Hedberg Gregory (70 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Condition: Very Good. No Jacket. Catalogue to accompany exhibit at Hirschl & Adler Galleries, June 16 - Sept 15, 2000. Artists include Shoichi Akutsu, Jacob Collins, James Croak, James Drake, Christopher Gallego, Kathleen Gilje, Mikel Glass, James Hoston, George M Kelly, William Kennon, Jon DeMartin, Randolph Melick, John Morra, Jill Moser, Graydon Parrish, John Powers, Jennifer Riley, Edward W Schmidt, Elizabeth Turk, Patricia Watwood. Stapled wraps, worn at top and bottom of spine, scrape marks in narrow vertical strip on back cover next to spine; Interior pages are clean and undamaged, tightly bound. 48 pages, 9" x 11". …

Stapled - Saddle-Stapled. Condition: Good. No Jacket. 48 pages. This is the catalogue of an exhibition at the Hirsch & Adler Galleries in New York June 16 - September 15, 2000, featuring the work of Shoichi Akutse, Jacob Collins, James Croak, James Drake, Christopher Gallego, Kathleen Gilje, Mikel Glass, James Hoston, George M. Kelly, William Kennon, Jon DeMartin, Randolph Melick, John Morra, Jill Moser, Graydon Parrish, John Powers, Jennifer riley, Edward W. Schmidt, Elizabeth Turk, Patricia Watwood. Date stamped at lower edge of title page. Edges of covers slightly scuffed. Size: 9 x 11 Inches.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. Brand-new, still in shrink-wrap, neither shelf- nor edge-worn, neither sunned nor marked as a remainder. Bound handsomely in gray buckram cloth covers, with sharp and distinct lettering to spine. Bright and shiny dust jacket, illustrated, showing only very minor wear, not price-clipped. Published in conjunction with an exhibition of the same name that was held February - April 1984. 188 pp. Special focus on artists such as Andy Warhol, Henri Matisse, Jackson Pollock, Willem de Kooning, Bridget Riley, Roy Lichenstein, Jasper Johns and many more.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

softcover. Condition: Collectible; Very Good. First Edition; First Printing. Numerous full page color reproductions and text illustrations by Shoichi Akutsu, Jacob Collins, James Croak, James Drake, Christopher Gallego, Kathleen Gilje, Mikel Glass, James Hoston, George M. Kelly, William Kennon, Jon DeMartin, Randolph Melick, John Morra, Jill Moser, Graydon Parrish, John Powers, Jennifer Riley, Edward W. Schmidt, Elizabeth Turk, and Patricia Watwood. With essays by Gregory Hedberg and Barbara J. Bloemink. Published on the occasion of the exhibition at the Hirschl & Adler Galleries, New York, July 16 - September 15, 2000. ; Tight, clean and crisp. A touch of lght shelf wear, otherwise better than Very Good. Interior is in excellent condition. No inscriptions. No remainder mark. Not ex-library.…

Soft cover. Condition: Very Good. A very good copy of the softcover edition. The text is wholly unmarked, pristine, and the binding is bright and fresh in appearance, with no creasing to the spine. A sharp copy. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.].…

Softcover. Condition: VG. Black wraps. 48 pp. Numerous bw & color plates. Text by Gregory Hedberg and Barbara J. Bloemink. Includes works by Shoichi Akutsu, Jacob Collins, James Croak, James Drake, Christopher Gallego, Kathleen Gilje, Mikel Glass, James Hoston, George M. Kelly, William Kennon, Jon DeMartin, Randolph Melick, John Morra, Jill MOser, Graydon Parrish, John Powers, Jennifer Riley, Edward W. Schmidt, Elizabeth Turk, Patricia Watwood. Exhibition held June 16 to Sept. 15, 2000.…

Softcover, 188 pages, very good condition except light rubbing and edgewear to covers; laminate starting to peel from lower right corner of front cover; no internal marks. Foreign shipping may be extra.

paperback. Condition: Good. stapled pamphlet Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Softcover. 24 Abbildungen / 51 Seiten Zustand: keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten bestoßen. Sprache: Englisch Gewicht in Gramm: 200.

Paper. Condition: Good. Good paper copy ex. cat. April 24 to June 28, 1996, cat. 231, 40 pp, 1 pp text by Stuart P. Feld, Director, lists and illus. in mostly 4/C 31 works.

Hardcover. Condition: Remainder.

Softcover, staple-bound, 16 pages; very good condition, clean and crisp; no internal marks.

paperback. Condition: Very Good. First Edition. Unread. No markings in book. Binding is fine. Evidence of previous price on front free page upper corner tip. 100pp.

Hardcover. Condition: VG+/VG+. White paper boards, gray and illus. dust jacket, 312 pp., color and BW illus. Contents as follows: Introduction -- The two versions of Degas' Little Dancer, Aged Fourteen: a detailed analysis -- The Little Dancer plaster: recording an iconic moment in a contrapposto age : the iconic versus the contrapposto -- Paris in the 1880s: a sudden flourish of four-sided poses -- Degas and modern art -- Visual timeline: the four castings of the Little Dancer, Aged Fourteen -- Chronologies I and II: creation, re-workings, and castings of the Little Dancer, Aged Fourteen and the Nude Little Dancer.; Appendix A: all reviews from 1881 that refer to Degas' Little Dancer, Aged Fourteen -- Appendix B: Degas' preliminary drawings for the Little Dancer, Aged Fourteen -- Appendix C: Measurement and visual comparison -- Appendix D: documentation -- Appendix E: questions and answers. : "Beginning with the hitherto unknown plaster version of Edgar Degas' Little Dancer, Aged Fourteen, Dr Gregory Hedberg undertakes a comprehensive re-evaluation of the significance and influence of this work of modern art. A recently discovered plaster of 'Little Dancer, Aged Fourteen' is upending our understanding of Edgar Degas' most famous work. Documentary and technical evidence confirm that the plaster was cast from Degas' 'Little Dancer' before the wax sculpture was extensively reworked after 1903. The plaster thus records Degas' wax as it appeared when it shocked the Parisian art world at the sixth Impressionist exhibition of 1881. It reveals a far more revolutionary work than the reworked Little Dancer wax and the posthumous Hébrard bronzes we know today. The plaster shows why Joris-Karl Huysmans, in 1881, raved that Degas' 'Little Dancer' was 'the only "truly modern" attempt I know of in sculpture' and why the work left Whistler in a state of near delirium. The plaster reveals Degas at his most innovative by introducing a radical idea of posing a lowly 'opera rat' as a revered figure by giving her an iconic pose, then locking her into a square vitrine, thus emphasizing her symmetrical, four-side stance. It is now clear that in his 'Little Dancer' Degas anticipated radical ideas that came to define key aspects of modern art, dramatically impacting Degas' most noted peers, including Whistler, Manet, Seurat and Sargent. Even twentieth-century masterpieces by Duchamp, Giacometti, Oldenburg, Warhol and Hirst reflect, albeit indirectly, Degas' masterful innovations".…

Hardcover with dustjacket, 312 pages, very good condition, small bump to top of spine and tear to dj; no internal marks, overall clean and crisp. Foreign shipping may be extra.

Softcover. Color illus. stapled wraps. 39 pp. 15 bw, 25 color plates. Issued in conjunction with a 1996 exhibition. With a preface by Stuart P. Feld and a 7-page illustrated introduction by Gregory Hedberg. The 30 catalogue entries are annotated. Artists include Henry Inman, James McNeil Whistler, Winslow Homer, John Singer Sargent, John Wellington, et al. Also includes Andy Warhol's portrait of John Lennon and Nelson Shanks portrait of Princess Diana. Gorgeous color illustrations. VG (Label & few marks from previous gallery owner.). …

Hardcover with dustjacket, 392 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Fine. Stapled binding. Bound with pictorial paper covers. A beautifully illustrated catalogue of new watercolors by famed British watercolorist Alexander Creswell. Breaking the boundaries of traditional watercolor painting by creating the largest size watercolors on a single sheet ever, Creswell continues to elevate the medium of watercolor to new heights. An interesting conversation with the artist, led by Dr. Gregory Hedberg, provides a fascinating understanding of the manner in which the works are created and where the artist's inspirations come from. Creswell's largest collector is HM Queen Elizabeth II, and he has spent time traveling with other members of the British royal family. He was recently given the honor of painting HM The Queen Mother Lying in State, the first time ever this prestigious honor was bestowed upon a watercolorist. 16pp.CONDITION: Covers have light rubbing and edge wear. Pages are crisp and clean. Binding and text block are sound. Full refund if not satisfied.…

Hardcover with dustjacket, 312 pages, as new condition, inscribed and signed by Gregory Hedberg on first page; no other internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine hardcover in a Fine dust jacket. Oversized. First Edition, First Printing. Overall a bright and attractive copy, as new. Color and b&w illustrations throughout. 391 pp.

Softcover, 100 pages, very good condition; light wear to covers; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New. Degas' Little Dancer, Aged Fourteen: The Earlier Version That Helped Spark the Birth of Modern Art Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis.

Condition: New.

Hardcover. Condition: In shrinkwrap. Greyish DJ with photo illustration and red and grey lettering; white boards; 391 pp.; richly illustrated, chiefly in color. In 1955 seventy-four original plasters recording sculptures by Edgar Degas (1834-1917) were moved to the old Valsuani foundry in Paris only to reappear in France in 2004. These plasters are now being published for the first time, presenting new documentary and physical evidence regarding their dating following an in-depth analysis into the condition of Degas's waxes at the time of his death. Technical and documentary evidence now proves that as many as half of the serialised "Hébrard" Degas bronzes now held in museum and private collections around the world were in fact cast at the Valsuani foundry in the 1950s and 1960s - long after the Hébrard foundry closed in 1935/36. All of the now cleaned 74 Degas plasters are recorded in full colour illustrations. The detailed appendix, which can be accessed via a QR code, provides additional information on the objects and is designed as a scholarly catalogue raisonné. Contents as follows: Introduction -- Chapter I. A new look at Degas Sculpture -- Chapter II. Dividing the 74 Degas plasters into five dating groups -- Chapter III. An in-depth study of the Tub plaster : a record of an earlier state of one of Degas' most important sculptures -- Chapter IV. The truth about the Hébrard Degas bronzes -- Plates. All the Degas plasters.…

Hardcover. white cream cloth boards w/ tipped-in illustrations. 100 pp, 245 color & bw illustrations. Biederman is perhaps better known in Europe than in America. The first part of the exhibition includes 158 paintings and drawings from 1927-1937, most of which have never been exhibited before. The second part, from 1936-1976, shows his mature style and consists only of 85 three-dimensional reliefs. Includes an introduction by Gregory Hedberg; two lengthy essays "Charles Biederman's Search for a New Art" by Leif Sjoberg and "Landscapes by Whatever Name" with 22 notes by Jan van der Marck; two artist's statements; a checklist of the exhibition (chronological and by influence); 2-page biographical chronology; and a 2-page bibliography. Published to accompany the exhibition at Minneapolis Institute of Arts, Oct. 17, 1976 to Jan. 2, 1977. Good. shelf-wear & discolorization to lower cover edges; foxing, light soiling, smudges & scratches to covers. foxing to opening & closing pgs; instances of light foxing throughout, but clean. inscription to cover flyleaf.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Hardcover volume, measuring approximately 9.5" x 12.5", is, together with dust jacket, in new condition, still in shrinkwrap. 312 pages. "Beginning with the hitherto unknown plaster version of Edgar Degas' Little Dancer, Aged Fourteen, Dr Gregory Hedberg undertakes a comprehensive re-evaluation of the significance and influence of this work of modern art. A recently discovered plaster of 'Little Dancer, Aged Fourteen' is upending our understanding of Edgar Degas' most famous work. Documentary and technical evidence confirm that the plaster was cast from Degas' 'Little Dancer' before the wax sculpture was extensively reworked after 1903. The plaster thus records Degas' wax as it appeared when it shocked the Parisian art world at the sixth Impressionist exhibition of 1881. It reveals a far more revolutionary work than the reworked Little Dancer wax and the posthumous Hébrard bronzes we know today. The plaster shows why Joris-Karl Huysmans, in 1881, raved that Degas' 'Little Dancer' was 'the only "truly modern" attempt I know of in sculpture' and why the work left Whistler in a state of near delirium. The plaster reveals Degas at his most innovative by introducing a radical idea of posing a lowly 'opera rat' as a revered figure by giving her an iconic pose, then locking her into a square vitrine, thus emphasizing her symmetrical, four-side stance. It is now clear that in his 'Little Dancer' Degas anticipated radical ideas that came to define key aspects of modern art, dramatically impacting Degas' most noted peers, including Whistler, Manet, Seurat and Sargent. Even twentieth-century masterpieces by Duchamp, Giacometti, Oldenburg, Warhol and Hirst reflect, albeit indirectly, Degas' masterful innovations.".…

Paperback. Condition: Very Good. First Edition. Signed by Charles Biederman. Minneapolis Institute of Arts, Minneapolis, 1976. 1st Edition. Folio. 100 pages. Spine is uncreased, binding tight and sturdy. Interior appears free of markings. Cover has some rubbing and a couple areas of light discoloration. Overall shelfwear is very minor and exterior looks nice. Exhibition Catalogue. Signed on front endpaper with very brief inscription. Ships from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book it is not available for expedited delivery; extra charges apply for international shipping. Signed.…