Hendrick Avercamp (12 results)

No Binding. Condition: Good. Postcard in Good condition, with writing on reverse. Cards are sent in stiff mailers. Photo.

No Binding. Condition: Very Good. Postcard in Very Good condition, with minor marks on reverse. Cards are sent in stiff mailers. Photo.

No Binding. Condition: Very Good. Postcard in Very Good condition, with minor marks on reverse. Cards are sent in stiff mailers. Photo.

First Edition. Near fine copy in the original title-blocked cloth. Spine bands and panel edges very slightly dulled as with age. Remains well-preserved overall. Physical description; 153 pages : illustrations (some color) ; 25 cm. Notes; Catalog of an exhibition at the Waterman Gallery, Amsterdam. "Translations from the Dutch: Ina Rike." Includes bibliographical references. Subjects; Avercamp, Hendrick 1585-1634 ; Exhibitions. Avercamp, Barent 1612-1679 ; Exhibitions. Avercamp, Barent 1612-1679. Avercamp, Hendrick 1585-1634. Avercamp, Hendrick. Avercamp, Barent. 1 Kg. …

Paperback. Condition: Near fine in wraps. First Edition. 25 x 29cm 190pp near fine exhibition catalogue. Avercamp is described as the undisputed master of winter landscapes in the Dutch Golden Age. Well illustrated with colour reproductions throughout.

HARDCOVER. Condition: As New.

Paperback. Condition: New. Hendrick Avercamp (1585?1634) was the first artist to specialize in painting winter landscapes that feature people enjoying themselves on the ice. Scenes of skating, sleigh rides, and outdoor games on frozen canals and waterways bring to life the energetic pastimes and day-to-day bustle of the Golden Age. He made the ?ice sceneâ a genre in its own right. Within these winter scenes there is also a social narrative: unencumbered by status, all classes formed one community on the ice, where they went about their daily business and celebrated the delights of the winter conditions.For the first time in many years this virtuoso artist receives the attention he deserves. The authors explore every aspect of Avercampâs work, from the weather conditions prevalent at the time to details of the clothes worn by the figures in his crowded scenes. Avercamp was also an outstanding draftsman who made individual figure studies that he utilized not only in his painted work but also in compositional drawings.…

HARDCOVER. Condition: As New.

Zwolle, 1933. XVIII,339 pp. 47 b./w. plts. Hardcover, no d./j. - Slightly damaged. (Werken van de Vereeniging tot Bevordering van Overijselsch Regt en Historisch, nr. 27).

Zwolle, 1933. XVIII,339 pp. 47 b./w. plts. Hardcover, no d./j. - Corners & spine ends sl. worn, cover sl. stained. (Werken van de Vereeniging tot Bevordering van Overijselsch Regt en Historisch, nr. 27).

Schellingwoude from the waterfront with houses behind the dike. An open boat with crew is moored at the jetty.Titled below: 'Te SCHELLINGWOUDE, Ao 1619.' Signed at bottom: 'H. van Avercamp ad vivum del. / S. Fokke fec.' Numbered: '4' Etching on paper with some margin; plate mark: 173 x 252 mm, total: 192 x 271 mm; mounted on cardboard mat, slightly aging paper, in good condition. …

Winter landscape with a group of six figures standing on the bank of a frozen river at right, one of the women wearing a mask and Frederick V 'The Winter King' at centre, skaters and a town in left background; second state with lettering; a facsimile of a watercolour by Hendrik Avercamp of 1621; from a series of forty-six facsimiles (published in separate setsbetween 1765-1787). 1766Etching and roulette in Ploos van Amstel's technique, printed in colour with additional hand-colouringOn verso: Coat of arms of Ploos van Amstel (L.2725).Crayon-manner in Ploos van Amstel's technique.On the bottom right the monogram of Avercamp and inscription. On the verso the device of Ploos van Amstel and inscription by hand: 'Hendk. Avercamp, gebijnaamt de Stomme van Campen fecit 1621, Ploos van Amstel. f: 1766'.[NL] Een rijk gekleed gezelschap, bestaande uit twee mannen en twee vrouwen, op het ijs. Printdrawing, printed á la poupée in black, blue and brown, finished as watercolour; no margins 215 x 222 mm, mounted on cardboard; light foxing. Laurentius 8, II/2; Van Huffel 1; w8. …