Guindi (381 results)

Paperback. Condition: Very Good. Shortlisted for the Katharine Briggs Folklore Award 2000. In the 1970s, often to the consternation of parents and siblings, certain progressive young Arab women voluntarily donned the veil. The movement, which rapidly expanded and continues to gather momentum, has sparked controversy within Islamic culture, as well as reactions ranging from perplexity to outrage from those outside it. Western feminist commentators have been particularly vociferous in decrying the veil, which they glibly interpret as a concrete manifestation of patriarchal oppression. However, most Western observers fail to realize that veiling, which has a long and complex history, has been embraced by many Arab women as both an affirmation of cultural identity and a strident feminist statement. Not only does the veil de-marginalize women in society, but it also represents an expression of liberation from colonial legacies. In short, contemporary veiling is more often than not about resistance. By voluntarily removing themselves from the male gaze, these women assert their allegiance to a rich and varied tradition, and at the same time preserve their sexual identity. Beyond this, however, the veil also communicates exclusivity of rank and nuances in social status and social relations that provide telling insights into how Arab culture is constituted. Further, as the author clearly demonstrates, veiling is intimately connected with notions of the self, the body and community, as well as with the cultural construction of identity, privacy and space. This provocative book draws on extensive original fieldwork, anthropology, history and original Islamic sources to challenge the simplistic assumption that veiling is largely about modesty and seclusion, honor and shame.…

paperback. Condition: Very Good.

Paperback. Condition: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Good. What if Neil Simon wrote a lovable comedy about a Muslim-American family trying to hold itself together amidst the misunderstandings that run amuck and the comedy that ensues when the generations collide? It would probably resemble something like the surprisingly enjoyable, charming and oftentimes hilarious TEN ACROBATS IN AN AMAZING LEAP OF FAITH. Fabrizio O Almeida, New City Chicago With TEN ACROBATS IN AN AMAZING LEAP OF FAITH, playwright Yussef El Guindi takes the genre (of the immigrant experience) to a new place--the Arab-American experience post September 11, 2001. With humor, passion and a lovely touch of whimsy, he's created a theatrical experience that's not to be missed. Louis Weisberg, CFP El Guindi's engrossing play.finds a workable balance between sharp humor and head-banging angst, which shapes his story effectively. Mary Houlihan, Chicago Sun-Times Woven into this complicated family drama are scenes of delightful humor. Humanity is the substance that ties not only all of the characters together but also binds the audience to them. This play beautifully serves the purposes of drama, comedy, the artistic theatrical process and, perhaps most importantly, demystifying the hate that comes from fear of unknown cultures. Venus Zarris, Gay Chicago Magazine The drama comes from an emotionally vivid story that captures a world of anger, joy, love and frustration as it plays out in a Muslim-American family. The appeal lies in Guindi's ability to transcend ethnicity while still writing a rich depiction of a Muslim family. The emotional difficulties could belong to any family of any (or no) religion. Smart, challenging, poignant, whimsical and at times, delightfully silly. Catey Sullivan, Pioneer Press.…

Paperback. Condition: Very Good. What if Neil Simon wrote a lovable comedy about a Muslim-American family trying to hold itself together amidst the misunderstandings that run amuck and the comedy that ensues when the generations collide? It would probably resemble something like the surprisingly enjoyable, charming and oftentimes hilarious TEN ACROBATS IN AN AMAZING LEAP OF FAITH. Fabrizio O Almeida, New City Chicago With TEN ACROBATS IN AN AMAZING LEAP OF FAITH, playwright Yussef El Guindi takes the genre (of the immigrant experience) to a new place--the Arab-American experience post September 11, 2001. With humor, passion and a lovely touch of whimsy, he's created a theatrical experience that's not to be missed. Louis Weisberg, CFP El Guindi's engrossing play.finds a workable balance between sharp humor and head-banging angst, which shapes his story effectively. Mary Houlihan, Chicago Sun-Times Woven into this complicated family drama are scenes of delightful humor. Humanity is the substance that ties not only all of the characters together but also binds the audience to them. This play beautifully serves the purposes of drama, comedy, the artistic theatrical process and, perhaps most importantly, demystifying the hate that comes from fear of unknown cultures. Venus Zarris, Gay Chicago Magazine The drama comes from an emotionally vivid story that captures a world of anger, joy, love and frustration as it plays out in a Muslim-American family. The appeal lies in Guindi's ability to transcend ethnicity while still writing a rich depiction of a Muslim family. The emotional difficulties could belong to any family of any (or no) religion. Smart, challenging, poignant, whimsical and at times, delightfully silly. Catey Sullivan, Pioneer Press.…

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good. K. Brian Neel (illustrator).

Paperback. Condition: Very Good. Shortlisted for the Katharine Briggs Folklore Award 2000. In the 1970s, often to the consternation of parents and siblings, certain progressive young Arab women voluntarily donned the veil. The movement, which rapidly expanded and continues to gather momentum, has sparked controversy within Islamic culture, as well as reactions ranging from perplexity to outrage from those outside it. Western feminist commentators have been particularly vociferous in decrying the veil, which they glibly interpret as a concrete manifestation of patriarchal oppression. However, most Western observers fail to realize that veiling, which has a long and complex history, has been embraced by many Arab women as both an affirmation of cultural identity and a strident feminist statement. Not only does the veil de-marginalize women in society, but it also represents an expression of liberation from colonial legacies. In short, contemporary veiling is more often than not about resistance. By voluntarily removing themselves from the male gaze, these women assert their allegiance to a rich and varied tradition, and at the same time preserve their sexual identity. Beyond this, however, the veil also communicates exclusivity of rank and nuances in social status and social relations that provide telling insights into how Arab culture is constituted. Further, as the author clearly demonstrates, veiling is intimately connected with notions of the self, the body and community, as well as with the cultural construction of identity, privacy and space. This provocative book draws on extensive original fieldwork, anthropology, history and original Islamic sources to challenge the simplistic assumption that veiling is largely about modesty and seclusion, honor and shame.…

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. What if Neil Simon wrote a lovable comedy about a Muslim-American family trying to hold itself together amidst the misunderstandings that run amuck and the comedy that ensues when the generations collide? It would probably resemble something like the surprisingly enjoyable, charming and oftentimes hilarious TEN ACROBATS IN AN AMAZING LEAP OF FAITH. Fabrizio O Almeida, New City Chicago With TEN ACROBATS IN AN AMAZING LEAP OF FAITH, playwright Yussef El Guindi takes the genre (of the immigrant experience) to a new place--the Arab-American experience post September 11, 2001. With humor, passion and a lovely touch of whimsy, he's created a theatrical experience that's not to be missed. Louis Weisberg, CFP El Guindi's engrossing play.finds a workable balance between sharp humor and head-banging angst, which shapes his story effectively. Mary Houlihan, Chicago Sun-Times Woven into this complicated family drama are scenes of delightful humor. Humanity is the substance that ties not only all of the characters together but also binds the audience to them. This play beautifully serves the purposes of drama, comedy, the artistic theatrical process and, perhaps most importantly, demystifying the hate that comes from fear of unknown cultures. Venus Zarris, Gay Chicago Magazine The drama comes from an emotionally vivid story that captures a world of anger, joy, love and frustration as it plays out in a Muslim-American family. The appeal lies in Guindi's ability to transcend ethnicity while still writing a rich depiction of a Muslim family. The emotional difficulties could belong to any family of any (or no) religion. Smart, challenging, poignant, whimsical and at times, delightfully silly. Catey Sullivan, Pioneer Press.…

Paperback. Condition: Very Good. What if Neil Simon wrote a lovable comedy about a Muslim-American family trying to hold itself together amidst the misunderstandings that run amuck and the comedy that ensues when the generations collide? It would probably resemble something like the surprisingly enjoyable, charming and oftentimes hilarious TEN ACROBATS IN AN AMAZING LEAP OF FAITH. Fabrizio O Almeida, New City Chicago With TEN ACROBATS IN AN AMAZING LEAP OF FAITH, playwright Yussef El Guindi takes the genre (of the immigrant experience) to a new place--the Arab-American experience post September 11, 2001. With humor, passion and a lovely touch of whimsy, he's created a theatrical experience that's not to be missed. Louis Weisberg, CFP El Guindi's engrossing play.finds a workable balance between sharp humor and head-banging angst, which shapes his story effectively. Mary Houlihan, Chicago Sun-Times Woven into this complicated family drama are scenes of delightful humor. Humanity is the substance that ties not only all of the characters together but also binds the audience to them. This play beautifully serves the purposes of drama, comedy, the artistic theatrical process and, perhaps most importantly, demystifying the hate that comes from fear of unknown cultures. Venus Zarris, Gay Chicago Magazine The drama comes from an emotionally vivid story that captures a world of anger, joy, love and frustration as it plays out in a Muslim-American family. The appeal lies in Guindi's ability to transcend ethnicity while still writing a rich depiction of a Muslim family. The emotional difficulties could belong to any family of any (or no) religion. Smart, challenging, poignant, whimsical and at times, delightfully silly. Catey Sullivan, Pioneer Press.…

Paperback. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. A guide to visual anthropology and the use of film in ethnographic research. It shows how visual media is an accepted part of anthropological methodology, a vital tool that produces knowledge about the range of cultures and about culture itself. It is useful for ethnographic research.…

Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Good. A guide to visual anthropology and the use of film in ethnographic research. It shows how visual media is an accepted part of anthropological methodology, a vital tool that produces knowledge about the range of cultures and about culture itself. It is useful for ethnographic research.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.