Herman Damen (10 results)

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    Published by exp/press, utrecht, 1973

    Seller: The Idea of the Book, Shelton, WA, U.S.A.The Idea of the Book

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    Condition: Used

    £ 21.34

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    No binding. 14.9 x 9.8 cm (5.875 x 3.875") postcard foil stamped in gold on recto and printed in black on verso on thin uncoated cream-colored card stock with signs of mailing, including an inscription by the artist in Dutch in blue ink at verso. Artists' postcard featuring a concrete poem by Herman Damen. Inscribed and addresse

  • Condition: Used - Very good

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    Condition: Very good. Alain Arias Misson; Hans Clavin; Herman Damen; Pier van Dijk; Ludo Fratuer; Mark Insingel; Robert Joseph; Ton Luiting; Peter Meijboom; Maarten Mourik; Nahl Nucha; Gerrit Jan de Rook; Jan Vercruysse; Paul de Vree; Herman de Vries, Poesie Visuelle, Institut Neerlandais, Paris. 111 x 210mm [folded]. Invitation

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    Published by (laren) 't Hoogt, Hilversum, 1974

    • Softcover

    Seller: The Idea of the Book, Shelton, WA, U.S.A.The Idea of the Book

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    £ 63.25

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    Square softcover 8vo in printed wrappers, with pages printed in black and white on recto sides only. Unpaginated. Text in Dutch. A collaborative artists' book showcasing visual and concrete poetry by Clavin, Damen, van Dijk, Joseph, de Rook, and Stikker with each artist getting their own chapter. A nice example of these Dutch ar

  • Published by studio brescia, Brescia, 1972

    Seller: Graphem. Kunst- und Buchantiquariat, Berlin, GermanyGraphem. Kunst- und Buchantiquariat

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    Association member: VDAILAB

    Condition: Used

    £ 14.02

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    gr 12°, Klammerheftung, 8 Bl. - gelocht, sonst gutes Exemplar. Buch.

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    Published by Self published, Utrecht, 1973

    • Softcover

    Seller: The Idea of the Book, Shelton, WA, U.S.A.The Idea of the Book

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    £ 83.83

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    Edition of 1,000. Small softcover 4to in silver foil stamped and printed metallic wraps. Pages offset printed in black and white, with some plates in color, most of which are printed on rectos only. 183 pp. Contains several tipped in items, including a printed napkin, an example of relief printing, translucent vellum, and a die

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    Published by La Plata, Buenos Aires, 1968

    Seller: William Allen Word & Image, London, United KingdomWilliam Allen Word & Image

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    Condition: Used - Very good

    £ 425.00

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    Condition: Very Good +. Edgardo Antonio-Vigo (ed.), Diagonal Cero No. 28, Senalamiento III, Diagonal Cero, La Plata, Argentina, undated circa 1968, 195 x 230 mm. Contributors include: Herman Damen, Annalisa Alloatti, Max Bense, Vigo, Michele Perfetti, Francisco Garzón Cespedes. Issued with brown card parcel tag, attached to cove

  • Condition: New

    £ 23.62

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    Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 82. A perfect gift

  • Language: German

    • Hardcover
    • Print on Demand

    Seller: S N Books World, Delhi, IndiaS N Books World

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    Condition: New

    £ 24.38

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    LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 148. A perfect gift

  • Seller: Fahrenheit 451 Antiquarian Booksellers, Nieuwerbrug, NetherlandsFahrenheit 451 Antiquarian Booksellers

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    Association member: NVVAILAB

    Condition: Used

    £ 265.51

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    getiteld "plato" en gesigneerd "Deman AH '70" in potlood. 50 x 65,5 cm. = Enkele vlekjes in marges.

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    Condition: Used - Very good

    £ 475.00

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    Condition: Very Good +. Pages 1, 2, 3 (Complete Set), Edited by David Briers. Pages can be seen as a more refined and less chaotic publication than Writers Forum productions of the time. Emphasising Briers' knowledge and connections with established artists, it can be argued that it was ahead of its time, though Zurbrugg's inclu