Horizon Press (9 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Horizon Press, 1964. Octavo. Hardcover. Book is very good. Dust jacket is very good.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Paperback. Condition: Very Good. FIRST THUS. First Edition Thus, First Printing. Not price-clipped. Published by Mentor Books, 1963. Octavo. Paperback. Book is very good with light toning to the page ends and light shelf wear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

72pp+ fold-out panoramanic copious b&w illustrations, mostly photos. Intro by Solomon Guggenheim, text by Wright. Cloth. 26x21. Cloth a little spotted but binding tight and contents vg. Attractive monograph on this innovative New York museum.

Hard Back. Condition: Good / Vintage. Dust Jacket Condition: No Dust Jacket. Fully Illustrated (illustrator). Clean and Unmarked Text; Hardback : hard cover edition in good or better condition, some slight wear to edges, as normal for age of book. Overall good copy of this title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. Please send us a note if you have any questions. Thank you. Book.

Condition: Very Good. 8vo pp. 174, a witty and comprehensive excursion into the curious history, science and literature of the succulent bivalve, with a section of elegant recipes. //Â"Its history in Rome and Britain; what various writers and poets have said in its praise; together with chapters by Maurice Burton on the Reproduction and Growth of oysters, their enemies,? book.

Condition: Near Fine. First Edition. INSIDE HORIZON PRESS - A remarkably informative publisher's catalog documenting the active frontlist and backlist of Horizon Press during the mid-1980s. Far more than a simple sales brochure, the volume serves as a compact snapshot of the editorial interests, publishing priorities, and commercial identity of one of New York's notable independent literary publishers. Produced from Horizon Press headquarters at 156 Fifth Avenue, the catalog captures the press during its later independent years, presenting an unusually broad publishing program that ranges across literature, biography, Jewish studies, music history, mathematics, art, and emerging urban culture. For collectors of publishing history, the volume functions as a contemporary self-portrait of the firm and the books it chose to keep in print. KEY FEATURES +++ Visuals: Illustrated throughout with book jacket reproductions, promotional graphics, and descriptive publisher copy. +++ Binding: Original printed stapled wrappers featuring the stylized 'hp' logo on covers. +++ Content: Full trade details of the frontlist and backlist, including Charles Neider's Antarctic novel 'Overflight', Paul Oliver's blues studies, Frank MacShane's biography of Ford Madox Ford, 'The Great Jewish Books', 'Letters of Dostoevsky', and Jesus Sterling's 'Kings & Toys: Graffiti from the Inside'. +++ Imprint: New York: Horizon Press, 1984. +++ Specs: Square format; approximately 7.25 x 7.25 inches; 52 pages plus publisher's order form. CONDITION: Near Fine. The bindings are tight and secure, with the staples remaining completely sound. The internal pages are clean and free of markings, showing only light, even age-toning. The wraps show minor shelf handling and light age-toning to the extremities, but remain a well-preserved, unsophisticated example of an ephemeral trade publication not generally intended for long-term survival. HISTORICAL SIGNIFICANCE - Founded by Ben Raeburn, Horizon Press occupied an important place within postwar American independent publishing. This catalog documents the firm's mature publishing program and offers a contemporary view of how Horizon presented itself to booksellers, libraries, educators, and distributors. As such, it serves as a useful primary-source document for the study of publishing history and the independent press movement. The catalog presents an unusually diverse publishing program. Featured titles include Charles Neider's Antarctic novel 'Overflight', Paul Oliver's influential blues studies, Frank MacShane's biography of Ford Madox Ford, 'The Great Jewish Books', 'Letters of Dostoevsky', and Jesus Sterling's 'Kings & Toys: Graffiti from the Inside', among many others. Beyond the individual titles, the catalog reveals how Horizon Press positioned its authors and marketed its books to the trade. Full-page descriptions, pricing information, foreign distribution arrangements, ISBN data, and ordering instructions provide insight into the mechanics of independent publishing during the 1980s. Particularly appealing is the catalog's documentation of books that have since developed collecting followings of their own, including early graffiti studies, blues scholarship, literary biography, and translated works. As a result, the catalog functions not merely as an advertising piece but as a record of Horizon Press's editorial vision. SCHOLARLY FEATURES +++ Socio-Historical Context: Serves as a vital primary document for independent publishing mechanics in the 1980s, revealing how the firm positioned its authors, priced its inventory, and established international distribution arrangements just prior to the close of the era. +++ Literary Influence: Captures the final phase of Ben Raeburn's enduring editorial vision, mapping out the survival strategy of a mid-century literary powerhouse adapting to the modern trade landscape. +++ Design & Marketing: Provides an essential bibliographic checklist for specific high-spot fields, notably documenting early urban graffiti studies, blues scholarship, and postwar literary biography within a single corporate landscape. SUBJECTS: Horizon Press, Ben Raeburn, Independent Publishing, New York Publishing, Publisher Catalogs, Bookselling History, Literary History, Small Presses, Book Trade Ephemera, Publishing History, Bookselling History, Literary Ephemera, Small Press Studies, Americana, Ephemera, Publisher's Archive. BIBLIOGRAPHIC REFERENCE: Unrecorded in standard institutional library checklists; localized trade ephemera.

Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. This definitive, three-volume autobiographical archive bridges the heroic age of 1920s Paris Modernism with its final, authorized 1970s retrospective, preserved directly within the estate of the publisher who kept that flame alive. Margaret Anderson (1886-1973) was the firebrand of American Modernism. By founding The Little Review, she provided a fearless platform for Ezra Pound, T.S. Eliot, and James Joyce-famously serializing Ulysses and enduring the subsequent federal obscenity trials when no other publisher dared. This Horizon Press set, issued at the twilight of her life, was the final authorized presentation of her legacy. Its presence in this archive goes far beyond a standard commercial run; it represents the personal copies of her friend and publisher, Ben Raeburn. The incredible inclusion of an original, single-page typed letter signed by the legendary American composer Virgil Thomson (1896-1989)-sent from his famous quarters at the Chelsea Hotel on October 31, 1983-perfectly completes the historical circle. Thomson writes directly to Raeburn to celebrate these exact Horizon Press volumes, explaining that his original first editions had vanished from his shelves over the decades due to unreturned book loans. He warmly welcomes these editions as joyful replacements, providing a poignant, real-time testament to how the surviving titans of the Left Bank used Raeburn's press to reclaim the physical history of their youth. MATERIAL & BIBLIOGRAPHICAL UTILITY - The 'What': A pristine, complete three-volume set of Margaret Anderson's autobiographical trilogy (My Thirty Years' War, The Fiery Fountains, and The Strange Necessity), complete in the original publisher's slipcase and accompanied by an exceptional piece of associated institutional ephemera and correspondence. Technical Standards: Published by Horizon Press in 1970, the volumes are bound in high-quality quarter cloth over colored boards (vibrant yellow, red, and blue) with elegant gilt stamping on the spines. The set is housed in the original heavy brown cardboard slipcase, which features a large, beautifully preserved pictorial paste-down label on the side panel. The interior pages are richly illustrated with historic photographs by premier avant-garde photographers, including Berenice Abbott and Man Ray. The accompanying material includes the original 1983 Virgil Thomson typed letter on his custom 222 West 23rd Street letterhead, the original four-page New York Times Book Review synopsis of the set, and the original 1973 New York Times obituary for Margaret Anderson, which was preserved inside the first volume by Raeburn himself. SCHOLARLY FEATURES: DESIGN, SCHOLARSHIP, & INFLUENCE - The 'How': This archive serves as a foundational text for research into 20th-century literature, feminist history, and LGBTQ+ studies. The trilogy documents the complete narrative of the Left Bank creative explosion, tracking Anderson's close personal and professional relationships with iconic women of the era, including her co-editor Jane Heap and her long-term partner Georgette Leblanc. The Lineage: The inclusion of the 1983 Thomson letter elevates the collection from an excellent provenance set into a dynamic bibliographical case study. It physically demonstrates the active network of old friendships that Raeburn maintained, showing how Horizon Press served as an archival anchor for the creators of early American modernism. SPECIFICATIONS & CONDITION +++ Author: Margaret C. Anderson +++ Title: Three Volume Autobiography (My Thirty Years' War, The Fiery Fountains, The Strange Necessity) +++ Publisher: Horizon Press, New York +++ Date: 1970 (Trilogy) / October 31, 1983 (Associated Letter) +++ Dimensions: 9.5 inches tall +++ Subject: Modernist Literature | Feminism | LGBTQ+ History | Book History CONDITION +++ The Books: Fine. The volumes are exceptionally crisp, tight, and unread. The dust jackets show expected, uniform spine darkening typical of this paper stock but remain completely intact and are now protected in archival Mylar sleeves. Volume 1 shows faint, localized offsetting on pages 20-21 entirely caused by the long-term placement of the newspaper obituary (which has now been removed and placed in a separate protective sleeve). +++ The Slipcase: Near Fine. The structure is remarkably solid, clean, and free of structural splits, showing only minimal shelf wear and minor rubbing to the outer edges of the paste-on title label. +++ The Letter: Fine. Cleanly folded along its original mailing crease, with no tears or age-toning, and featuring a dark, bold ink signature from Virgil Thomson. KEY FEATURES OF THE TRILOGY - +++ The Set: Includes all three volumes of Anderson's memoirs, covering the Modernist literary explosion, the Ulysses obscenity trial, and her life in Paris with Georgette Leblanc and Jane Heap. +++ Subject Matter: A foundational text of Lesbian history, capturing the "Left Bank" creative explosion and the lives of its most iconic women. +++ Provenance: From the library of Ben Raeburn (Horizon Press). Includes an original 1973 New York Times obituary for Margaret Anderson laid in (now in protective sleeve). And the four page NYT Book Review. These were his copies. +++ Format: Three hardcovers in quarter cloth over colored boards (yellow, red, blue) with gilt stamping. Housed in the original brown slipcase with a large pictorial paste-down label. +++ Visuals: Illustrated with photographs by Berenice Abbott, Man Ray, and others. HISTORICAL SIGNIFICANCE - Margaret Anderson (1886-1973) was the firebrand of American Modernism. By founding The Little Review, she gave a platform to Ezra Pound, T.S. Eliot, and James Joyce (serializing Ulysses when no one else dared). This Horizon Press set, published just years before her death, was the final 'authorized' presentation of her life's work, overseen by her friend and publisher Ben Raeburn. It is a cornerstone set for any collection of 20th-century literary history, feminism, or LGBTQ+ his.