/light shelfwear/edgewear - NICE! - may have remainder mark Standard-sized.

Hardcover. Condition: USED Very Good.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Soft cover. Condition: Fine. large trade paperback in fine condition.

Hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condition: Good. 1st. 304 pages, illustrations (chiefly colour); 25 x 29 cm. Catalogue of an exhibition held at the Hayward Gallery, May 18 to August 28, 1995; Museum of Fine Arts, Boston, October 4, 1995 to January 14, 1996. Good+. Firm binding, with one spine crease. Clean inside copy. Light shelfwear to wraps, age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Impressions of France traces the development of the French painted landscape from 1860 to 1890, a period of dramatic artistic evolution. Taking as his context the Paris Salons - 'the central forum for the display of contemporary art in Paris, and the focus for discussions of the state of modern art' - John House explains how the Impressionist landscapes exhibited there both reflected, and forever changed, the cultural tastes of the age." - Publisher. *** CONTENTS: Introduction, by John House; Map of France; Framing the landscape, by John House; The public face of landscape, by Ann Dumas; Herbivores versus herbiphobes: landscape painting and the state, by Jane Mayo Roos; La France profonde, modernity and national identity, by James F. McMillan; Chronology; The catalogue; Artists' biographies, by Ann Dumas. Size: Oblong. …

Paperback. Condition: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condition: Good. Cambridge University Press, c.1996, 1st.trade paperbk.prtg., 8"x10", 300pp., VG- $.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 10.97 X 9.01 X 0.69 inches; 120 pages.

Paperback. Condition: Fine. 1st. 120 pages, illustrations (some colour); 27 cm. Exhibition held at the Los Angeles County Museum of Art, December 17, 1998 to March 15, 1999; and other venues. Firm binding, clean inside copy. *** "The death of the great poet-patriot Victor Hugo (1802-1885) stimulated the French government to transform the Pantheon in Paris into a republican hall of fame. It was to include a monument to Victor Hugo, who had carried the spirit of the French Revolution into the nineteenth century. The artist chosen was the master sculptor Auguste Rodin (1840-1917), who valued the commision above all others that he received. The story of the monument's development, which is compellingly told in this thoroughly researched catalogue, is a long and turbulent one, marked by political disagreement, the complex history of the Pantheon, and the drama of Rodin's relationships with his fellow artists and others. It was not until 1964 that the first bronze cast of Rodin's Monument to Victor Hugo was made, a majestic work based on the plaster that originated in 1897 and intended for a permanent setting at a busy street intersection in Paris. The same plaster group also served as the basis for the second bronze cast, commissioned in 1995 by the late B. Gerald Cantor, the pre-eminent collector and proponent of Rodin in the United States in the second half of the twentieth century. This major traveling exhibition and accompanying catalogue, both prepared by the Iris and B. Gerald Cantor Foundation as part of their ongoing mission to bring the work of Rodin to a broader public, present over twenty sculptures by the artist, as well as works on paper." - Publisher. *** CONTENTS: Rodin's Victor Hugo monument, by Ruth Butler; Rodin's Victor Hugo, by Jeanine Parisier Plottel; Steichen's choice, by Jane Mayo Roos. Size: 4to. Collectible.…

hardcover. Condition: Used; Like New. Dust Jacket Condition: Very Good. First Edition. New York, 1996; black cloth covered boards; mild spine edge wear; illustrated jacket with mild wear; 4to,9 3/4" to 12" tall; interior pages in like new condition; Interior is clean and unmarked; 300 pages.

Condition: Very Good. Dust Jacket Condition: Very Good. 120 pages. Illustrated with full color and black & white photographs. Dust jacket shows light wear along edges. Clean, tight copy. Record # 610707.

Paperback. Condition: Very Good. Merrell: London, 1999. Softcover. Book Condition: Very Good. Internal pages bright and clean, binding tight. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: New. No Dust Jacket. A new copy still in the original shrink wrap.

paperback. Condition: Near Fine. No Jacket. large paperback, pictorial card covers, a near fine tightly bound copy with a clean and unmarked text, illustrated, 120pp.

Soft cover. Condition: Very Good. 1st Edition. Hayward Gallery, London, 1995. Paperback. First edition, first printing. Frontispiece. Profusely illustrated throughout with colour plates. Landscapes of France: Impressionism and its Rivals exhibition leaflet loosely inserted. Spine slightly cocked. Spine and bottom corner of fore edge of front cover lightly creased. Overall, the book is in a very good condition. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. 1st Edition. Cambridge Univ. Press, 1996. First edition. Hardcover, 10-1/4 inches tall x 8-1/2 inches wide, xviii + 300 pp. including notes, bib and index, with dust jacket. This copy in overall very good condition. Clean, unmarked text. No tears, but one page is lightly creased. Sound, firm binding. No cracks or loose pages. Dust jacket just in fair condition because the flaps are creased/curled. Exterior of dust jacket OK (a little rubbed). This book was nicely printed on glossy paper. Many interesting illustrations. Dust jacket has one of them. More info and photo of my copy on request. …

Soft cover. Condition: Very Good. 1st Edition. 136 pp. b/w illustrations. Illustrated card wraps. Light rubbing and soiling. Very Good.

Condition: Good. Oblong, richly illustrated in color.

Soft cover. Condition: Near Fine. 1st Edition. Honore Daumier (1808 - 1879) was one of the world's greatest caricaturists. A prolific artist , he mastered drawing, painting, sculpture and printmaking (specifically lithography and wood engraving). His satiric views of French society at all levels of the social strata brought him international renown. With both feet firmly planted in the world of art, he was especially placed to produce insightful pictures which, while poking fun at artistic pretensions and the foibles of the viewing public, were recognized as accurate and just pronouncements. And aside from all that his pictures were funny! .and aside from that . they were good! "PICTURE THIS! DAUMIER'S CARICATURES ON ART AND ARTISTS", is an exhibition catalog prepared by the Bertha and Karl Leubsdorf Gallery at Hunter College of The City University of New York. The exhibition ran from November 8 to December 14, 1990. Jane Mayo Roos was the curator, with the assistance of Pauline Arama-Streit, Mark Bessire, Claire Henriques, and Eric Miles. All of the pictures in the exhibit, which numbered 41, were lithographs. This catalog describes each, and presents ten of them in reproduction (in reduced size). TITLE : Picture This! Daumier's Caricatures on Art and Artists OCCASION : Art Exhibition at the Bertha and Karl Leubsdorf Gallery PLACE : Hunter College, City University, New York DATE : November 8 to December 14, 1990 CURATOR : Jane Mayo Roos EDITION : Presumed First Edition STATUS : OP PHYSICAL DESCRIPTION : Illustrated catalog; contains 10 reproductions of Lithographs with descriptive captions; a brief bibliography; 36 pages; 7" x 10"; pictorial wraps, stapled (illustrated stiff paper covers) CONDITION : NEAR FINE - Clean and presentable with the barest traces of wear (just perceivable soft bumps to corner tips, near-negligible surface rub) a near-fine copy. Honore Daumier (illustrator).…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:9780521775427.

Softcover, 136 pages; very good condition; light rubbing to covers; ; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Cloth, dj. Minor shelf wear. Else a bright, clean copy. Early Impressionism and the French State explores the reception of modernist painting in the years that preceded the Impressionist exhibition of 1874. Opening with an extensive analysis of the ministry of fine arts and the politics of the Salon, the study considers the Salon experiences of Courbet, Manet, and the group that became known as the Impressionists: Monet, Renoir, Pissarro, Degas, Morisot, Cézanne, and Bazille. This book also examines how art was politicized during the Second Empire and the impact that this had on the interpretation of early Impressionist works.…

Soft cover. Condition: Very Good. 1st Edition. Qto., 304 pages, illustrated with colour plates. A Very Good plus copy.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…