Hoefnagel Joris (61 results)

Condition: New.

Condition: New. pp. 165.

Condition: New. SUPER FAST SHIPPING.

Condition: New. SUPER FAST SHIPPING.

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Orig.Pappe. 306 Seiten. 4°. Mit einem Nachwort von C. Broekema. Faksimile. Gut erhalten ISBN 3570098516.

Condition: New. SUPER FAST SHIPPING.

Hardcover. Condition: Gut. ISBN: 357008888 - Hardcover Buch guter Zustand - - Erscheinungsjahr: 1971 - Buch mit Abbildungen und 300 Seiten - A4-Format - - Index: 156 Size: A4-Format 0.0.

Bertelsmann/Kartographisches Institut Bertelsmann, Gütersloh; Berlin, 1971. 300 S. mit zahlreichen Abb., Pbd., quart, (Stempel auf Vorsatz)---- Mit einem Nachwort von C. Broekema / sehr gutes Exemplar - 1390 Gramm.

Condition: New. 2020. 2nd ed. Hardcover. . . . . .

Förlagsband, lätt nött. Stockholm 1946. 4:o. 212 sid. Illustrerad. Ett av 700 numrerade exemplar. - - - Innehåll: "Guld og ædelstene i middelalderlig Kunst" av Vilhelm Slomann, "Falkporträtt av Georg Hoefnagel i Tessin-Hårlemans-samlingen" av Erich Bier, "En nyupptäckt teckning av en italiensk renässansskulptör i Nationalmuseum" av Osvald Sirén, "Vue monumentale de Rome au Musée National" par Erich Bier, samt krönika juli 1943-juni 1945 med nyheter (bl. a. om förvärv) från de olika avdelningarna.

[Antwerpen, Kanselarij Phoebus Foundation vzw, 2019]. 101 pp. Col. & b./w. ills. Softcover. (Phoerus Focus IX).

Amstderdam, Orbis Terrarum 1971. Druck auf Maschinenbütten. 300 Seiten m. zahlreichen Ansichten und Karten. Ill. Orig. Hardcover, 4°. Gut erhalten. Gewicht: 1,7 Kilogramm. Versandspesen im Inland nur 3,50 EURO.

Hardback. Condition: Fine. Dust Jacket Condition: Fine. Joris Hoefnagel (illustrator). 1st Edition. 412pp. 151 colour plates each with a full description in English. Brown cloth binding with a fine colured d.j. Contained within a green presentation box with a folding lid [ a trifle dusty]. Colour illus. plate pasted to the top bpard and the volume set within a fitted surround. IIlustrated facsimile of the original illuminated manuscript. Please email for photos.

Hardcover (in Slipcase). Condition: Fine. Dust Jacket Condition: No Dust Jacket. Facsimile Edition. GEORG BOCSKAY and JORIS HOEFNAGEL. Mira Calligraphiae Monumenta, Malibu: Getty Museum, 1992.12mo, facsimile of a 16th-century manuscript, pp. x, 412, brown cloth boards with gilt lettering to spine and gilt lettering and calligraphic decoration on front, slipcased, color illustration.Model Book of Calligraphy was written by the scribe Bocskay in 1561-62 and illuminated by Hoefnagel 30 years later with flowers, insects and other images of the natural world. He added an alphabet, bringing the total number of pages to 150. They are reproduced here in the original size. The rest of the book is made up of essays by 2 experts on the manuscript.Condition of this book:Fine in stained slipcase. Size: 12mo. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; Renaissance 16thc to 17thc; Antiquarian & Rare. ISBN: 089236212x. ISBN/EAN: 9780892362127. Pictures of this item not already displayed here available upon request. Inventory No: 53750.

Hardcover. Condition: Sehr gut. Schutzumschlag. Hoefnagel, Joris (illustrator). Erste Ausgabe. x, 412 S. Kleinformatiger Orig.-Leinenband mit Schutzumschlag im großformatigen Leinenkasten. Ein schönes, gut erhaltenes Exemplar in einwandfreiem Zustand.

Condition: Gut. Formateinband: Leinenband mit Rückenschild im Schuber / gebundene Ausgabe 421 S. (19x14 cm) Faksimile mit Kommentaren; (Mit zahlreichen farbigen Abbildungen); Im Schuber; Gut und sauber erhalten. Schöne Ausgabe! Sprache: Deutsch Gewicht in Gramm: 900 [Stichwörter: Hoefnagels Miniaturen, Facsimile,].

Wien, [1985]. p.103-167. 75 b./w. ills. Soft cover. (Jahrbuch der Kunsthist. Sammlungen in Wien. Sonderheft 292).

18.0 x 13.0cms (ie facsimile of the original miniature work) 412pp colour illusts very good+ hardback & dustwrapper in a much larger (31.0 x 25.0cms) box. Some one has whited out an owner''s signature. Bocskay the calligrapher was the imperial secretary to the Holy Roman Emperor when he penned the manuscript in 1561-62. He had assembled a vast selection of works on writing. Hoefnagel the miniaturist painter embellished his work for Emperor Rudolf II - creating ''the first extensive exploration of the relation of painting to writing''. This edition has scholarly commentaries and biographies of both artists. The J Paul Getty Museum acquired the original in 1986. Scarce edition.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Latein | Produktart: Bücher.

Fol., Hardcover/Pappeinband. Nachdruck in Frakturschrift. 300 Seiten mit Abbildungen Vorsatzblatt und letztes Blatt leicht nachgedunkelt, sonst gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1550.

No Binding. Condition: Fine. Joris Hoefnagel (illustrator). ?View of Munich? lithograph by Joris Hoefnagel (c1585 Framed under glass) Artist:   Joris Hoefnagel (1542 ? 1601) Joris Hoefnagel, or Georg Hoefnagel (b. 1542, in Antwerp ? d. 24 July 1601, in Vienna) was a Flemish painter, printmaker, miniaturist, draftsman and merchant. He is noted for his illustrations of natural history subjects, topographical views, illuminations and mythological works. He was one of the last manuscript illuminators and made major contributions to the development of topographical drawing. His manuscript illuminations and ornamental designs played an important role in the emergence of floral still-life painting as an independent genre in northern Europe at the end of the 16th century. The almost scientific naturalism of his botanical and animal drawings served as a model for a later generation of Netherlandish artists. Through these nature studies he also contributed to the development of natural history and he was thus a founder of proto-scientific inquiry. Hoefnagel lived in Munich and worked in the court of Bavarian dukes Albert V and William V between 1578 and 1591. As a Calvinist, he was forced to leave Munich in 1591 when a rule was imposed that all members of the court had to proclaim their adherence to the Catholic faith. Hoefnagel refused to do so. This copy is presented in a wooden frame, matted, and behind glass. The inscriptions on the piece are in Italian. Outer dimensions are 10.75? x 13.75? Inner dimension of lithograph is 9.5? x 5.75? This piece showcases his skill in presenting topographical views, illuminations and mythological creatures ? all in miniature! Frame is ready to hang. Size: Outer Dimensions: 10.75? x 13.75? Condition: Excellent, no flaws noted ? Always privately owned. Due to the oversize and weight of the art work, additional shipping cost may be requested/required for OUT-OF-U.S.A. shipment in accordance with destination. EXPEDITED shipping is required on all orders of this product.

Ann Anbor, [ca. 2009]. 390 pp. 154 b./w. ills on plts. Simple hardcover.Authorized UMI Dissertation Service reprint of the original dissertation of the Princenton University, 1984.

Sin Encuadernar. Condition: Muy bueno. Georgio Honsnaglio. Joris Hoefnagel (illustrator). Primera edición. Personajes vizcainos. Vizcaya. Pais Vasco. Euskadi. De la obra "Civitatis Orbis Terrarum" de Braun. Impreso entre 1572 y 1617. Grabado original, iluminado a mano a varias tintas. Dibujo de Georgio Honsnaglio. Año 1567. Medidas grabado 50,5 x 38,5 cm. Medidas con marco 68,5 x 58 cm.

190x135mm, 421Seiten, farbige Kunstblätter, Verlagsleinenband mit Versandkarton. Neuwertiger Zustand. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

Bildmaß ca. 28 x 54 cm ( Höhe x Breite ), Blattmaß ca. 40 x 56 cm. Auf Büttenpapier gedruckt. Mit Bildlegende rechts unten mit Angabe von 16 Bauwerken etc. Oben mittig mit *Brunn Vulgo Brinn Marchionatus Moraviae Civitatis insignis* bezeichnt, verso mit einseitigem deutschen Text *Pryn.Nach dem bischöfflichen Sitz Olmütz ist Pryn ( zu Latein Bruna ), auf Böhemisch Bruo die fürnembste Statt deß Mehrenlandes.( = Seite 29 der Civitates Orbis Terrarum* Der Kupferstich auf Büttenpapier mit Mittelfalz. Das Blatt ist leicht gebräunt, in der Darstellung gering fleckig bwz. gering stockfleckig, im weißen Außenrand stärker fleckig sowie mit geringen Resten alter Montierung ( durch Passepartout gut abdeckbar ). Das Blatt ist gefaltet. Der Text verso gut lesbar mit kalligraphischem Anfangsbuchstaben. ( Weitere Bilder auf Anfrage further pics at request ). /// Image size approx. 28 x 54 cm (height x width), sheet size approx. 40 x 56 cm. Printed on laid paper. With caption lower right with details of 16 buildings etc. Inscribed at top centre with *Brunn Vulgo Brinn Marchionatus Moraviae Civitatis insignis*, verso with German text on one side *Pryn.nach dem bischöfflichen Sitz Olmütz ist Pryn ( zu Latein Bruna ), auf Böhemisch Bruo die fürnembste Statt deß Mehrenland.( = page 29 of the Civitates Orbis Terrarum* The copperplate engraving on laid paper with centrefold. The sheet is slightly browned, the image slightly stained or slightly foxed, the white outer margin more heavily stained and with minor remnants of old mounting (can be well covered by passepartout). The sheet is folded. The text on the verso clearly legible with calligraphic initial letter. # 23310.

An album of engravings from the most famous natural history artists of the late sixteenth and early seventeenth centuries, collected and bound for an English patron Oblong quarto (260 by 170mm), 176 engraved plates, numbered in an early hand 1-46, 48-54, 57-69, 80-189, including 8 title-pages, all with fine contemporary hand-colour in full, occasionally heightened in silver, two plates torn with slight loss to image and with early repairs, six plates with slight worming to margins, and three plates trimmed to neatline and laid down on old paper, front free endpaper with later ownership inscription; mid-seventeenth century English red morocco, elaborately gilt, silver clasps and catches. A magnificent album of natural history engravings, collected and bound for an English patron, containing two complete suites of plates: Hoefnagel's 'Diversæ insectarum volatilium'; and Woutneel's 'Cognoscite lilia agri quomodo crescent', often bound as the fifth part, 'Altera Pars', to the Crispin de Passes' 'Hortus Floridus' - the "most ambitions, if not the first, early effort to employ Continental resources to produce a set of [botanical] engravings designed for the English market" (Gerard); and nine near complete, or partial suites, including an early issue of tulip plates from the 'Hortus Floridus'. All plates have been numbered consecutively in manuscript at the time of binding to a rudimentary scientific rubric: insects first, then aquatic animals, quadrupeds, birds, and botanicals last, but not least. As a result, some plates are bound with like subject rather than with their original publications. The album represents the work of some of the most famous natural history artists of the late sixteenth and early seventeenth centuries. The majority are published by Claes Jansz Visscher (1587-1652), the most important publisher of prints and maps in Amsterdam of his day. Recorded as an engraver in Amsterdam as early as 1608, he built a distinctive inventory of prints after the designs of Flemish artists, which proved extremely popular and formed the basis ofVisscher'searly success as a publisher. INSECTS HOEFNAGEL, Jacob. Diversæ insectarum volatilium: icones ad vivum accuratissmè depictæ per celeberrimum pictorem D.I. Hoefnagel typisq. Mandatae a Nicolao Ioannis Visscher anno 1630 Engraved title-page, complete with 15 numbered plates of insects, misbound including some upside-down, bound with plates 11 and 12 from 'Volatilium varii generis effigies' after Nicolaes de Bruyn, all with contemporary hand-colour heightened in silver, consecutively numbered in an early hand 1-18. North German insects, with the exception of the tarantula and scorpion. Engraved by Visscher after those by Jacob Hoefnagel, 1573-1632, court painter for Emperor Rudolph from 1607, son of Joris Hoefnagel, whose drawings of animals, flowers and insects he engraved and published as the 'Archetypa Studiaque Patris Georgii Hoefnagelii' (1592). He also engraved plates for Braun and Hogenburg's 'Civitates Orbis Terrarum' (1512 - 1617). Ebert 798; Hagen I, 371f; Hollstein IX, 46, 1-16; Nissen 1955; Horn-Schenkl. 10473. AQUATIC ANIMALS BRUYN, Nicolaes de. Libelius [sic] varia genera piscium compectens, pictoribus, sculptoribus etc mire utilis et necessaries Nicolaes de Bruyn inventor Claes Ianss. Visscher excudit. [interspersed with]: COLLAERT, Adrian. Piscium vivae icones inventae ab Adrian Collardo et excusae a Nicolao Ioannis Visscher anno 1634 Engraved allegorical title-page for 'Libillus', 11 (of 12, without the sea-horse) plates of aquatic animals and sea-monsters; 19 (of 20) engraved plates of aquatic animals, numbered in an early hand 19-44, followed by the allegorical title-page for 'Piscium', numbered 45, all with contemporary hand-colour, all annotated in an early hand with common names in English. An early state of the title-page for de Bruyn's 'Libellus' before correction. Nicolaes de Bruyn (1571-1656) is best known for his large engraved landscapes "after designs b.

Leather Bound. Condition: New. Language: German. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2016, utilizing the invaluable guidance of the original edition published many years ago in 1911. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages:- 165, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 165.