Hollis Gerry (12 results)

Condition: Good. 1948. Reprinted. 44 pages. No dust jacket. Orange paper-covered boards. Includes photographic plates by John Barlee. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. …

Hardcover. Condition: Very Good. HARDCOVER. VERY GOOD Condition, clean, solid, bright; RED TITLES WITH BLACK ILUST & HOIZONTAL LINES ON GREY CLOTH HARDCOVERS. ; 390pg pages; Motor skills, Moving, , Standing, Balancing, body mechanics; apparatus; basketball, playground ; . Games. Indexed. Illustrated by Gregory & GERRY FAIT ILUST (illustrator).…

Hard Cover. Condition: Near Fine. No Jacket. First. Hard Cover. Near Fine/No Jacket. First. 8vo - over 7¾" - 9¾" tall. Lightly dusty on page edges, former owner's name and date written inside front cover. Gray cloth with red lettering and darker gray design figures. 390 pages. Illustrated By Gregory Fait and Gerry Fait (illustrator).…

Hardcover. Condition: Very Good. No Jacket. The boards are a bit marked and edgeworn. Some foxing and a gift inscription. Soundly bound. Our orders are shipped using tracked courier delivery services.

Hardcover. Condition: Good.

Hardcover. Condition: VG. No Jacket. 2'nd Reprint. Sugden played 28 international matches for Ireland beginning in 1925. Hollis is called a plucky player (a wing three-quarter) who used the hand-off effectively for his Oxford University side. ( Hand-off has a different meaning here than in the CFL - we might call it straight arming.) 44 pages of text covering all aspects of play: defence, hooking, tackling, putting the ball in, etc. B/W photos show correct hand, leg, shoulder position in each play sequence. Cond: Buff-orange boards w/ brown titling. D.J. is absent. Prev. owner's name - ffep. Light soiling to boards. No tears NOR marks - internal. Some gen. wear - e.g. very lightly crinkled pages. Tight in binding. Quote from page 28: " Eyes - looking for the ball, which, in this Plate having been put in on the right, is about to be hooked and projected into the tunnel. Note. The most important task of the front row, in packing, is ." Size: 8vo. John Barlee (B/W photographs) (illustrator). …

Condition: Good. Good condition. Acceptable dust jacket. (Rugby, sports).

Hardcover. Condition: Very Good. Second print - 52pp. 34 pages of black & white photographs by John Bar lee. Age toned ep's. - clean, firm contents, f/o name & date in front.

Rugby instructional from Irish international Mark Sugden and Sale, Barbarians and English Services player Gerry Hollis. Reprint. 8vo. 44pp. including photos in-text throughout. In the original dustwrapper, heavily rubbed to edges. A good copy.

Cloth. Condition: Good. No Jacket. First Edfition. Photographs by John Barlee. 44pp. orange boards with tidemark to lower edge of boards, with some crinkling, but no discolouration , to pages inside at bottom.

Soft cover. Condition: Very Good. Landmark document by the Art Workers Coalition which compiled documents and correspondence aggregated to push for better situations for artists. 121 pages in stiff stapled wraps, this original is quite scarce in any condition, this copy being quite decent with one or two notes, most significant of which is a large stain to front cover, alongside some similar but significantly smaller and more faint iterations on front and back panel. Couple of teeny tiny dot stains to front and rear free endpages but hardly so and no other stains besides. Offset toning to full vertical length of front panel, also a bit around the very edges of the margins of the covers and to a lesser extent the interior pages. Staples rusted but still seem quite sturdy, and seems binding should hold well. Interior is clean and free of marks. Covers now in mylar.…

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.…