Hammial Philip (19 results)

Paperback. Condition: Very Good+. First Edition; First Printing. First Edition, First Printing (No additional printings stated). Like new with light wear to covers and no marks to text. Poetry; 8vo 8" - 9" tall; 288 pages.

soft cover. Condition: Very Good. No Jacket. 1st edition. 22 cm. 71 pages VG. Very good condition with light shelf wear to covers, gift inscription signed Phil on title page. Signed by author.

Near Fine glossy wraps in a Near Fine lightly rubbed dust jacket.

First trade edition. 69 pp. Bump to one upper corner, else near fine in illustrated wrappers. The colophon calls for 500 numbered copies; this copy is not numbered.

Paper Back. Condition: Very Good. 71 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size E: 8"-9" Tall (204-227mm).

paperback. Condition: Very Good. Special All-Women issue of The Satruday Book of Poetry (Issue 14 vol 4 no 2 Summer Dec '75-Jan '76) to mark International Women's Year; with poems by Colleen Burke, Mary Macdonald, Peggy Clarke, and many more; bookshop stamp to page 19, first page clipped top corner, o.w. Very Good throughout . 50pp. 8vo. Very Good.

Softcover. Condition: Very Good. 1st Edition. Octavo Size [approx 15.5 x 22.8cm]. Very Good condition. Robust, professional packaging and tracking provided for all parcels. 95 pages. The twenty-first poetry collection by the Australian poet and artist. Robust, professional packaging and tracking provided for all parcels.

40pp. 8vo. Original wrappers, a touch rubbed on upper wrapper, otherwise a very good copy. First Edition. Saturday Centre Poets' Series No. XV.

Soft cover. Condition: Good. First Edition. Softcover, first edition, 146gms, 80 pages. This is Philip Hammial's 16th collection of poetry. Book is in good condition with minor general wear and tear and light page discolouration throughout, otherwise no other preloved markings.

paperback. cover design by Colin Mitchell (illustrator). Signed 1st Edition of Philip Hammial's fifth collection of poems; flat-signed by Hammial to fep; the dustwrapper shows an illustration of Marat in the bathtub; minor foxing to fep, o.w. Very Good throughout; dustwrapper very lightly rubbed, o.w. Very Good Dustwrapper. 50pp. 8vo. Very Good in Very Good dustwrapper Very Good in Very Good dustwrapper.

paperback. Condition: Very Good. cover illustration Kay Orchison (illustrator). Sequence of poems by Philip Hammial, limited to 100 copies signed by the poet (this being No. 52); Vagabond Press Rare Object Series 16/16; hand-tipped colour illustration to front cover by Kay Orchison; Very Good clean copy. . unpaginated (8pp). 8vo. Very Good.

Paperback. Condition: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED*Near fine.first edition. inscribed presentation copy signed by the author.

Soft cover. Condition: Good. International Women's Year: Special All-Women Issue. Creamy blue cover with black lettering. Spine a little discoloured. Cover thumbed and well rubbed, yet bright. Edges are slightly discoloured. Simple binding is sturdy, yet showing signs of age. This book is in good condition. *We always describe the faults of our books meticulously but they usually present better than they sound.

Soft cover. Condition: Good. Yellow cover with black lettering. Spine a little discoloured. Cover thumbed and rubbed, yet bright. Heavier rubbing at head edge of front cover. Edges are slightly discoloured. Simple binding is sturdy and neat. This book is in good condition. *We always describe the faults of our books meticulously but they usually present better than they sound.

Soft cover. Condition: Good. Blue cover with black lettering. Spine a little discoloured. Cover thumbed and rubbed, yet bright. Edges are slightly discoloured. Simple binding is sturdy and neat. This book is in good condition. *We always describe the faults of our books meticulously but they usually present better than they sound.

Soft cover. Condition: Very Good. Some general wear, small amount of staining on covers, staples are rusted, else book is in very good condition. *We always describe the faults of our books meticulously but they usually present better than they sound.

Condition: Poor. 8vo softcover 79pp near fine. Signed by author on title page. I.

Softcover. First Edition; First Printing. Near Fine in wraps.; Signed by author on title page.; Signed by Author. Signed.

Ownership Signature of Roger Cardinal, VG in publishers decorated wrappers. 86pp. Illustrated throughout. 1st edition. Outsider Art in Australia (Aspect No. 35) is a landmark 1989 journal issue that helped introduce unschooled, "Art Brut," and self-taught Australian artists to wider critical acclaim. Edited by noted cultural scholars Ulli Beier, Rudi Krausman, and Philip Hammial, this edition documented isolated creators working entirely outside the mainstream.Roger Cardinal was one of Britains most distinguished art historians, best known for defining what is generally known as Outsider Art - that is, art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba, Canada, subsequently moving to Warwick University and finally to the University of Kent at Canterbury, where he taught for fifty years and held a professorship.Roger Cardinal was not only a leading authority on Outsider Art, but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent, percipient writings include several books on a wide range of subjects such as Outsider Art (1972), German Romantics in Context (1975) Figures of Reality (1981), Expressionism (1984), The Landscape Vision of Paul Nash (1989), The Cultures of Collecting (1994), and Kurt Schwitters (2011). He also acted as a curator and was a regular contributor to art-historical publications.CardinalÕs interest in art lay in its margins - the neurodiverse, psychotic, uneducated, autistic, self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly, it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking.