Hitchings Sinclair H (20 results)

Condition: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: VG+. Staple bound stiff paper wraps. Bright and crisp copy with no creasing to the covers and no markings.

Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: As New. Excellent, unread, like-new condition. Ships wrapped in bubble wrap and packed securely in a box.

Paperback. Condition: Near Fine. First Edition. Profusely ills. Sharp copy with no ownership markings. Well packaged in a box, ships with tracking.

softcover. Condition: Very Good. Being Selections from an Exhibition Prepared by Charles D. Childs & Sinclair H. Hitchings.

Softcover. Condition: Fine. Pp. [81]-112, illustrated (including one fold-out), 8vo, stapled self wrapper. Fine copy, with some toning at the hinge fold.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. Fine in Near Fine DJ. Well packaged in a box; ships with tracking.

Soft cover. Condition: Near Fine. No Jacket. Back cover has a small sticker pull at the bottom of the page, else fine inside and out. 42 pp. A Massachusetts Historical Society Picture Book. Being selections from an Exhibition Prepared by Charles D. Childs & Sinclair H. Hitchings. Filled w/black and white photos of vintage books, works of art, manuscripts etc.

Paperback. Condition: Very Good. First edition. 6 x 9 inches. 108 pages. Condition is Very Good; very clean and unmarked. STK.

Condition: Fair. Acceptable condition. No Dust Jacket Volume 5. (art, printing, graphic arts, periodicals) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Paperback. Condition: Good. Softcover. 110 pages, illustrated with b/w photographs, plans, drawings. A history of the house, followed by a walking tour, and a detailed description of architectural and decorative features. Contents clean, tight and bright. Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition. DJ intact but no initial sales price data. Copiously illustrated with maps, drawings, diagrams and prints. Unmarked pages. Protected in an archival wrapper. More images and/or description can be sent on request. Condition: Fine in a Fine DJ.

1957, 84pp. Half cloth. Very good copy.

Hardcover. Oblong Quarto, xvii, 455 pages. In Very Good minus condition. Bound in the publisher's red cloth bearing gilt lettering to the spine. Boards have slight wear including faint sunning and slightly cocked spine. Text block has slight wear including mild age toning to the edges and interiorly. Small stain to pages viii to ix. Profusely illustrated. NOTE: Shelved in Locked Annex, Quarto and Folio Case. Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire about rates. 1390924. FP New Rockville Stock.

Condition: An As New copy in a VG+ box. 1st edition thus. 83, [1] pp. Illustrated. 8vo. Black cloth spine over black & blue patterned-paper boards. Glassine wrapper. Publisher's box.

Hardcover. Condition: Near Fine condition. Dust Jacket Condition: Very Good++ Dust Jacket. First Edition. Boston:: The Colonial Society of Massachusetts, 1974. A clean, square, tight copy. Jacket is only very lightly rubbed. No remainder mark. Pages are fresh and crisp. No underlining. No highlighting. No margin notes. Bound in the original blue cloth, lettered in gold on the spine. Sharp corners. Complete with "erratum" slip laid-in. From the Dust Jacket: "The work of these skilled [Boston] artisans is examined here in eight well-documented articles with a total of 174 superb illustrations. A list [by Myrna Kaye] of craftsmen working in eighteenth-century Boston supplements the conference papers." Bibliography. Index. Includes contributions by Brock Jobe, Dean A. Fales, Jr., Sinclair H. Hitchings, Margaretta Markle Lovell, Gilbert T. Vincent, Mary Ellen Hayward Yehia, Richard H. Randall, Jr., Gordon Saltar. First Edition. Hard Cover. Near Fine condition/Very Good++ Dust Jacket. 8vo. xviii, 317pp.

Hardcover. Condition: Used - Very Good. Boston Public Library, 1968. Copyright 1968. Meriden Gravure Company. xi,227 pages. Illustrated. Checklist of etchings, drypoints, lithographs, books, portfolios. 12.5 x 9", cloth, dj. 'Birthday Greetings to Emerson Oliver from Samuel Chamberlain' on blank. Small dj edge tear, light edge wear, VG/G.

Condition: Very good. - Octavo, stapled self-wraps. Illustrated. Some wraps are lightly soiled, creased & slightly darkened. The contents are very good. Among the substantial lead articles in this series are: "The Literature of American Typefounding" by William Bentinck-Smith [Vol. I, No. 2] on the relatively scarce materials on the history of American typefounding; "Hawthorn House" by Roderick D. Stinehour [Vol. I, No. 4] on the New England press founded by Edmund B. Thompson, which was active from 1932-1942; "The Printing of Poetry" by Sinclair H. Hitchings [Vol. II, No. 5] on the choice of typography suitable for printing poems or books of poetry; "Letters from Bruce Rogers to Henry Watson Kent", edited by James Wells [Vol. III, No. 1]; "The Types of the Plantin-Moretus Museum" by Harry Carter [Vol. III, No. 3]; and "Artist vs. Craftsman?" by Warren Chappell [Vol. IV, No. 1] on the collaboration between artists and printers/engravers.