Holmes Pernilla (4 results)

Hardcover. Black cloth, illus. flyleaves, 55 pp., BW and color illus. Issued in conjunction with an exhibition featuring the visual work of American artist Diana Thater (b. 1962). With an essay by Helen Varola, and an artist interview conducted by Pernilla Holmes. Includes a variety of views of Thater's work. VG- (No dj: ex-art library with labels on front and back covers; few interior marks, otherwise clean.).…

24 x 17cm. Paperback with clear acetate cover, 64pp. Published in an edition of 1500 to accompany an exhibition at Haunch of Venison, London, 25th April - 24th May 2008. From the publisher's description: "Published on the occasion of the young, LA-based Japanese-American's solo exhibition at Haunch of Venison London, this vibrant catalogue presents the artists' engagement with urban life in his home city. Influenced by a childhood visit to Japan, Fujita draws on the influences of traditional Japanese woodblock Ukiyo-e imagery of explicit and erotic sexual scenes and fuses them with the graffiti of a highly urbanized Los Angeles. Stencilled, figurative image-making is offset by can-sprayed tags, bombs and script in a highly dynamic interplay of cross-cultural, intertextual references." Minor shelfwear to plastic cover, otherwise very good condition.…

SOFTCOVER. Condition: AS NEW. Dust Jacket Condition: Issued without a dustjacket. 1st Edition. Medium size 4to in gilt embossed and colour printed stiff card covers with transparent plastic integral cover, 64pp on various types of paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked copy. Uncommon ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

24 x 24cm. Paperback, 95pp. Catalogue of an exhibition held at Pace London from 3rd November to 22nd December 2017. Impulse was an exhibition of radical abstract painting from the United States dating from the 1960s and 1970s. Focusing on lyrical, post-painterly abstraction, the exhibition features work by Kenneth Noland, Morris Louis, Sam Gillam, Ed Clark and Frank Bowling. Responding to the dominance of Abstract Expressionism in the 1950s, these artists boldly experimented with process, form and colour. Each found new ways to apply paint to canvas, championed improvisational techniques, and used colour expressively. Very good condition.…