Harrison Jacob (115 results)

Condition: good. Tate, Taylor (illustrator).

Condition: Very Good. Profusely Illustrated (illustrator). Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good.

Profusely Illustrated (illustrator). 188 pp.; 28 x 23 cm.; sewn bound; black-and-white & color; edition size 10000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Chicago, January 23 - April 5, 1987. Traveled to the San Francisco Museum of Modern Art, June 4 - July 26, 1987; Newport Harbor Art Museum, Newport Beach, CA; Hirschhorn Museum and Sculpture Garden, Washington, D.C., November 10, 1987 - January 10, 1988 and Albright-Knox Art Gallery, Buffalo, February 12 - April 10, 1988. Curated and with text by Mary Jane Jacob and Graham Beal. Additional texts by Lynne Cooke. Edited by Terry A. Neff. Artists include Tony Cragg, Richard Deacon, Barry Flanagan, Richard Long, David Nash, and Bill Woodrow. Includes exhibition checklist and artists' biographies by Dennis Alan Nawrocki. Very Good. Light rubbing of cover edges. Light yellowing of page edges. Contents clean and unmarked. Due to size and weight additional shipping charges will be required for international orders.

Condition: Good. First Edition Thus. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. First Edition Thus. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Wraps. Condition: Good to Very Good-. 1st printing, 1981. Digest-sized. Cover photo. Includes "Introduction"; "The Last Answer" by Hal Ellson; "The Gracious, Pleasant Life of Mrs. Afton" by Patricia Highsmith; "Credit To Shakespeare" by Julian Symons; "Blood Brothers" by Christianna Brand; "The Opposite Number" by Jacob Hay; "The Beddoes Scheme" by James Powell; "The Lithuanian Eraser Mystery" by Jon L. Breen; "Wit's End" by Michael Harrison; "A Matter of Equine Ballistics" by R. Bretnor; "The Man Who Never Told a Lie" by Isaac Asimov; "Over the Borderline" by Jeff Sweet; "Whatever Happened to Barty Wilson?" by Mary Braund; "Mr. Strang Picks Up the Pieces" by William Brittain; "Dover Does Some Spadework" by Joyce Porter; "C as in Crime" by Lawrence Treat; "The Long Cry for Help" by Hugh Pentecost; "The Adventure of the Three R's" by Ellery Queen; "The Tiger of the Mekong" by MacLean O'Spelin; "Night Fear" by Lika Van Ness; "The Tragedy at Brookbend Cottage" by Ernest Bramah; "Blind Man's Bluff" by Roy Vickers. Tanning; foxing; rear cover a little soiled; minor bug damage and creasing; edge and corner wear; top end marked in green spray. Magazine.

Paperback. Condition: Very Good. Please note our Copies of this kind of media may contain covered address labels.

Condition: Very Good. First Edition Thus. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. First Edition Thus. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. First Edition Thus. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Single Issue Magazine. First Edition. Davis Publications 1967 1st ed 162pp Very good with very light wear and minor toning to pages. 801.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. A QUIET REVOLUTION / BRITISH SCULPTURE SINCE 1965. Essays by Graham Beal, Lynne Cooke, Charles Harrison, Mary Jane Jacob. Thames & Hudson, 1987. 4to size book, gray clth binding very fine, the DJ varnish finish is mottled o/w the DJ in reasonable w/just a little wear. 188-pages of text fine, lots of illustration.

Paperback. Condition: Brand New. Tate, Taylor (illustrator). 225 pages. 6.00x0.57x9.00 inches. In Stock.

Hardcover. Condition: Near Fine. Barry Flanagan sculpture on front cover.

Condition: New. In.

Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Type: Book 188 pp Green-grey cloth with black stamp on the front board and spine. DJ in mylar (small open tear on the head edge). Illustrated with 127 black and white phototypes and 22 colour reproductions on semi-gloss pages.Please contact us directly for a full description. Photo scan available upon request. Photo scan available. Shipments to USA, USPS via Canada Post Express; FREE OF CUSTOMS OR DUTY CHARGE.

Condition: New. In.

Condition: New. In.

Paperback. Condition: New.

Condition: New. In.

Condition: New. In.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condition: New. In.

SOFTCOVER. Condition: Fine. 1st Edition. Large 4to. in photo illustrated stiff glossy card covers, 80pp on stiff paper, full page plates, numerous illustrations in text, etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (merest hint of tanning to leaves) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardback in Dust Wrapper. Condition: Very Good. Dust Jacket Condition: Very Good. Condition Notes: Previous owners' name to the first blank; First edition (first printing). Hardback. Dust wrapper over grey boards with black titles to the spine; Measures 11¼" x 9¼" (1.4 kg); pp 188; Contains: Black & white photographs; Colour photographs; 3-column text (in part); || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #182554 ||.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.