Hiller Larry (11 results)
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
- Print on Demand
Seller: California Books, Miami, FL, U.S.A.California Books
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- Softcover
- Print on Demand
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
- Softcover
- Print on Demand
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
The Museum as Muse [Hardback Edition]
Kynaston McShine, Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey, Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edw
- Hardcover
Seller: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
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296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer,…Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.
More imagesPublished by Davis, Calif.: Composer/Performer Edition, 1968
- Softcover
- First Edition
Seller: Veery Books, Lake Huntington, NY, U.S.A.Veery Books
Contact seller5-star sellerAssociation member: IOBA
Condition: Used - Very good
£ 247.11
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Add to basketSoft cover. Condition: Very Good. 1st Edition. Davis, Calif.: Composer/Performer Edition, 1968. Very Good. 50, [51-52] pp. Oblong folio, 13.5 x 10.75 in. (28 × 35 cm.) Includes vinyl recordings. Source Record One and Source Record Two, as issued in paper sleeves as pp. 3-4 and 23-24. PO Sig to cover, general wear to edges of cov…ers and comb cutouts and surfaces of wraps. The slipcase for Record One has been neatly repaired with black library book tape, there welded to the paper. Disk One is in it's white paper sleeve and appears fine. Disk Two lacks the original white paper sleeve, but also appears unplayed. Record One, Side A has Robert Ashley "The Wolfman." Side B is David Behrman's "Wave Train." Record Two, Side A is Larry Austin's Accidents, Side B, Allan Bryant's Pitch Off. Issue 4 is particularly prized among collector because it contains two recordings. Printed contents: 1. Robert Ashley's "Wolfman," instructions for performance. 2. Mario Bertoncini's a mio padre: Cifre, per pianoforti, uno piu esecutori, with a one page fold-out graphic score for one or more pianos. 3. John Cage and Lejaren Hiller interviewed by series editor Larry Austin regarding HPSCHD, a piece realized on Illiac II, a mainframe computer. pictures of Cage and Hiller and a flowchart representing parts of the compositional process. 4. Larry Austin, Accidents, for electronically prepared piano, electroncs and projections. 5. Lowell Cross's "Stirrer," an electronic device for moving sound spatially. 6. Lukas Foss's Etudes for Organ. Scores for Parts I-IV. 7. Jocy de Oliviera's Probabalistic Theater I. Instructions for performance, including a score map slide (affixed in a sleeve on p. 36). 8. Udo Kasemets's Eight Edicts [on] Education with Eighteen Elaborations, instructions for reading and performing. 9. Editor's Comments and an essay by Ben Johnston "On Context." "If we are not utterly to lose all civilizational continuity it will take careful selection, up-rooting, and transplanting of traditions to maintain anything of the past in our new situation. In the center of this violent process of change, the United States is struggling to mature culturally. Our role in the larger context of the world is transitional (out of regional identification into global identification.) This transition must not be made nationalistically nor exploitatively. It must not be made egoistically. . . . Whatever the eventuality, one thing seems clear to me. We have to stop exploiting and plundering nature and each other and start trying to learn how to cooperate. . . . We have to learn how to be good neighbors. Recently a colleague was lamenting former days when it seemed clear what was music and what wasn't. To which Sal Martirano replied, 'The fence is down.'".
