Helfer Martha (182 results)

Condition: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

paperback. Condition: Very Good.

hardcover. Condition: As New. Never read, no marks or highlighting in the book. Our copy is hardback, with printed covers, showing light shelf-wear.

Hardcover. Condition: Used-Very Good. dj. Cloth, dj. Minor shelf wear. Else a bright, clean copy.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Near fine. First Edition, First Printing. Octavo. 5.75 x 9 in. x, 224 pp. Near fine in original pictorial wrappers.

Hardcover. Condition: Very Good. None Issued. Text is unmarked; pages are bright. Binding is sturdy. Covers are lightly shelf rubbed. No dust jacket, as issued.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. New hardback that arrived with some wrinkles on the back of spine so we're describing it as used.

Hardcover. Condition: Fine. No DJ. Volume 1 only. First Edition. First Printing. Pages are clean, no markings from previous owners. Boards are clean. Binding is tight. No dust jacket. PICTURES PROVIDED UPON REQUEST.

Paperback. Condition: Brand New. 246 pages. 9.25x6.00x0.50 inches. In Stock.

Trade Paperback. Condition: Very Good. text has a few light margin marks on a few pages. binding tight. covers have very light wear. edges of pages have very light wear.

Hardcover. Condition: Very Good. Never read, text is clean and unmarked. Our copy is a hardback, with printed covers, showing a little tape residue on the spine.

hardcover. Condition: Very Good.

hardcover. Condition: Fine. Sealed in plastic.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Brand New. 246 pages. 9.25x6.00x0.50 inches. In Stock.

Hardcover. Condition: Fine. 1st Edition. Hardcover, volume 1, x + 246 pages, NOT ex-library. Clean and bright throughout with unmarked text, free of inscriptions and stamps, firmly bound. Issued without a dust jacket. --- Nexus 1 inaugurates a pioneering series that redefines the terrain of German Jewish Studies through theoretically ambitious, interdisciplinary, and media-conscious essays. Emerging from the collaborative momentum of the German Jewish Studies Workshop, this volume's tripartite structure - spanning theory, literary history, and public culture - responds to a vital need for a dynamic forum beyond existing publications like the Leo Baeck Yearbook. With contributions from leading voices in the field, Nexus reflects the post-émigré moment of scholarship: digital, transnational, embodied, and self-reflectively interdisciplinary. The first section, "Theoretical Approaches to the Field," sets the tone. Todd Presner's essay in digital humanities urges scholars to rethink Jewish hermeneutics through digital textuality and platforms - a timely intervention in media studies and cultural memory. Lisa Silverman's "Beyond Antisemitism" shifts the discourse from pathology to power, offering a gender-studies-inspired reframing of cultural history. Katja Garloff and Sander Gilman each engage with emotional, affective tropes - unrequited love and happiness as a 'Jewish question' - drawing on psychoanalysis and cultural theory to expose deeper narrative structures in German-Jewish relations. In the second section, literary-historical essays deliver rich microhistories. Jeffrey Grossman's exploration of Bildung through Heine and Auerbach dialogues with post-Enlightenment German literary criticism. Elizabeth Loentz's recovery of Clementine Krämer bridges feminist recovery projects and regionalism studies. David Suchoff's essay on Kafka as a Hebrew writer intersects with Jewish linguistic politics and diasporic modernism. Nicola Behrmann and Agnes Mueller, in turn, address memory and trauma in literary form, invoking Walter Benjamin, Dadaism, and postwar reckoning. The third section addresses performance, memory, and institutional critique. Juliette Brungs reads Tanya Ury's video art as a feminist continuation of embodied memory politics. Jennifer Hansen-Glucklich and Michael G. Levine scrutinise Holocaust memorial practices and post-victim subjectivities in German film, aligning with current debates in museum studies, affect theory, and trauma studies. Together, these essays position Nexus as both a methodological touchstone and a pedagogical resource, perfect for scholars of memory, diaspora, aesthetics, and cultural theory. It marks a generational shift in German Jewish Studies: post-canonical, intersectional, and digitally attuned. -- Contents: Introduction - William Collins Donahue and Martha B. Helfer; German-Jewish Studies in the Digital Age: Remarks on Discipline, Method, and Media - Todd Samuel Presner; Beyond Antisemitism: A Critical Approach to German Jewish Cultural History - Lisa Silverman; Unrequited Love: On the Rhetoric of a Trope from Moritz Goldstein to Hannah Arendt - Katja Garloff; Happiness and Unhappiness as a "Jewish Question" - Sander L. Gilman; Auerbach, Heine and the Question of Bildung in German and German Jewish Culture - Jeffrey A. Grossman; The Literary Double Life of Clementine Krämer: German-Jewish Activist and Bavarian "Heimat" and Dialect Writer - Elizabeth Loentz; Franz Kafka, Hebrew Writer: The Vaudeville of Linguistic Origins - David Suchoff; Words at War: Hugo Ball and Walter Benjamin on Language and History - Nicola Behrmann; The Inability to Love? Jews and Germans in Works by Günter Grass and Martin Walser - Agnes Mueller; Written into the Body: Introducing the Performance Video Art of Tanya Ury - Juliette Brungs; Disfigured Memory: The Reshaping of Holocaust Symbols in Yad Vashem and the Jewish Museum in Berlin - Jennifer Hansen-Glücklich; New Subject Positions in Recent German-Jewish Film - Michael G. Levine.…

Hardback. Condition: Very Good. 8vo. pp 246. Colour illustrated laminated boards. ISBN: 1571135014Pages: May show some slight shelfwear but content clean and unread. Vg+.

Condition: Wie neu. Illustrated. 246 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 553 Gebundene Ausgabe, Maße: 15.24 cm x 2.54 cm x 24.13 cm.…

Hardcover.

Hardcover. Condition: As New. New with slight bump to top of spine, all pages are clean and unmarked.

Condition: New.

Condition: New.

Condition: new.

Condition: new.

Condition: new.

Condition: new.

Condition: new.